Das wilde Leben

As I said earlier, we met Uschi and Dieter in Aspen, Colorado in 1982. I got a letter from her from Northern California in September of '82 prior to their trip to Mexico. I'm looking at it right now. She was excited that they were going to have a friend make a tepee for them and spend the winter living in it on the beach in Cabo San Lucas, Mexico. The Uschi and Dieter that we spent an evening with gave no hint of being the type of people this movie portrays. They did not seem to be the dark and tortured souls that this movie shows them to be. They were happy, outgoing, talkative, generous and excited about the future. Dieter loved to fish. They loved Colorado. They enjoyed crossing the USA and had been all around it, but the movie make no mention of that time at all. The movie also gives no mention of her artistic talents. Uschi made scrimshaw, and as an artist I can tell you it was excellently done. She was going to have an exhibition of her scrimshaw in LA but I do not know if she ever did. I can't say they were friends of mine, exactly, having only spent one evening together but they were acquaintances and I have very fond memories of them. I'd always hoped one day I'd see their bus on the highway so I could say hello again. I don't know if this movie was authorized by Uschi as an accurate portrayal of their lives, but I do know it made me sad for them. My wish is for her happiness and hope that these last 30 years or so have been as happy as they could be.

Uschi, if you ever read this, blessings and happiness to you.

I will catch this film when it plays here in Chicago in August. I was in Kommune 1 for a couple of weeks in March of 1969. There were two residences - Rainer Langhans, Uschi Obermaier, Dieter Kunzelmann stayed in the larger of the two, a factory loft sort of place. I stayed in the other residence, a dozen or so people in one large room. I went there with a friend from Frankfurt who wanted to reconcile with his girlfriend, who had left him for Dieter Kunzelmann. His girlfriend was unreceptive and he split right away. I was welcome to stay on for a while and did. It was easy living. Everyone was nice, except grouchy Dieter. No star attitudes or pretensions. Both Rainer and Uschi were very grounded, not at all affected by their notoriety. I think that set the tone. I'll give this film a 10 just on its subject matter.

So I read the reviews here and the opinions are very polarized

As often the truth is somewhere in between

Yes there is a reading here of the 60s/70s which is caricatural and aimed at younger folks who never saw those years

Bit of a joke to some

But people do not necessarily know how repressive the mentalities were in early 60s Bavaria

She Uschi Obermaier wanted to break away from the moral straightjacket and she did it elegantly and forcefully

This is shown well here. The boyfriend is depicted as a caveman which he might have been; she is depicted as Kali ; the haircutting of boyfriends' barnet is truly upsetting in a dark magic way but hey might be innocent

The actress they found for Uschi is Polish-born Natalia Avelon and the feat here is that she is even more beautiful than the one she portrays; and yes male viewers she is naked most of the time here; unashamedly. Germany is probably the country in the world which is the most at ease with nudity

We see this here. We also saw it in Carlos (2010) when the Baader Meinhoff blew into Aden

Anyway she is a picture and looks a real lot like Uschi

There is a long part in Pakistan and India very well done then we move to Mexico

They used German actors for Keith Richard and Mick J one really wonders why. No Brits available? A union issue?

Anyway overall not bad at all Kommune Eins at the start is OK altho a tad caricatured

Her fierce independence and girl power is well put in full view

Of course if you want to know more accurately about Uschi Obermaier watch Rote Sonne (1970) you will get the right idea.

The story of Uschi Obermaier and her rise to fame in the 1960s. The film accurately depicts her life and in the process has many dope party scenes as well. The film is to premier in the US August 22 and I am excited to see how the English version will compare to the original German. Obermaier's accent is not "exaggerated" as the actress's native language is indeed German.

The unique viewpoint Uschi experienced during the social revolution makes for a very interesting film. Themes of growing up, life, learning to love, and experiencing loss all are major players. All in all, if you are looking for a film true to life, a film that doesn't gloss over the hardships and dull down the excitement of freedom, this is a movie for you.

Saw this on Netflix streaming movies. Much of the movie is in German with English subtitles, but some of it is in English.

Uschi Obermaier was (is?) apparently a real person who joined in with what we would call the hippie free-love movement in 1960s Germany. But she was also a model and a very successful one. Much of her modeling was nude or semi-nude, graphically depicted in the film, and the actress certainly has a Playboy-worthy beauty.

German actress Natalia Avelon plays Uschi Obermaier . While she is the central character her life and travels take her many places and with many famous people. The beginning and the end of the film are the same, she is standing nude on the beach, watching a raft burn, symbolic of her relationships that had died and the men with them. In between is her story.

The critic Ebert has a very good and accurate review. Interesting film, but I lived through the 1960s and 1970s, I remember those days, and watching this one didn't do much for me.