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Soredemo boku wa yattenai

  • 2006
  • 2h 23min
CALIFICACIÓN DE IMDb
7.6/10
1.9 k
TU CALIFICACIÓN
Ryô Kase in Soredemo boku wa yattenai (2006)
Drama

Agrega una trama en tu idiomaA young man is falsely accused of molesting a high-school girl on a train. He is arrested and charged, and goes through endless court sessions, all the while insisting that he is innocent.A young man is falsely accused of molesting a high-school girl on a train. He is arrested and charged, and goes through endless court sessions, all the while insisting that he is innocent.A young man is falsely accused of molesting a high-school girl on a train. He is arrested and charged, and goes through endless court sessions, all the while insisting that he is innocent.

  • Dirección
    • Masayuki Suô
  • Guionista
    • Masayuki Suô
  • Elenco
    • Ryô Kase
    • Asaka Seto
    • Kôji Yamamoto
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.6/10
    1.9 k
    TU CALIFICACIÓN
    • Dirección
      • Masayuki Suô
    • Guionista
      • Masayuki Suô
    • Elenco
      • Ryô Kase
      • Asaka Seto
      • Kôji Yamamoto
    • 12Opiniones de los usuarios
    • 19Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 19 premios ganados y 12 nominaciones en total

    Fotos1

    Ver el cartel

    Elenco principal32

    Editar
    Ryô Kase
    Ryô Kase
    • Teppei Kaneko
    Asaka Seto
    • Riko Sudo, Lawyer
    Kôji Yamamoto
    Kôji Yamamoto
    • Tatsuo Saito
    Masako Motai
    Masako Motai
    • Toyoko kaneko
    Kôji Yakusho
    Kôji Yakusho
    • Masayoshi Arakawa, Lawyer
    Daisuke Honda
    Hirotarô Honda
    • Hideo Mitsui
    Yosuke Ishii
    • Keizo Hirayama
    Toshiyuki Kitami
    • Takashi Miyamoto
    Fumiyo Kohinata
    Fumiyo Kohinata
    • Shogo Muroyama
    Tôru Masuoka
    • Seiichiro Tamura
    Ken Mitsuishi
    • Mitsuru Sada
    Toshinori Omi
    Hidemi Sekiguchi
    • Supporter
    Misa Shimizu
    Misa Shimizu
    Daikichi Sugawara
    Daikichi Sugawara
    Kôsuke Suzuki
      Ranran Suzuki
      • Yoko Doi
      • Dirección
        • Masayuki Suô
      • Guionista
        • Masayuki Suô
      • Todo el elenco y el equipo
      • Producción, taquilla y más en IMDbPro

      Opiniones de usuarios12

      7.61.9K
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      Opiniones destacadas

      9barkerintokyo

      One perspective on the Japanese justice system

      The film follows the procedures of an unfortunate man as he is arrested, indicted, and tried for groping, a criminal offense. Throughout, the audience is confronted with moral dilemmas, questions on the most basic, most fundamental principles of the justice system and court procedure. Of course, the basic tenet is "innocent until proved guilty," but how does a court truly guarantee such? How does a justice system work efficiently without error? How should the justice system correct itself when there is a mistake? And how should the defendant act when he is wrongly accused? These questions are relevant to any nation, not just Japan.

      Despite all the considerations of a highly developed democratic system, the main character, Teppei, still finds himself in the most unfortunate situation of being indicted for a crime he did not commit. Japan has checks and balances different from the United States or other western nations. Most innocent people are freed in the Kensatsu (something similar to the prosecutor) and are never indicted. In a sense, there is a court involving investigation, before the actual court. That a defendant, before entering a court room, has already been found guilty in two separate investigations renders the court a place to merely decide what the punishment should be. This is the reality of 99.9% guilty rate (which includes those who plead guilty). Teppei finds himself in the unlucky situation where he actually gets indicted despite being innocent.

