Das wilde Leben

After recent films about Sixties-pop-icons like Jim Morrisson, Brian Jones and Edie Sedgwick, now Uschi Obermaier is on.

This time there's a big difference, though: Uschi survived her wild young days and is still doing well. If I may believe the 'making of'-chapter of my German DVD: the real Uschi has been involved in the process, improving authenticity. The DVD also includes a few nice shots of young Uschi in her Sixties & Seventies-days.

I've also read Uschi Obermaier's autobiography 'High Times', and conclude that actress Natalia Avelon plays her character well - all set up with true German thoroughness.

Both real Uschi and her film-copy are about a girl who imaged out the moods of her young days very well - just that. What remains untold in film and autobiography, is the history of the vibrating Sixties-youth culture.

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Having lived through the thirties' economic depression and world war 2, Uschi's parents were strongly molded by these tragic times. Uschi and her generation, born shorty after the war, did not carry this emotional burden. They worried about a new danger their parents mostly ignored: environment pollution.

As a result, a wide generation-gap opened up. Youngsters like Uschi Obermaier felt a strong urge to liberate themselves from their parents' strong & strict moral rules. Add to that the new availability of anti-conceptive, greatly helping in experimenting with new lifestyles.

For Uschi's generation, the late Sixties and early Seventies were a time to develop a lifestyle they felt comfortable with. It is the German version of what happened in San Francisco's Haight-Ashbury neighborhood during the same period.

As I said earlier, we met Uschi and Dieter in Aspen, Colorado in 1982. I got a letter from her from Northern California in September of '82 prior to their trip to Mexico. I'm looking at it right now. She was excited that they were going to have a friend make a tepee for them and spend the winter living in it on the beach in Cabo San Lucas, Mexico. The Uschi and Dieter that we spent an evening with gave no hint of being the type of people this movie portrays. They did not seem to be the dark and tortured souls that this movie shows them to be. They were happy, outgoing, talkative, generous and excited about the future. Dieter loved to fish. They loved Colorado. They enjoyed crossing the USA and had been all around it, but the movie make no mention of that time at all. The movie also gives no mention of her artistic talents. Uschi made scrimshaw, and as an artist I can tell you it was excellently done. She was going to have an exhibition of her scrimshaw in LA but I do not know if she ever did. I can't say they were friends of mine, exactly, having only spent one evening together but they were acquaintances and I have very fond memories of them. I'd always hoped one day I'd see their bus on the highway so I could say hello again. I don't know if this movie was authorized by Uschi as an accurate portrayal of their lives, but I do know it made me sad for them. My wish is for her happiness and hope that these last 30 years or so have been as happy as they could be.

Uschi, if you ever read this, blessings and happiness to you.

A wonderful rendering of the 60s. If you grew up like me with the 1968 revolution as a mythical era, this film will make you jubilate. Sex, drugs, rock and roll, radical thinking, revolutionaries, and the research of freedom, pleasure and new horizons. Freeing of the mind, freeing of the body… In her small town in Bavaria, Obermaier feels the revolution pounding in her bones and can't stay in place in her confined, old-fashioned home. Listening to rock music is her escape but it simply is not enough. She takes off and lives in an activist commune for some time before becoming a lover of Mick Jagger and Keith Richards and marrying a rich adventurer and traveling the world with him. A lively portrait of strong-willed Obermaier, her rebelliousness and search for unbound freedom. "Don't dream your life, live your dream" is a motto that appears in the film and could not apply better. Uschi appears unstoppable, ready to conquer the world, explore the confines of freedom. Inspiring.

So I read the reviews here and the opinions are very polarized

As often the truth is somewhere in between

Yes there is a reading here of the 60s/70s which is caricatural and aimed at younger folks who never saw those years

Bit of a joke to some

But people do not necessarily know how repressive the mentalities were in early 60s Bavaria

She Uschi Obermaier wanted to break away from the moral straightjacket and she did it elegantly and forcefully

This is shown well here. The boyfriend is depicted as a caveman which he might have been; she is depicted as Kali ; the haircutting of boyfriends' barnet is truly upsetting in a dark magic way but hey might be innocent

The actress they found for Uschi is Polish-born Natalia Avelon and the feat here is that she is even more beautiful than the one she portrays; and yes male viewers she is naked most of the time here; unashamedly. Germany is probably the country in the world which is the most at ease with nudity

We see this here. We also saw it in Carlos (2010) when the Baader Meinhoff blew into Aden

Anyway she is a picture and looks a real lot like Uschi

There is a long part in Pakistan and India very well done then we move to Mexico

They used German actors for Keith Richard and Mick J one really wonders why. No Brits available? A union issue?

Anyway overall not bad at all Kommune Eins at the start is OK altho a tad caricatured

Her fierce independence and girl power is well put in full view

Of course if you want to know more accurately about Uschi Obermaier watch Rote Sonne (1970) you will get the right idea.

I will catch this film when it plays here in Chicago in August. I was in Kommune 1 for a couple of weeks in March of 1969. There were two residences - Rainer Langhans, Uschi Obermaier, Dieter Kunzelmann stayed in the larger of the two, a factory loft sort of place. I stayed in the other residence, a dozen or so people in one large room. I went there with a friend from Frankfurt who wanted to reconcile with his girlfriend, who had left him for Dieter Kunzelmann. His girlfriend was unreceptive and he split right away. I was welcome to stay on for a while and did. It was easy living. Everyone was nice, except grouchy Dieter. No star attitudes or pretensions. Both Rainer and Uschi were very grounded, not at all affected by their notoriety. I think that set the tone. I'll give this film a 10 just on its subject matter.