Hogfather

I've grown up on Discworld. Where do I start with this absolutely perfect adaptation? The spot-on casting - Susan, Death, Albert, Nobby Nobbs, Ponder Stibbons, all brought to life wonderfully. The faithfulness to the story - keeping it at nearly 4 hours to ensure the minimum amount of cutting. The perfect locations - Death's Domain, Unseen University, the Tooth Fairy's castle, all brilliant! I'm so glad Pratchett let them do this, and I can only hope and pray that they continue - let's see The Last Continent, Jingo, Maskerade, Reaper Man, Small Gods!

If I have one tiny, insignificant complaint, it's that we didn't see Ankh-Morpork in all its bustling, grimy glory - no shots of the River Ankh, marketplaces awash with grubby punters and, of course, Cut Me Own Throat Dibbler! But I will say this - Sky One, Vladim Jean and the rest involved did a wonderful job on such a small budget, and gave us a far better and more faithful adaptation than Hollywood could ever have mustered.

Full marks, it really gave me a buzz in the Christmas season. 10/10 for making a Pterry geek very happy indeed! :-)

This is the best Adaption of a book to movie I have seen, It is obvious Mr Pratchett and Mr Paul Kidby were closely involved in the making right down to the costumes and set design.

The first part of the movie will be a little slow and slightly confusing due to the fact there is a lot of stuff to be established, but by the second half things were happily and festively rolling happily downhill causing much laughter and merriment.

The actors have all equally taken to their roles, Everyone will have a soft spot for the main character Death as well as his school mam no nonsense Grand Daughter Susan especially.

One day, Discworld fans hoped for something like this and through out belief, It manifested. Watch it and have a Merry Hogswatch!

Adapting Terry Pratchett's work for TV is a difficult task. Sure, he is a great writer and I had much fun reading all his novels at least 3-5 times but his writing style lacks a certain TV-compatibility. He uses much narrating and footnotes which is very hard (if not impossible) to transform into a movie. Having said this, I must admit, this adaption with real actors is probably as good as it can be. Sure, I missed a few funny character conversations (Like the "Give-the-Dean-a-bag-of-money-gnome" or the Cheerful Fairy), it also lacked certain elements of the book, including the YMPA, Igor's Bar or the Death of Rats (who is much more important in the book) but you cannot include everything from a 300 page novel into a say 100 page movie script. The producers did the best they could and they did a really great job. The characters looked almost as if Paul Kidby drew them into life and the acting was good. The only minor problem with the movie (which couldn't be prevented I guess) is that it's hard to follow for someone not knowing Pratchett's work before. If you never read his novels and watched this movie, I recommend you do so now. Trust me, the movie is great but the books are even better ;-)

Good fun The story of the Hogfather revolves around a fictional world named 'Discworld' and a group of beings trying to stop Hogswatch (the Discworld equivalent of Christmas). Opposing them are a bumbling group of wizards, a babysitter who is more than she appears, and the personification of death itself.

The story leads itself in a fantastical ride with something for both adults and children (although there is some violence in parts, so maybe not suitable for the very young or fragile).

Don't be fooled into thinking this is another Harry Potter clone though. This film (and the book) is far deeper. At its core, it raises questions about the nature of belief and the human condition itself (All in a fun way though).

As a fan of Pratchett's books, when I noticed the UK subscriber channel 'Sky One' had commissioned this live action mini-drama, I was both hopeful and fearful. Hopeful that Pratchett's unique meld of fantasy and parody would come across well, but fearful that the medium change or the 'suits' would rob all of it's worth.

Thankfully, the end result came a lot closer to my hopes than my fears.

One of my major fears was that the whole humor would be changed from the subtleness within the books to a crude slapstick. I am pleased to announce that although some slapstick has been added (on the part of the wizards) the subtle jokes and references are still there. As for the story; I felt it came across well, although there were a few moments where people who have not read the book may be left struggling.

The sets, effects and costumes are all of a decent quality considering it was 'made for TV'. The notable exception is the costume of Death and the other non-humans. Unfortunately, these were obviously not budgeted enough and appeared inanimate and 'plasticy'.

The cast did a decent job, as you would expect from this group of veteran TV actors. Above the rest, a special mention should be given to Marc Warren for his truly creepy representation of Teatime.

Overall, there is something here for everyone here. Whether Child or Adult, Fan or Neophyte there is fun to be had.

Lets hope they make some more.

A very silly festive fairytale for children of all ages, with a no-nonsense (in the primmest, properest sense of the word), kick-ass heroine, set in a world that looks remarkably like ours, in a thaumaturgical, Victorian Gothic kind of way, considering it's actually a disc balanced on some elephants, which are balanced on a turtle.

'Tis the night before Hogswatch - a solar festival not dissimilar from our Christmas. But where is the Hogfather to deliver the presents? What on earth is Death doing? Just how DO you subdue the monsters in the basement with a poker? Not to mention those in the Tooth Fairy's castle. Who has been naughty and who has been nice? And can Susan save the Hogfather before it's too late? Like all the best 'children's' stories, there are a slew of adult jokes - from Ian Richardson's asides about House of Cards, to the 'Ant hill Inside' ('Intel Inside') visual jokes on the, er, 'computer' - modernity is folded subtly into this wonderfully alternate world of yore.

Good performances from the famous faces, but it is Michelle Dockery as Susan who is the highly pragmatic, utterly bewitching star of the show.

There are some nice unpatronising ruminations on the nature of belief, myth, right and wrong for those who like a moral but not entirely Christian worldview.

So - who's up for a bit of magic and believing?