De amor y otras adicciones

In 1996, the womanizer salesman Jamie Randall (Jake Gyllenhaal) loses his job in an electronic store after shagging her coworker. Jamie is hired by Pfizer to sell Zoloft with his colleague Bruce Winston (Oliver Platt) and he uses his charm to seduce the receptionists and reach the doctors to convince them to prescribe Pfizer's drugs.

When he meets the twenty-six year-old Maggie Murdock (Anne Hathaway), they have sex on the first date. Maggie is a free spirit that has stage one Parkinson's disease and does not want to have a steady relationship. However, after a period, they both have a feeling that they have never felt before: love. But Jamie is promoted and need to move to Chicago and Maggie is afraid of her degenerative disease.

"Sex & Other Drugs" is a pleasant romance where the former Disney movies' actress Anne Hathaway shines with a bold role of a young woman that loves sex having to deal with Parkinson disease. Her character is very hot and her love scenes have a high level of eroticism. The bitter criticism to the pharmaceutical industry and corrupted doctors is unusual in American films.

Jake Gyllenhaal is a good actor in action films but he has a wooden performance in the role of a wolf that uses his appeal to be an efficient salesman. Josh Gad is annoying and his inconvenient character is never funny. Oliver Platt has a minor participation. My vote is seven.

Title (Brazil): "Amor e Outras Drogas" ("Love and Other Drugs")

On the surface, Love & Other Drugs appears to be a typical romantic comedy that follows the tried-and-true formula of a ladies' man, Jamie (played by Jake Gyllenhaal), falling in love with his latest hookup, Maggie (played by Anne Hathaway). However, what sets this movie apart from its contemporaries is its poignant exploration of Maggie's struggle with Parkinson's disease.

The movie can be divided into two halves: the first is a typical rom-com, complete with witty banter and charming flirtations between Jamie and Maggie. However, midway through the film, the tone takes a dramatic shift as the focus shifts to Maggie's struggles with her illness. The movie becomes intimate and shockingly raw as Jamie tries to cope with the future struggles he and Maggie will face together, while simultaneously portraying Maggie's struggle to let someone in and take care of her. This story really works and brought tears to my eyes near the end.

While the direction is pretty bland and lacks any real sense of style, the performances are strong. Both Hathaway and Gyllenhaal have excellent chemistry and play off each other perfectly. However, the real standout performance comes from Josh Gad, whose comedic timing is brilliant and whose scenes had me laughing out loud.

One aspect of the movie that detracts from its overall impact is the excessive use of nudity. Hathaway is shown topless in almost every scene, to the point where it feels quite predatory. While I am not sure if the choice to include this excessive nudity was made by the director or writing team, its frequency detracts from the intimacy of the characters' interactions and feels quite gratuitous.

Overall, Love & Other Drugs is a solid romantic comedy that attempts to do something a little different, which I can definitely appreciate. Its exploration of illness and its effects on relationships adds a layer of depth and emotion that the typical rom-com formula usually lacks.

Score: 70% 👍 Verdict: Good.

