Una serie dramática sobre el reinado y los matrimonios del rey Enrique octavo.Una serie dramática sobre el reinado y los matrimonios del rey Enrique octavo.Una serie dramática sobre el reinado y los matrimonios del rey Enrique octavo.
- Ganó 6 premios Primetime Emmy
- 49 premios ganados y 82 nominaciones en total
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The Tudors is about as close to perfection as a show of its genre can get. I understand people may argue that there are many historical inaccuracies but these become irrelevant when you realise the quality of the sets, scripts and not to forget the incredible acting.
I also think that the costume department also deserve an enormous amount of credit for designing royal attire that would have been fit for any Tudor King or Queen. As soon as you see the women walk out in their gorgeous dresses and the men in their traditional Tudor dress you are pulled into the world of Henry V111's court, a world, which thanks to this beautifully made show, I would never want to leave.
I also think that the costume department also deserve an enormous amount of credit for designing royal attire that would have been fit for any Tudor King or Queen. As soon as you see the women walk out in their gorgeous dresses and the men in their traditional Tudor dress you are pulled into the world of Henry V111's court, a world, which thanks to this beautifully made show, I would never want to leave.
Having finished the first season and rewatched it a half dozen times as I wait impatiently for Showtime to unveil the second season of "The Tudors," I have to admit that this show has intrigued me in the history surrounding Henry VIII and his unfortunate wives better than any before it. The producers say it's "80% accurate," and that's an apt description, but what impressed me so much was that within that 80% are some little-known and often overlooked moments that make for great drama. Like the fact that the little wrestling match between Henry of England and Charles of France actually did take place, or that the only time Queen Katharine lost her cool in all that she was forced to endure was over the succession, and subsequent threat to her daughter's rights to the throne. Even certain of the dialogue is ripped right from the pages of history.
True, things are pushed out of order so as to move the story along at a more rapid pace, and the worst bastardization of history comes in the form of the preposterous mingling of Henry's sisters Margaret and Mary into one individual (oddly enough, they don't even bother to push through the fact that one marriage lasted eighteen years and produced several children, which would have given them a lead-in for producing a later series built on this one about the heirs to the throne), but the reality is that this is solid film-making. The production value is exquisite, the original score is absolutely gorgeous, and then there are the performances.
It is a downright shame that Maria Doyle Kennedy and Sam Neil were given no mentions in the Emmy nominations, because while the rest of the cast is outstanding, they really deserve critical acclaim. Kennedy's Katharine of Aragon is perhaps the most authentic and sympathetic depiction ever to reach the silver screen, large or small, and the audience has responded to her with overwhelmingly positive emotions. I know that she broke my heart more than once, as much as made me want to stand up and cheer, particularly in the eighth episode. Neil is not quite as unlikable as Wolsey could be, but in the second half of the first season hits his stride and is absolutely phenomenal in the finale.
The one thing that rather disenchanted me was the amount of pointless sex and skin revealed on the part of random ladies of the court. Henry certainly had his flings but they were not as often as depicted, and to be perfectly honest, one is left wondering what he sees in these naked trollops when he has a far more beautiful and enchanting wife lingering in the background. (It also doesn't give the audience much empathy for Henry, who seems incapable of "making love." Even his eventual tryst with Anne Boleyn has more primal boredom to it than wooing.) I know it was a low ploy by Showtime, cashing in on the "sex sells" shallowness of our culture, but the story is much more profoundly lingering without it.
True, things are pushed out of order so as to move the story along at a more rapid pace, and the worst bastardization of history comes in the form of the preposterous mingling of Henry's sisters Margaret and Mary into one individual (oddly enough, they don't even bother to push through the fact that one marriage lasted eighteen years and produced several children, which would have given them a lead-in for producing a later series built on this one about the heirs to the throne), but the reality is that this is solid film-making. The production value is exquisite, the original score is absolutely gorgeous, and then there are the performances.
