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This woolly New Zealand splatter comedy hasn't got quite the same wit and originality as Jackson's Braindead, but in itself, it's a fun ride, no matter whether you love sheep or detest them.

The director finds the right balance between spoofing the genre and taking it seriously, which results in scenes being both mordantly funny and comically repulsive at the same time.

The plot's mere window-dressing to present one hilarious sheep incident after another. And some jokes work wonders in a childish sort of way.

A silly fun movie through and trough.

6 out of 10 were-sheep

At first blush, it reads like an SNL skit that the writers decided not to use at the last minute. Murderous genetically-altered sheep on a rampage? Even Roger Corman never went there, and maybe it was for a reason...

And that reason was because writer/director Jonathan King needed to claim this baby for his own, and he has made the most of the opportunity. "Black Sheep" has that same kooky, OTT vibe of the mad scientist/monster flicks of the Fifties and Sixties with a more post-modern sensibility, much in the same affectionately twisted tone adapted by similar movies like "Tremors", "Feast", "Slither", the often-mentioned "Shaun of the Dead", and the film that this will be most compared to (and rightly so) - "Dead-Alive", the splat-tastic horror/comedy opus created by fellow Kiwi filmmaker gone "big time", Peter Jackson.

The plot is classic creepfest kitsch with a New Zealand transplant. Henry Oldfield (Nathan Meister) has been terrified of sheep for most of his life, the result of a horrific prank played on him in childhood by his crippled, bitter brother, Angus (Peter Feeney). Fifteen years later, Henry has gone back Down Under to tend to unfinished business - meaning facing his fears and selling off his half of the family sheep farm to his brother.

Meantime, Angus has concentrated on increasing the fortunes and finances of the family business by turning it over to a disgraced geneticist (Tandi Wright) for whom the farm has become one big test tube. Hippie activists Experience (Danielle Mason) and her sometime boyfriend, Grant (Oliver Driver) are out to expose Angus's subsidized experiments for the crimes against nature and ecology that they are. But as well-intended as their efforts are, everyone knows how true the old saying is about the best-laid plans...

Not surprisingly, the success of the entire film lies in the engaging cast, the goofy-yet-solid script, the beautiful cinematography, but most of all in the practical on-set and visual effects provided by Peter Jackson's own WETA Workshop and WETA Digital companies. And all quarters deliver fabulously, resulting in a great, loopy time at the movies that will have you giggling, gasping or gagging, sometimes all three simultaneously.

With the right frame of mind, I think that most horror fans or just casual viewers who like the occasional off-beat entertainment should find something to like here. Everyone else can just revisit the Merchant-Ivory section of the video store and steer clear.

Black Sheep is the sort of film that will appeal to fans of Pete Jackson's and Sam Raimi's early horror comedies - especially Braindead and Bad Taste (Jackson) and the Evil Dead series (Raimi). Like these low budget 'schlockers' Jonathan King's film is well made and does not take itself seriously. Unlike these films, however, Black Sheep is not very self-consciously low budget. Since the film consistently parodies low-brow, low-budget horror films, the film-makers were able to very nicely exploit the gimmickry of these films without losing any artistry or credibility along the way.

Black Sheep is the story of two brothers from a New Zealand sheep farming family. Henry Oldfield (Meister) is terrified of sheep and has alienated himself from his family estate in order to seek therapy. Angus (Feeney) is a sociopath, sadist and rising provincial politician who loves sheep. Angus, of course, wants to make better sheep. And predictably, has genetic scientists set up in a barn on the estate who are performing grisly and disturbing experiments which somehow result in rabid, homicidal zombie sheep and were-sheep. A couple of macrobiotic eco-warriors are thrown into the mix (a brilliant touch) to round out the cast.

Of course, the plot is the weakest element in this film. But this is completely consistent with the film's mission as a genre and self-parody. The strongest elements are the excellent (though still hilarious) effects and art design by WEDA, directing and editing, the fine cast, fun characters and good script. King directs the film economically (a rarity in this genre) and the final cut wastes not a frame. The film is also very nicely shot - each scene - especially the sheep stampedes - is engaging and nicely paced. Every horror genre cliché is presented at one time or another, and most are exploited mercilessly.

Great film for fans of the genre. Not recommended for others.

When will mankind ever learn? Deranged, over-ambitious scientists have tried to genetically alter pretty much every species of the animal kingdom so far, and it always results in gigantically mutated critters and outrageous massacres. All the better for us bloodthirsty horror freaks, of course, as there's nothing as fun as a good nature-revolting-against-men creature feature! And we never had sheep before! On one hand this is no real surprise, because sheep are probably the least menacing type of animals on the planet and it's a lot easier to scare people with mutated rats or over-sized crocodiles. But on the other hand, sheep played a very important role in one of the most major breakthroughs in the history of science when "Dolly" was the first living being ever to be cloned successfully. The Dolly-experiment gone wrong would have resulted in a crazy sheep-themed horror film already, but we had to wait till now, with Jonathan King's "Black Sheep". All the necessary ingredients to put together a traditional and delightfully clichéd creature-feature are well presented: an isolated location, over-the-top crazy scientists, a genetic experiment that is too imbecile for words, the reluctant anti-hero and – of course – dimwitted animal activists to let things go totally out of control. The New Zealandian film-industry is definitely growing lately (mainly thanks to Peter Jackson) and naturally this is the ideal country to produce a film about sheep, as there are gazillions of them! The two brothers Angus & Henry grew up of the family's farm but drifted apart ever since their beloved father died in a terrible accident. Henry is terrified of sheep ever since and never set foot on the farm again, but now he finally returns to sell Agnus his part of the property. Henry arrives just in time to discover that his brother has been messing with Mother Nature's creation and that he's about to artificially create a new and revolutionary species of sheep. But when an over-enthusiast activist runs off with on of the mutated lambs, all the nearby flocks are soon infected with a virus that turns the calm & woolly animals into a aggressive and carnivore monsters. "Black Sheep" stands for extremely entertaining and undemanding splatter, with loads of black humor that is actually funny and make-up effects that are thankfully accomplished the old-fashioned way! When director Jonathan King introduced this film at the Belgian Horror Festival, he said he didn't want too much CGI to ruin his film and I definitely concur with him. Especially the scene where a bunch of uncontrolled zombie-sheep attacks a gathering of international businessmen is an absolutely terrific homage to vintage cheesy horror, with disembowelment and ripped open throats. "Black Sheep" is a good film, but of course it still could have been a lot better. Some chapters in the script could have used better plotting and dialogs, and particularly the ending was a bit of a letdown. They could have done so much more with the ending, if you ask me! Nevertheless, despite some obvious flaws, "Black Sheep" is a must-see film for every horror fan who doesn't take him/herself too seriously.

I saw this for the first time in 2007 on a dvd which I own. Revisited it recently with my nephew.

The film has beautiful n serene landscapes juxtaposed by oodles of gore n unpleasant stuff.

The girl named Experience reminded me of a very young Amber Heard.

While revisiting it, the haggis scene reminded me of a dialogue from Prime Cut where Lee Marvin taunts Gene Hackman about offal.