Dos bomberos heterosexuales de Brooklyn, solteros, fingen ser una pareja gay para recibir beneficios como pareja de hecho.Dos bomberos heterosexuales de Brooklyn, solteros, fingen ser una pareja gay para recibir beneficios como pareja de hecho.Dos bomberos heterosexuales de Brooklyn, solteros, fingen ser una pareja gay para recibir beneficios como pareja de hecho.
- Dirección
- Guionistas
- Elenco
- Premios
- 14 nominaciones en total
Opiniones destacadas
In "I Now Pronounce You Chuck and Larry," Adam Sandler and Kevin James play two New York City fire fighters who pretend to be gay so that Larry's two kids can be raised by Chuck in the event of Larry's untimely death (Larry's wife has been dead for two years and he has not been able to bring himself to date another woman in all that time). The hitch is that to bring this about, the two of them will have to officially register as "domestic partners." Originally, they intend on keeping their "relationship" a secret, but when the government starts sending inspectors around to verify the validity of their claim, Chuck and Larry are left with the choice of admitting to the scam and going to jail or convincing everyone around them that they are indeed an actual couple.
As a "high concept" comedy, "I Now Pronounce You Chuck and Larry" is pretty much a contrived manufacture from the get-go, mixing equal parts humor and sentiment in an attempt to play to the broadest possible audience - which is probably the only way the filmmakers could reasonably have gone with material this dicey. Yet, while the movie traffics in any number of lame stereotypes (gay as well as ethnic), it also has some important things to say about equality and acceptance in an ever changing world. The script achieves about a 50/50 ration in its humor - about half the jokes are zingers while the other half are clunkers - but the movie's heart is definitely in the right place, so much so that you will forgive the filmmakers when the story turns all heavy-handed and preachy towards the end, in what is surely one of the least plausible courtroom scenes in motion picture history. As compensation, the movie actually places its characters in some pretty sticky moral dilemmas at times, the prime one being that, much as we may like and admire Chuck and Larry for all the social barriers they are tearing down, we still hear that little nagging voice in the back of our heads telling us that they are defrauding the public and breaking the law while doing so. Such moral ambiguity is actually a pretty rare commodity for a mainstream American comedy these days.
Sandler and James imbue their roles with a great deal of charm and gusto, and they receive strong support from Dan Aykroyd, Jessica Biel, Ving Rhames and Steve Buscemi.
"I Now Pronounce You Chuck and Larry" certainly isn't up to the level of "Knocked Up" or "Superbad," its summer 2007 comedy contemporaries, but neither is it the cinematic disaster most of the critics have accused it of being. It's an uneven but largely likable romp that makes you feel good about the world when it's over.
As a "high concept" comedy, "I Now Pronounce You Chuck and Larry" is pretty much a contrived manufacture from the get-go, mixing equal parts humor and sentiment in an attempt to play to the broadest possible audience - which is probably the only way the filmmakers could reasonably have gone with material this dicey. Yet, while the movie traffics in any number of lame stereotypes (gay as well as ethnic), it also has some important things to say about equality and acceptance in an ever changing world. The script achieves about a 50/50 ration in its humor - about half the jokes are zingers while the other half are clunkers - but the movie's heart is definitely in the right place, so much so that you will forgive the filmmakers when the story turns all heavy-handed and preachy towards the end, in what is surely one of the least plausible courtroom scenes in motion picture history. As compensation, the movie actually places its characters in some pretty sticky moral dilemmas at times, the prime one being that, much as we may like and admire Chuck and Larry for all the social barriers they are tearing down, we still hear that little nagging voice in the back of our heads telling us that they are defrauding the public and breaking the law while doing so. Such moral ambiguity is actually a pretty rare commodity for a mainstream American comedy these days.
Sandler and James imbue their roles with a great deal of charm and gusto, and they receive strong support from Dan Aykroyd, Jessica Biel, Ving Rhames and Steve Buscemi.
"I Now Pronounce You Chuck and Larry" certainly isn't up to the level of "Knocked Up" or "Superbad," its summer 2007 comedy contemporaries, but neither is it the cinematic disaster most of the critics have accused it of being. It's an uneven but largely likable romp that makes you feel good about the world when it's over.
6tavm
I have a gay friend who doesn't fit the stereotype in that he loves the WWE and usually watches crude comedies like this latest Adam Sandler comedy. Many critics have called this movie offensive because of many homophobic jokes that abound as well as the Asian stereotype that Sandler's friend Rob Schneider plays as a Canadian wedding preacher. Well, since I'm Asian-American and I know Schneider is half so, I admit I wasn't very amused by his portrayal but I also decided maybe Rob thought so and decided, "What the hell!" and went for it. But many of the homophobic jokes do work and is partly redeemed by some gay humor that seemed more silly than offensive and some were even hilarious. Besides Schneider, other former SNLers to appear include David Spade, Rachel Dratch, and original cast member Dan Aykroyd. All have some moments. Also appearing are Steve Buscemi, Ving Rhames in a performance you won't believe (or maybe you will depending what you think he's capable of), and a couple of celebrities that recently came out, Lance Bass and Richard Chamberlain. And Keven James isn't bad either! Overall, based on bad reviews, I dreaded this movie but I laughed enough and enjoyed enough to at least recommend this to anyone who can laugh at almost anything. P.S. My gay friend absolutely loved this!