It is a downright shame that Maria Doyle Kennedy and Sam Neil were given no mentions in the Emmy nominations, because while the rest of the cast is outstanding, they really deserve critical acclaim. Kennedy's Katharine of Aragon is perhaps the most authentic and sympathetic depiction ever to reach the silver screen, large or small, and the audience has responded to her with overwhelmingly positive emotions. I know that she broke my heart more than once, as much as made me want to stand up and cheer, particularly in the eighth episode. Neil is not quite as unlikable as Wolsey could be, but in the second half of the first season hits his stride and is absolutely phenomenal in the finale.
The one thing that rather disenchanted me was the amount of pointless sex and skin revealed on the part of random ladies of the court. Henry certainly had his flings but they were not as often as depicted, and to be perfectly honest, one is left wondering what he sees in these naked trollops when he has a far more beautiful and enchanting wife lingering in the background. (It also doesn't give the audience much empathy for Henry, who seems incapable of "making love." Even his eventual tryst with Anne Boleyn has more primal boredom to it than wooing.) I know it was a low ploy by Showtime, cashing in on the "sex sells" shallowness of our culture, but the story is much more profoundly lingering without it.
With the proposed ending of Rome - I think a lot of viewers will automatically turn to The Tudors as a replacement. I have watched the first episode and find that the acting and set alone can pull a viewer in. It is different than Rome, but the same core passions of humanity are present.
I am deeply saddened that Rome will be ending after such a short run, and I think that were it not, The Tudors would find far more competition. As it is, both shows are proving that there is an audience for historical dramas and I hope such endeavors continue in the future.
The Tudors has a quality cast with attractive actors for both genders to attach to. I cannot make an honest opinion yet on the plots and direction of the series until I see more of it, but the imagery alone is a good start for this series.
I am deeply saddened that Rome will be ending after such a short run, and I think that were it not, The Tudors would find far more competition. As it is, both shows are proving that there is an audience for historical dramas and I hope such endeavors continue in the future.
The Tudors has a quality cast with attractive actors for both genders to attach to. I cannot make an honest opinion yet on the plots and direction of the series until I see more of it, but the imagery alone is a good start for this series.
All these reviewers , boasting of their historical knowledge ....pleeeeez Get over yourselves !!! This is a Hollywood production , not a classroom lesson. The costumes , the scenery , the acting ... this is what film making is about . If you don't like it , go read an encyclopedia.
I think "The Tudors" is the best television I've watched in a long time. Interesting that it was a collaboration between Irish and Canadian TV, maybe that's why the BBC didn't give it more of a profile? I disagree with the approach taken by the other reviewers - it is a DRAMA and never purported to be an accurate historical documentary, so my advice is to understand that first and enjoy it as it was meant to be enjoyed. The acting is superlative from everyone with the exception perhaps of Joely Richardson whom I've never "got" anyway - too colourless and divorced from the part. Tamsin Merchant as Catherine Howard gave a consistently outstanding performance, and all credit to such a young actress. Jonathan Rhys Meyers as Henry VIII was absolutely excellent throughout, he thoroughly owned the character and delivered with incredible passion and conviction. (And yes, he was extremely pleasing to the eye unlike H8 - so what?). I would also like to praise the production itself, the incredible and spellbinding direction, the lavish sets and opulent costumes and not least of all the music which I am now intent on buying.
¿Sabías que…?
- TriviaThe character of Princess Margaret is actually a composite of Henry's older sister, Margaret Tudor, and his younger sister, Mary Tudor. Margaret married the King of Scotland and Mary the King of France, Louis XII. When the French king died less than a year after their marriage, Mary did indeed marry Charles Brandon in secret.
- ErroresWhite was the mourning color of queens, not black. However, Spain's mourning colors were yellow and black. Katherine of Aragon wearing black is historically accurate.
- Citas
Sir Thomas More: If the lion knows its own strength, no man could control it...
- ConexionesFeatured in Screenwipe: Episode #4.4 (2007)
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- The Tudors
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- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora
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- 1.78 : 1
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