Los cineastas utilizan cámaras ocultas para captar los diversos intentos de suicidio en el puente Golden Gate, el destino suicida más popular del mundo. Entrevistas con seres queridos de las... Leer todoLos cineastas utilizan cámaras ocultas para captar los diversos intentos de suicidio en el puente Golden Gate, el destino suicida más popular del mundo. Entrevistas con seres queridos de las víctimas describen sus vidas y su salud mental.Los cineastas utilizan cámaras ocultas para captar los diversos intentos de suicidio en el puente Golden Gate, el destino suicida más popular del mundo. Entrevistas con seres queridos de las víctimas describen sus vidas y su salud mental.
- Dirección
- Guionista
- Elenco
- Premios
- 2 nominaciones en total
- Dirección
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"The Bridge" is a low budget documentary that delicately, yet honestly presents a common occurrence on the bridge: suicide jumpers. Actual footage of several jumpers is shown in the midst of interviews with loved ones trying to make sense out of the senseless.
Effectively, "The Bridge" is tied together by a single story of one individual whose footage is featured through-out the film to be concluded with a quite dramatic sequence.
What I enjoyed most was the interview and story of a young teen boy who decided he wanted to live as he was plummeting to the water below and miraculously survived.
One portion of the film that I would have preferred edited out was the mother and sister of one of the victims. Their interview became obnoxious as the sister kept interrupting the mother.
"The Bridge" dug into me and clenched a nerve. It will stay with me for some time.
This movie is born out a project to film the Golden Gate bridge for an entire year and focus on the suicide (both attempted and successful) and the people's lives that changed forever.
Bridge footage mixed with various interviews make for a compelling case study on what brings people to this gorgeous man-made structure to end their lives and how people around react to such acts of humanity gone somewhat wrong.
Besides the visually superb views of the bridge, the documentary is well put together and includes interviews with family members and friends, as well as passerby's. A particularly moving part is when a tourist taking pictures on the bridge finally gets involves in rescuing a young lady about to jump. Another riveting story is that of bipolar kid who says goodbye to his dad one morning, goes to school for his first class then heads to the bridge to jump. He miraculously survived to tell us about it. Some will not be as fortunate...
A movie that is willing to ask the tough questions and to look at one of our society's enduring taboo.
There is a real question within this film and it is one that is only really touched on by one person (not Steel himself I note) and that is the distance provided by the camera as we observe but do not stop the deaths we see. The film doesn't let you build to facing this as the opening credits are a man hopping up onto the barrier and then jumping to his death; it is here where you decide if you want to watch the rest because it is a strange experience where I at once felt dirty but also distant. I'm not suggesting Steel did nothing to prevent people he saw acting suspiciously from jumping but it is hard to have so much footage of the last guy with the long hair in particular and then follow him to the water and death.
The act of looking at it through a camera is weirdly distancing and I felt wrong watching these things while sitting in my warm front room with a reasonably good life, physical and mental health. This distance remained for me in the film itself as I was strangely emotionally distant from the jumpers and their families. The lack of message and structure doesn't help this and I suppose it is a danger of making the film the way he did because he was very much at the "mercy" of what happens as to how his film turned out. If we had had a year of spoilt rich kids then of course the musings would have been very different. This is also a strength though because the film does provide food for thought in the discussions with the families and friends; I found myself thinking about the topic and this is really what you need to be doing because in terms of substance and message the film does rather sit back and let the viewers do what they want.
This is a real shame because it means the most arresting images and footage are the jumpers themselves and it is hard to avoid watching but also not wanting to at the same time. I don't want to accuse of it of not backing up this footage with substance but I'm afraid that is where I am going with this. The documentary doesn't really explore the themes so much as the individuals and the film is rather repetitive. The lack of emotion drawn from me didn't help me get involved in the people and the things that made me engaged seemed to be mostly happening in my head rather than on the screen.
Overall then this is certainly an interesting film but this interest comes mostly from the viewer rather than the film. The suicides are shocking but yet hypnotic and also morally challenging as you sit there as part of a paying audience watching people die from a distance of space and time. The film is nowhere near good or insightful enough to totally justify the use of this footage and, while I think the footage is more than enough to grab viewers' attention, it is not that great a documentary if you were to watch it with these scenes removed and that for me says quite a lot about the film.
Yes, its shocking, yes its heartbreaking but by talking to the families and friends of the jumpers there is a tremendous insight into the true ramifications of suicide. Some families/friends come to terms with it, some don't. Some realise that their friend/relation is now at peace, while some are angry at the selfishness of it. I found a lot of the film life affirming, it also features a survivor and someone who was rescued at the last moment. This really isn't a ghoulish film.
It's an excellent documentary that makes no judgements. All it does is spotlight something in society that we don't like to talk about in an intelligent, compassionate and unbiased way. There is so much more to this film than just the shock value, hopefully people will see that.
For what its worth I felt that by deciding to take their own lives in a public forum the jumpers had forgone the right to privacy in their final moments. I didn't feel like a voyeur. I recommend this film very highly.
¿Sabías que…?
- TriviaThe documentary caused significant controversy when Eric Steel revealed that he had tricked the Golden Gate Bridge committee into allowing him to film the bridge for months and had captured 23 suicides which took place during the filming phase of the project. In his permit application to the Golden Gate National Recreation Area Steel said he intended "to capture the powerful, spectacular intersection of monument and nature that takes place every day at the Golden Gate Bridge."
- Citas
[Last lines]
Caroline Pressley - Gene's Friend, South San Francisco, CA: I don't know why people kill themselves. And yet, it's a small step to empathize... to say... well, because I think we all experience moments of despair. That, ah, it would be so much easier not to do this anymore. But for most of us, the sun comes out, and then "Oh well, Tomorrow is another day". Why he chose the Bridge? I don't know. Maybe there was a certain amount of release from pain, by pain. Maybe he just wanted to fly one time.
- ConexionesFeatured in WatchMojo: Top 10 Controversial Documentary Movies (2015)
- Bandas sonorasNeither Heaven Nor Space
Written by Matthew Caws, Daniel Lorca, and Ira Elliot (as Ira Elliott)
Performed by Nada Surf
Published by Songs as Pets (BMI)/Karmacode (ASCAP)
Courtesy of Barsuk Records
By arrangement with Bank Robber Music
Selecciones populares
- How long is The Bridge?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Most
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 25,000 (estimado)
- Total en EE. UU. y Canadá
- USD 179,780
- Fin de semana de estreno en EE. UU. y Canadá
- USD 49,313
- 29 oct 2006
- Total a nivel mundial
- USD 205,724
- Tiempo de ejecución1 hora 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1