This is a film where Adam Sandler literally tries too hard to act manly and cool. This is a very stereotypical movie with a lot of gay jokes thrown in, and has some sexist images of women. Charles "Chuck" Levine (Sandler) and Lawrence "Larry" Valentine (James) are veteran FDNY fire fighters. And during there routine Chuck almost gets killed and Larry saves his life. Soon Larry realizes he has difficulties naming his children as primary beneficiaries in his life insurance due to the death of his wife. So in order to get his benefit he needs to get married. Larry asks Chuck to enter a pretend marriage with him after Larry read a article about domestic partnerships. Chuck declines at first, but is reminded of his debt to Larry so he agrees. The main highlight of this film is when Alex McDonough(Jessica Biel) is thrown into the mix, who play Chuck and Larry's lawyer. I however disliked Adam Sandler in this movie, he just tries way too hard to prove he isn't gay in this film to point it gets a bit annoying and he is like banging every girl that crosses his path in this one, yeah firemen get girls but c'mon. At times it had it's moments and had some funny jokes but it really drags and don't know how to quit. I think it would have been awesome if Chuck and Larry eventually found out they are gay for each other cause Chuck is a sleazy gay character, but I doubt Adam Sandler would do it since he has such a high image of himself which I realized after I finished watching this movie. Basically the film is about Adam Sandler trying really hard to look manly, while there is a bunch of stereotypical gay jokes thrown in. Jessica Biel was really hot and attractive in this and is the main highlight of this film and finds herself in many situations in her underwear. Which is the main point, but her assets is a nice touch, so I can't complain.
5.5/10
5.5/10
LOL Rob Schneider playing a stereotypical asian, everyone using the f-word for gay -- this is one offensive movie -- but damn, if it isn't refreshing seeing something as obscene as this these days.
Everything is so stuck up and cringey and bad but taking itself seriously these days... that a movie like this, that's nothing too special but an average early 2000s comedy felt fresh AF.
It's pretty funny, has some good friendship moments, wholesome moments, offensive moments... I don't know, I kinda liked it. Like I said, it's a breath of fresh air now, eventhough in its day it was probably nothing too shocking.
I sympathize with gay dudes, because I can imagine how difficult it must be to admit you are one in a world where men are expected to adhere to standards that society pretends aren't there anymore but they are. So this movie also raises some good questions for the viewers. It's actually anything but dumb and offensive, it's pretty thought provoking.
Everything is so stuck up and cringey and bad but taking itself seriously these days... that a movie like this, that's nothing too special but an average early 2000s comedy felt fresh AF.
It's pretty funny, has some good friendship moments, wholesome moments, offensive moments... I don't know, I kinda liked it. Like I said, it's a breath of fresh air now, eventhough in its day it was probably nothing too shocking.
I sympathize with gay dudes, because I can imagine how difficult it must be to admit you are one in a world where men are expected to adhere to standards that society pretends aren't there anymore but they are. So this movie also raises some good questions for the viewers. It's actually anything but dumb and offensive, it's pretty thought provoking.
OK it is full of stereotypes, yes the movie does old jokes, it is fairly predictable and we have seen it before. The crucial question is this is it funny? The simple answer is yes. My wife wasn't enthused about this one, but she laughed heartily. For a comedy to be any good you need to laugh out loud at least 6 times. I think I laughed about 10-12 times. Some of the scenes were set up really well and the comedy acting was superb.
OK the plot is unbelievable and a little silly, but it's a comedy! Give it a go. If you love meet the parents, dumb and dumber, there is something about Mary and Kingpin, you will enjoy the show. If you have a cinematic bypass and love politically correct left-wing tripe then this one isn't for you. Its as simple as that!
OK the plot is unbelievable and a little silly, but it's a comedy! Give it a go. If you love meet the parents, dumb and dumber, there is something about Mary and Kingpin, you will enjoy the show. If you have a cinematic bypass and love politically correct left-wing tripe then this one isn't for you. Its as simple as that!
¿Sabías que…?
- TriviaWhen Chuck confuses David Spade for Jessica Biel in the playboy bunny outfit, in the shot from behind, it's actually Biel herself in the outfit.
- ErroresIn the firefighter scenes, the firefighters are seen riding on the back of the ladder truck. Firefighters have been banned from riding on the outside of the trucks for decades.
- Citas
Captain Phineas J. Tucker: Gentlemen, I have a very simple policy. What you shove up your ass is your own business.
- Versiones alternativasA kiss between the two main characters (both male) were cut from The United States version of the film to obtain a PG-13 rating.
- ConexionesFeatured in 2007 MTV Movie Awards (2007)
- Bandas sonorasSeven One Eight
Written by Matt Goias, Keith Grady
Performed by Fannypack
Courtesy of Tommy Boy Entertainment
By arrangement with Shelly Bay Music
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- I Now Pronounce You Chuck & Larry
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 85,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 120,059,556
- Fin de semana de estreno en EE. UU. y Canadá
- USD 34,233,750
- 22 jul 2007
- Total a nivel mundial
- USD 187,134,117
- Tiempo de ejecución
- 1h 55min(115 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta