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Black sheep is a New Zealand film about a farmer who's been conducting genetic experiments on sheep in a weird breeding programme, when two activists accidentally release some of the radioactive material all hell breaks loose. With effects provided by Peter Jackson's Weta studios this is a daft horror much like his early work 'Braindead' and 'Bad Taste'. There is blood galore, mutant flesh eating sheep, human-ram hybrids and silly jokes and it definitely doesn't take itself too seriously. Packed full of clichés and homage's to other films, look out for the 'American Werewolf in London' take off, it is at times quite funny but ultimately the story is nothing new and only just manages to hold your interest between sheep attacks. If you want a no-brainer and a bit of a laugh and a groan then you will probably like this movie but stay away if you want highbrow because Shakespeare this isn't. They are coming to get ewe so get out the mint sauce.

At first blush, it reads like an SNL skit that the writers decided not to use at the last minute. Murderous genetically-altered sheep on a rampage? Even Roger Corman never went there, and maybe it was for a reason...

And that reason was because writer/director Jonathan King needed to claim this baby for his own, and he has made the most of the opportunity. "Black Sheep" has that same kooky, OTT vibe of the mad scientist/monster flicks of the Fifties and Sixties with a more post-modern sensibility, much in the same affectionately twisted tone adapted by similar movies like "Tremors", "Feast", "Slither", the often-mentioned "Shaun of the Dead", and the film that this will be most compared to (and rightly so) - "Dead-Alive", the splat-tastic horror/comedy opus created by fellow Kiwi filmmaker gone "big time", Peter Jackson.

The plot is classic creepfest kitsch with a New Zealand transplant. Henry Oldfield (Nathan Meister) has been terrified of sheep for most of his life, the result of a horrific prank played on him in childhood by his crippled, bitter brother, Angus (Peter Feeney). Fifteen years later, Henry has gone back Down Under to tend to unfinished business - meaning facing his fears and selling off his half of the family sheep farm to his brother.

Meantime, Angus has concentrated on increasing the fortunes and finances of the family business by turning it over to a disgraced geneticist (Tandi Wright) for whom the farm has become one big test tube. Hippie activists Experience (Danielle Mason) and her sometime boyfriend, Grant (Oliver Driver) are out to expose Angus's subsidized experiments for the crimes against nature and ecology that they are. But as well-intended as their efforts are, everyone knows how true the old saying is about the best-laid plans...

Not surprisingly, the success of the entire film lies in the engaging cast, the goofy-yet-solid script, the beautiful cinematography, but most of all in the practical on-set and visual effects provided by Peter Jackson's own WETA Workshop and WETA Digital companies. And all quarters deliver fabulously, resulting in a great, loopy time at the movies that will have you giggling, gasping or gagging, sometimes all three simultaneously.

With the right frame of mind, I think that most horror fans or just casual viewers who like the occasional off-beat entertainment should find something to like here. Everyone else can just revisit the Merchant-Ivory section of the video store and steer clear.

I saw this for the first time in 2007 on a dvd which I own. Revisited it recently with my nephew.

The film has beautiful n serene landscapes juxtaposed by oodles of gore n unpleasant stuff.

The girl named Experience reminded me of a very young Amber Heard.

While revisiting it, the haggis scene reminded me of a dialogue from Prime Cut where Lee Marvin taunts Gene Hackman about offal.

After reading an extremely negative review of this, which COMPLETELY missed the point, I thought I'd write a far more 'accurate' review. In my opinion, this is one of the best of this type of horror movie i've seen. It's right up there with Peter Jackson's early work and Evil Dead. All the negative things the other reviewer was saying, the poor dialogue, and acting, the unrealistic effects, were deliberate, after all, the effects were done by highly skilled and trained effects people at WETA Workshops - who of course did Lord of The Rings. It is a horror comedy packed with clichés and subtle allusions, and full of New Zealand humour, which i concede probably doesn't translate well internationally. NZ is primarily a farming nation, we're a huge exporter of lamb, Farming is a huge part of our culture, and this blends that with our history of offbeat, slightly dark, and idiosyncratic cinema. It is a clever, quintessentially kiwi, homage to such previously mentioned horror comedies (or comedic horrors). That's what i like about it, it is a lot cleverer than it looks. I thoroughly enjoyed every minute of the film. If you like Peter Jackson's early stuff, you'll like this. Just don't expect it to be s***-your-pants scary.

When will mankind ever learn? Deranged, over-ambitious scientists have tried to genetically alter pretty much every species of the animal kingdom so far, and it always results in gigantically mutated critters and outrageous massacres. All the better for us bloodthirsty horror freaks, of course, as there's nothing as fun as a good nature-revolting-against-men creature feature! And we never had sheep before! On one hand this is no real surprise, because sheep are probably the least menacing type of animals on the planet and it's a lot easier to scare people with mutated rats or over-sized crocodiles. But on the other hand, sheep played a very important role in one of the most major breakthroughs in the history of science when "Dolly" was the first living being ever to be cloned successfully. The Dolly-experiment gone wrong would have resulted in a crazy sheep-themed horror film already, but we had to wait till now, with Jonathan King's "Black Sheep". All the necessary ingredients to put together a traditional and delightfully clichéd creature-feature are well presented: an isolated location, over-the-top crazy scientists, a genetic experiment that is too imbecile for words, the reluctant anti-hero and – of course – dimwitted animal activists to let things go totally out of control. The New Zealandian film-industry is definitely growing lately (mainly thanks to Peter Jackson) and naturally this is the ideal country to produce a film about sheep, as there are gazillions of them! The two brothers Angus & Henry grew up of the family's farm but drifted apart ever since their beloved father died in a terrible accident. Henry is terrified of sheep ever since and never set foot on the farm again, but now he finally returns to sell Agnus his part of the property. Henry arrives just in time to discover that his brother has been messing with Mother Nature's creation and that he's about to artificially create a new and revolutionary species of sheep. But when an over-enthusiast activist runs off with on of the mutated lambs, all the nearby flocks are soon infected with a virus that turns the calm & woolly animals into a aggressive and carnivore monsters. "Black Sheep" stands for extremely entertaining and undemanding splatter, with loads of black humor that is actually funny and make-up effects that are thankfully accomplished the old-fashioned way! When director Jonathan King introduced this film at the Belgian Horror Festival, he said he didn't want too much CGI to ruin his film and I definitely concur with him. Especially the scene where a bunch of uncontrolled zombie-sheep attacks a gathering of international businessmen is an absolutely terrific homage to vintage cheesy horror, with disembowelment and ripped open throats. "Black Sheep" is a good film, but of course it still could have been a lot better. Some chapters in the script could have used better plotting and dialogs, and particularly the ending was a bit of a letdown. They could have done so much more with the ending, if you ask me! Nevertheless, despite some obvious flaws, "Black Sheep" is a must-see film for every horror fan who doesn't take him/herself too seriously.