Love stories are essentially the same -- it's a matter of how you dress them up. Many will see through "Love and Other Drugs" and count the romance clichés and formulaic characters, others will find the 1996 setting and the pharmaceutical angle refreshing. Both forces are hard at work in this film, but the tipping point goes in favor thanks to the leads, Jake Gyllenhaal and Anne Hathaway. There's a reason most romantic films are judged based on the chemistry of their lead actors. When it comes to romance, it's not about how cleverly written the two characters are and how unique and special they feel to us. What counts is whether they can convince you of their attraction/love and get you to -- without blunt coercion -- invest in what happens to them. Gyllenhaal and Hathaway have what it takes to do just that in spite of a script that sometimes tries to lean too hard on conventional tactics of boys meets girl. Gyllenhaal plays Jamie, an expert salesman who lands a gig as a pharmaceutical sales rep for Pfizer, right before Viagra hit the market. He's also adept at landing any woman he desires. He epitomizes a Don Juan and he's plays the type well, but when you can predict that he'll end up in bed with the next attractive woman that shows up on screen, the writing has taken it a bit far. As good of a filmmaker as Edward Zwick is, his best credits include "Glory," "The Last Samurai" and "The Blood Diamond" -- not exactly romance. He co-wrote the script (based on Jamie Reidy's memoir) with longtime collaborator Marshall Herskovitz and thriller writer Charles Randolph ("The Interpreter"), so no real romantic comedy prowess exists among them, hence the tendency to stick with genre conventions. One such convention is Jamie's brother (Josh Gad), who plays the little brother crashing on Jamie's couch who has a porn addiction and makes clueless statements, usually to the tune of no laughs, but he does help break the tension. Enter girl. Jamie meets Maggie, a bit of a free-spirited cynic who (in a unique twist) has way early onset Parkinson's. Many will be quick to jump on the "diseased girl" archetype, but don't judge Hathaway's prowess that quickly. As completely pathetic as Maggie's self-esteem might be and how strictly anti-commitment she is, when her character caves in to the romance as they all do, Hathaway gives Maggie a believable fragility rather than a melodramatic tone. Jamie's motives for wanting to spend more time with Maggie and not simply continuing his streak of banging all who possess lady parts are reduced to the reason of "she's playing hard to get," which is not the best of reasons. The same can be said about Maggie constantly accusing Jamie of having pity sex with the diseased girl. However, watching these two charm each other and overcome the cliché has a definite appeal. The two spend a lot of naked time together, making "Love and Other Drugs" the best date movie this holiday season. But on a serious note, the drug angle and the "recent past" setting give us something else to chew on, which is nice. Zwick never truly marries that story line with the romance except "Jamie sells drugs and Maggie has a disease that lacks an effective one." The thematic ties are not quite there despite the plot coincidences and the fitting title. "Love and Other Drugs" is hardly the cure for the common romantic comedy, but the consistent dosage of its two stars by and large pushes away those symptoms. ~Steven C

Despite what some may say, Love and Other Drugs wasn't like other romantic comedies I've seen except in the most general of senses, in that it was a romantic comedy. I hadn't seen one set in the environment of pharmaceutical sales or with a main character who had Parkinsons disease, a setting which is very interesting as there are a lot of things wrong with health care and the system today. It gives one something to chew on while watching the rest of the movie.

There's a lot to like about the relationship between Jamie and Maggie. They have a raw intensity and passion for each other that was a bit much for some viewers, but in my opinion it was there to show how connected they were both physically and mentally. I thought their banter and teasing nature was cute. Nobody got wounded or sulked when teased but just laughed and teased back. The initial attraction between them started as an understanding of each other's loneliness and vulnerability that allowed them to feel like someone else finally got them after easily charming others with nothing more than a fascade. Their relationship had passion, love, and a roller-coaster of emotions.

There was a scene midway through the movie where Maggie tells Jamie that even though she may have many other moments like the ones that she shared with him that it will never be as special or mean as much to her and my heart wanted to swell because I knew exactly what she meant and what it is like to love someone that much.

As they grew together, both characters changed and let go of their issues with commitment and love. They tore down the walls they'd built to protect themselves and just let themselves fall. It was beautiful to me and I really enjoyed Love & Other Drugs.

The movie starts out as a generic and even pedestrian romantic comedy and appears to be headed in the typical cliché driven direction but, fortunately, evolves in to something more. Jake Gyllenhaal's character and his alleged "funny" fat side kick are established almost purposefully as illustrations of what's wrong with most romantic comedies. It's Anne Hathaway's character that is the catalyst for the transformation from two dimensional rom-com to something deeper and more enjoyable. As she is fleshed out (pun intended because the more Anne Hathaway nudity the better) her character forces both Gyllenhaal's character and the film itself to grow (almost Viagra like). What follows is a deep, sometimes moving and genuinely interesting film. Commentary about battling illness, life and enjoying the moment are all relevant and poignant. Even supporting characters are given moments to shine. Oliver Pratt's drug rep has a wonderful scene delivered over dinner and there's even a smart drunken ramble explaining what is wrong with being a doctor and a commentary on the state of the Hippocratic Oath. From an emotionless and even tedious start, this film surprised me and is worth the price of a ticket.