La misma luna

This certainly lived up to expectations of being "a nice movie," an involving story about a young Mexican boy who sneaks into the United States to try to find his mother in Los Angeles. She had been in L.A. for four years and, frankly, I forget why. They don't dwell on that, but there must have been a good reason since she loves the kid and vice-versa. Each Sunday morning at 10, she calls him from the same spot. That's a key to the story.

When the woman's mother dies, "Carlito's" grandmother who had been looking after the young boy, the kid decides his options aren't good at that point and he needs to take a big chance to see if he can find his way to Los Angeles. Yes, you have to suspend your beliefs here a bit, as the odds on a kid actually being able to do that - all with no money! - are astronomical, but it's fun to watch him on his journey and how he makes do with what little he has. Some of the friendships he makes are truly touching and in a way, the best part of the film.

While writing this, it makes me flashback to the film "The Straight Story" when an old man on a tractor drives 300 miles across Iowa to see his long-lost brother. He is befriended by many people along the way, some who go to extraordinary lengths to help a stranger. That's the case here, too.

We also get a good profile of the mother, her best friend and a wonderful man she meets during this story, which takes place in one week. Each "chapter" of the film is broken down into days. Yes, the film is slightly preachy concerning immigration but the story is so good that one forgets about the political aspect, no matter side one is on.

This is a pretty solidly-made film, from directing to acting to the visuals but it's the story that will hook you in early on and you aren't able to let go until the end. The last half hour will keep you on the edge of your seat, wondering exactly things how will turn out. That's good, because it means the movie is entertaining. Definitely recommended.

Do not let the idea of illegal immigration keep you from this film. If you are strongly against illegal immigration, I still recommend watching the film. Overall, it was done extremely well. So even if you are against the characters crossing the border illegally, the movie still won't disappoint. It's extremely touching and the main story is just a son trying to get back to his mother, but faces many obstacles (the border, money issues, untrustworthy people) on the way. It's a lot better than a lot of the American movies that have been coming out weekly. However many people have complained about the reality of such events and the protocol at the Mexico-US border checkpoint, my only advice is to remember that it is a FILM! it never said it was a documentary, so aside from the several "unrealistic" events, the film is lovely and i do recommend it for everyone. if you want to see the more realistic ongoings, please watch Wetback, a documentary on undocumented immigrants from their homeland and crossing to America.

Under the Same Moon (2007)

This story is one that will feel too close to home to many viewers--immigrants of all kinds, and parents who have ever been separated from their kids. The emotional stakes get piled so high you know that it can't end in disaster (the audience would be angry), so you kind of wait to see how the inevitable gets worked out.

What holds it completely together is the stellar acting of the lead boy, played by Adrian Alonso, with great support from his pretty but a bit restrained mother, played by Kate del Castillo. You can't help but feel for them, and the many hardships they encounter will move you right along with the events.

Which is the only conspicuous problem with the movie--the hardships are endless and brutal and almost comically classic. I'm sure they're all true enough, and I'm sure there are even individuals who face all these things in one lifetime. But it all happens in a week as the days tick off one by one to the critical weekly phone call. It's too much, really, no matter how you cut it--unless you think of it as a kind of modern Grimm fairy tale. In those, terrible things happen to kids and yet there is a dramatic outcome you take in stride. The fact this is kind of knowingly over the top happens when our two leads come within feet of each other (in the sprawling city of Los Angeles) and don't know it. Could be, but it doesn't help any sense of realism.

And yet it is filmed with an attention to small details, to making people reasonable (bad and good people both) and believable. That's eventually all backdrop to the tale, complete with wicked relatives, a knight in shining armor, and a couple of scofflaws who come to the rescue just in time.

It'll make you cry, and you might get mad at being so manipulated. But I think it's worth it.

I just saw this film at the Woodstock Film Festival and it was one of the highlights for me. I went in having no idea what to expect and was more than pleasantly surprised. There is not a note of false dialog, it's heartfelt, but not overwrought. It tells a story of a mother trying to support her son and mother in Mexico from LA. When the Grandmother suddenly dies, the 9 year old boy crosses the border to find his mother. From this description it might not sound like much, but seek it out, it's well worth it. All around the acting is wonderful, particularly the young boy Carlitos, played by Adrian Alonso. America Ferrara has a very brief role in this film, don't just see it for her.

One can never accuse this film of reaching classic heights, but one can truly say it tries very hard, a little too hard at times. Throughout the film, there are moments that transcend its obvious attempts to manipulate its audience, but it never rises to sublime status, like "Cinema Paradiso" did by tying a personal story to the evolution of a society that lost its innocence and the ability to dream. The parallels in that movie were delicately explored, as Toto's story and that of his beloved city traveled similar path. In "Moon" things could have moved beyond soap opera status. Unfortunately, the tears flow much too easily, even when the situation doesn't quite earn them.

A hard working mother has lost her connection with her 9 year old. Because of her move to the U.S., she lives in constant fear of not doing the best for her child, and to make matters worse, her little boy feels like he is not wanted anymore. Things become worse as events develop in such a way that he is forced to follow the path of many other immigrants and endure a series of ordeals to reunite with his parent.

Along the way, we are witness to many situations undocumented aliens are exposed to, and the film makes an honest attempt to present most people in a fair way, though there are some characterizations that are at best sketchy. The main points are there, but the subtlety is missed.

There are some good performances here, and the male actors do much better, as the young boy easily explores an amazing range of emotions. In addition there are two supporting actors that don't quite succumb to the stereotypes of the uneducated immigrant that most people associate with this type of situation. Eugenio Derbez in particular, does an amazing job as the hardened sidekick who discovers his heart might still be open to caring.

The part of the mother is underwritten and opportunities are not fully explored as we wish we could know more of what propelled her into taking the drastic option of moving to the United States. She is a hard worker, a loving mother, but mostly a shell of character, one who cries on cue, but rarely projects any substance.

In general, the film is a lovely social commentary that might reach a few people and open the way to understanding the plight of some members in society. We only wish we could see a more real portrayal of them.