Honeymoon with Mom

I am quite surprised that this movie is rated so low. Yup, I agree this ain't a masterpiece, and none of the actors are snatching any prizes for the best performance in this or anything, but the somewhat stale at the beginning plot just grows on you so that you really start caring for the characters, get invested in their growth. At the core of the movie lies a story of daughter and mom finally bonding and mending their relationship which for a long time was broken due to truth being with hold. And the story of a young woman being stood up at the altar is just what kick starts the story, yet not the driving force of this movie in the very end. I thoroughly enjoyed the movie, and if you like a good old drama with some romance thrown into it, you might enjoy this one too.

I sat down in 2021 to watch the 2006 comedy titled "Honeymoon with Mom" for two reasons. First of all, it was a movie that I hadn't already seen, much less even ever heard of. And secondly, because it had Shelley Long on the cast list.

Granted, given the movie's title and synopsis, then I wasn't really expecting to be in for something grand here. But still, I opted to sit down and watch this comedy from writer Duane Poole and director Paul A. Kaufman.

Turned out, surprisingly enough, that "Honeymoon with Mom" was actually a rather enjoyable movie. Sure, the storyline was pretty straight forward, but it was actually a movie with heart and feeling. And thus, I have to admit that I ended up enjoying watching this movie.

Now, the movie is listed as being a comedy. Well, not overly sure about that, as the movie didn't really come off as being a comedy. A light comedy perhaps. But it is not the type of movie that will have you laughing. But it is more of a feel-good kind of movie.

The storyline along with some good performances by Shelley Long and Virginia Williams is the reason why this movie worked out so well.

I was genuinely entertained by "Honeymoon with Mom" and as such, my rating of this 2006 movie lands on a six out of ten stars. However, while it is a watchable movie and all, it is hardly a movie that warrants more than a single viewing.

After being dumped at the altar a woman goes with her mom to an island resort for her honeymoon. There she gets over her heartbreak and mends her strained relationship with her mother.

Shelley Long is a cute comedienne and she makes it watchable. Sometimes the story is a bit cheesy but she's endearing. She has a believable romance with Jack Scalia.

It's a bit less cliched than Hallmark and the ending isn't that predictable.

What is this? Looked like a funny comedy to watch with my husband but it turned out to be a sick cringe worthy movie almost like insest. I couldnt even bare to watch more than 20 minutes of this sick film. I don't think I will ever look at my mother the same after watching this!

An interesting failure of a film, this probably has more to recommend it than many TV movies. The story has bride Virginia Williams jilted at the altar by her feckless fiancé Edward Finlay. Her mother, divorced and hard-nosed editor of a gossip mag Shelley Long, persuades her that they should use the pre-booked honeymoon to indulge in mummy-daughter time. But mum has her own agenda - the idyllic island resort is owned by a reclusive ex-astronaut (Jack Scalia)and mum needs a front-page exclusive... So far, so predictable. Romance? Reconciliation? Retching at saccharine overdose? Well, yes to an extent. Except that there's an essential intelligence here. Although the characters are broad-brush stereotypes, they're not simple TV-movie grotesques. Perhaps its her age, but Long eschews the physical slapstick that's been one of her trademarks and does a credible job as a mother keeping a hesitant grasp on her own emotional history (although she's less great at suggesting a gossip mag editor who's red in tooth and claw). From time to time, Long holds back on the emoting and you can actually see a character weighing up the pros and cons of her actions. She's matched by Williams, who isn't given a lot to do except express the various shades of 'perky'. However, Williams can play a nuance with impressive deftness. As with Long, there's emotional intelligence at work here - and the two of them make the script go further than you'd think it could. And finally, there's the storyline. Oh gosh yes, it's predictable. But it sidesteps the temptation to tie up the ending in pretty pink bows and ribbons. It accepts that romance is a means to happiness - it's not an end in itself: TV-movie sugar doesn't rot the teeth out of your head by the time final credits run. The faults in this movie are evident - it wouldn't stretch the intelligence of a two-year-old - but once you see its strengths, there's enough to recommend it on a wet afternoon.