Están todos bien

I wasn't planning on seeing this movie until I read some of the other IMDb reviews--then I reconsidered because one of the reviewers said it would be more meaningful to older folks with adult children. Glad I did. It's a little gem. It's more like a European film really, where nothing much happens (action-wise) but the characters are so well-drawn. Or, to put it another way, it's like reading a novel by Anne Tyler. I did think of ABOUT SCHMIDT during this movie--similar theme of a recent widower on a road-trip of self-discovery--but only to reflect on DeNiro's more subtle characterization. The movie is very well cast as a whole and all the acting, particularly from the child actors, is very natural and unaffected.

I saw this movie last night in a crowded theatre with persons of varying ages. At the conclusion of the film, I noticed smiles and tears in the eyes of the older viewers and some boredom and rush to leave in the younger ones. This is a movie for parents and will probably not appeal much to the under 25 set.

That said, this is a beautiful, heart-felt, and sometimes painful story of a father recognizing and coming to grips with the reality of his parenting and his lack of control over his children's lives. It is about truth and how we try to spare others pain or discomfort. It is about how many parents still see their grown up children as small children who we are responsible for.

While the supporting cast turn in good performances, this is Robert DeNiro's movie. It is his best performance since Awakenings (he deserved that Oscar, and not just the nomination).

I suspect that this film will get a lot of nominations, but don't think it will win many awards. I base that on the idea that they younger voters have not yet been in the shoes of the older ones and will not be fully able to appreciate the character or his growth and understanding.

How many times have you ever asked, or ever were asked the question: How are things? Invariably, one replies, "everything is fine," except of course it's not true. The response is a polite brush-off. This movie is about how a man decides not to accept the brush-off, this time coming from his own children and as a result makes some interesting discoveries. This movie contains Robert DeNiro's strongest role in years. The entire story revolves around his character and he really brings the character to life. A brilliant performance by a great actor. This movie is like Robert Young in Father-Knows-Best deciding to really connect with his children after years of just being around. What's even better is that the movie avoids becoming trite and effectively brings the audience into this family's world as the story explores themes that are relevant to all families. Children grow up, leave the home, go their separate ways, leaving behind memories. A wonderful movie.

Ah, platitudes. We're all guilty of using them. They're a polite way of telling someone to buzz off, that you don't want to talk to them, that they are unworthy of your time. This movie is all about platitudes, most cruelly applied when it's least needed or wanted. In this movie a man wants to initiate communication with his children, all of whom are adults and have long since left the home, and he and his children go through a lot of changes as they attempt to bridge the gulf that separates them. This doesn't mean the children don't care about their father, they do. But the emotional closeness was never there and this is what this movie is about: breaking down barriers to establish an emotional connection. This movie is a Robert DeNiro vehicle. It is his re-emergence onto the Hollywood scene after years of cinematic oblivion. His performance is a tour de force; he deserves at least an Academy Award nomination for best actor. He carries the movie. Drew Barrymore also gives an impressive performance as one of Mr. DeNiro's daughters. Ms. Barrymore shines on the screen and proves once again that she is one of the premiere actresses in Hollywood. Sam Rockwell and Kate Beckinsdale also are excellent. What a great movie! Never cold-shoulder your father.

This is the best Robert DeNiro movie in years. His strong acting carries this sentimental story about a man trying to reconnect with his children. The movie places a strong emphasis on family relationships and does an excellent job in engaging and keeping the audience's attention as Mr. DeNiro's character embarks on an odyssey of emotional discovery. At times the story verges on becoming openly maudlin but succeeds in avoiding that pitfall. The movie also avoids becoming hokey and corny and succeeds in staying on course as the DeNiro character continues on his journey. All in all, this is a wonderful movie featuring a strong performance by Robert DeNiro. After watching this movie, you will think twice before telling someone "everybody's fine" unless you mean it.

When I went to see this, I expected one of those progressive stories like he was getting ditched and as he went and surprised them things got better, they had laughs and things were healed sort of typical thing. But it definitely didn't go down like that. There were about maybe 8 people in the theater when I went to see this movie, 3 of them were me and my 2 friends.

I have to say this movie was really sad and had a lot to say about child/parent relations. I am only 18 years old but I love these types of films and it made me think about how I would be with my parents when I get older and it really makes me want to make sure I keep a good relationship with my parents. My dad has always pushed me and wanted better for me in school and I have always been very average and against the grain, as it seems like David was.

I don't know if the makers wanted the relation between Frank and his kids to seem empty, but that's how it seemed to be throughout the film until the end. Even if it was lack of chemistry between actors, which of course I highly doubt it was, it works wonders and shows that Frank is like an alien to them and also that they are alien to him. When he learns that all of his children aren't actually as successful, he seems like he's struggling within to try and understand where they're coming from instead of just showing his disappointment. When things finally come tumbling down towards the film's climax, they come right back together as a family would. This movie made me tear up and really the only reason I didn't cry was because I was with friends.

I could write a lot more about this but I'll just suggest that if you're looking for a good movie about family, or even if you just like De Niro(that's why I saw it), you should definitely see this movie. It won't disappoint.

Based on Guiseppe Tornatore's 1990 Italian film, Stanno tutti bene, writer/director Kirk Jones has brought some of the best work out of Robert DeNiro in decades. Everybody's Fine is a fascinating tale about Frank (DeNiro), a widower who wants to get his four adult children together for dinner, but when one by one they all cancel for good reasons or lack of a better word excuses, he decides against the advice of his doctor, to make a surprise trip to all their residences in New York, Chicago, Denver, and Las Vegas. What the trip brings him however, is a heavy realization that despite what his late-wife told him, maybe everybody's not fine.

Treading heavy territory to resemble films like About Schmidt, Everybody's Fine is a heartfelt, emotional film that will leave you in tears. Though the narrative could come off a bit over-dramatic at times, there's no denying the warmth that the film conveys to family and loyalty. DeNiro is most effective in his role of Frank Goode, the hard-working father whose long hours putting up coating on telephone wire may have cost him more than he thought. Director, Kirk Jones makes some great artistic choices, especially in the final scenes of the film. One thing however that is surprising is how the film is being marketed. Portraying itself as a holiday-comedy is going to be quite unexpected to viewers as the film is weighty with emotion and less on the laughs.

The supporting players, in this case the adult children, are all beautifully cast. Drew Barrymore has never been sweeter in the role of Rosie, a dancer in Vegas with a "Daddy's Girl" mentality. Kate Beckinsale is stunning in looks and adequate in delivery as Amy, a top advertisement executive. Sam Rockwell, who is long overdue for Oscar attention, plays Robert, the musician who painfully seeks his father's approval.

Enough can't be said about DeNiro who gives one of his finest performances of his career. Showing a softer side yet remaining in tuned with his fatherly instincts, DeNiro has redeemed some of his lesser works in the past years. He takes in some of the best and worst parts of all fathers' across the world. Worrying yet too hard at times it spills over into his children's decisions. Where the narrative misses in some aspects, DeNiro makes up for with his devotion and commitment to the character. It's an outstanding turn for him in his late career.

Over-dramatic, cliché, and a bit predictable, Everybody's Fine shows a beating heart. There's no stupidity or attitude in its form, just pure feeling. If you come from a family of secrets for the greater good (which may be the majority of us), this will speak volumes.

***/****