      After seeing this movie, many people, especially non-Japanese, will get the wrong impression of the Japanese justice system, which is a lot more fair than this film gives credit to. Regardless, the film presents a very valuable and justified perspective of the way criminal cases are handled in Japan and forces us to contemplate the concept of courts regardless of nation.
      8napo0523

      Human Life

      One day man is suspected as a criminal of a groper. He has never done such a thing, however he is wrongly labeled as a criminal. He cannot accept it and decides to bring the case into court. He strongly insists that he is innocent but his claims are rejected. The police struggle for their pride. He fights for his innocent for a long time and in the end…

      I am very sorry that this kind of accident really occurs. Of course groping should not be accepted. However, someone who is under suspicion also has his life. If he is not a criminal, his life will be unexpectedly changed. I cannot accept such a thing. This film shows us very serious problem of Japan. I want many people to watch this film and rethink about Japanese trials.
      8movedout

      Welcome Back, Mr Suo

      Japan's foreign-film entry to the 2008 Academy Awards is a doozy and arrives from one of the country's preeminent filmmakers, Masayuki Suo. In his first film since 1996's "Shall We Dansu?", he brings the same discriminating eye back to Japan's cultural and social norms and in "I Just Didn't Do It", zeros in on its oppressively rigid judicial system. Observed on a level that can only be described as stark realism, a true departure from Suo's august social comedies and a distinct legal procedural going by its narrative trajectory of showing the inciting incident, investigation and to the courtroom in its various stages of due process – Teppei Kaneko (Ryo Kase) is accused of molesting a schoolgirl on his way to a job interview, subsequently coerced by weary detectives to accept the charge and pay the fine instead of pursuing vindication – a system that Suo notes as the reason for Japan's almost perfect conviction rate and institutionalised prejudice against the accused.
      10stinky_feet77

      A poignant film that reflects a perfect society's imperfections

      I applaud the film director, Masayuki Suo, for having the courage to put out such a poignant film that speaks volumes about Japan's flawed justice system as a Japanese citizen. The 99.9% guilty rate is a reality not taken seriously by foreigners and many of those living in Japan. As a foreigner, it was interesting to see how laws are applied within the context of such a seemingly modernized and developed country. We follow the main character, Teppei, who is caught at the wrong place at the wrong time as he is accused of committing a crime he did not commit. With the assumption that standing by his innocence will set him free quickly and painlessly, we soon learn about the psychological battle he and those close to him have to battle.

      Japan's judicial system is very different from westernized systems. In Canada for instance, much of our outcries and screams of injustice belies on the fact that the justice system "protects" criminals. More guilty people walk away or serve light sentences for crimes committed here. In Japan, it is quite the opposite and it makes one ponder... how many innocent people exactly are locked up? How easy is it for individuals to take advantage on that "trust" and falsely accuse another person of a crime they did not commit for the purpose of a hefty out-of-court settlement? In all, this film was excellent and is an important tool for us to reflect upon how "justice" is applied in different nations. It is exceptionally accurate in its portrayals of the daily ins and outs of those in Japanese jails. To assume that the Japanese system "can't really be THAT bad" is a slap in the face to all those who had to undergo that kind of psychological hardship as INNOCENT men and women. I am saying this as a fact. My boyfriend had spent close to a month in jail with accusations for a crime he did NOT commit. The prosecutor's only goal is to dig up any kind of confession by any means necessary - verbal coercion, bending stories, refusing or providing menial legal counsel, etc. When your ultimate verdict is guilty from the start, what kind of justice does an innocent individual have left? Is it right for an innocent man to say that he is guilty when he is absolutely innocent? Think about that.
      8maximkong

      Very Heavy Talk but Good!

      This movie provides a deep look into a legal system (not sure if it is unique to Japan actually).

      What made this movie worked really well is that I believe it is honest in splashing out as much as it can on how much injustice and unfavourable circumstances can happen in a legal proceeding, and the outcome can continue to be unfavourable for a very long period of time. Acting performances are commendable, though I hope that the main character should have been more serious rather than portraying himself as panicky all the time. But anyway, some scenes were really an eye-opener and all in it is a splendid work!

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      Argumento

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      • Trivia
        Japan's Official Submission to the Best Foreign Language Film Category of the 80th Annual Academy Awards (2008).

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      Detalles

      Editar
      • Fecha de lanzamiento
        • 20 de enero de 2007 (Japón)
      • País de origen
        • Japón
      • Sitio oficial
        • Official site (Japan)
      • Idioma
        • Japonés
      • También se conoce como
        • I Just Didn't Do It
      • Locaciones de filmación
        • Tokio, Japón
      • Productoras
        • Altamira Pictures Inc.
        • Fuji Television Network (Fuji TV)
        • Toho
      • Ver más créditos de la compañía en IMDbPro

      Taquilla

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      • Total a nivel mundial
        • USD 9,666,242
      Ver la información detallada de la taquilla en IMDbPro

      Especificaciones técnicas

      Editar
      • Tiempo de ejecución
        2 horas 23 minutos
      • Color
        • Color
      • Mezcla de sonido
        • Dolby Digital
      • Relación de aspecto
        • 1.85 : 1

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