23 opiniones
- MrGKB
- 26 ene 2008
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Mike Downey (Andrew Walker) is a white supremacist skinhead. He is arrested for beating up an immigrant as a hate crime. Liberal Jew Danny Dunkelman (David Strathairn) is assigned as his defense lawyer. Mike is a young angry man. Danny is confronted by family and friends. Both struggle to come to terms with their beliefs.
This is mostly a two person play. Strathairn is a class act and his greatness is expected. Andrew Walker is equally amazing. As for the play, some parts of it is poignant while other parts feel overwrought. It's walking on a knife's edge. The movie has both types of moments. It can be powerful one moment and fake the next. It's definitely pushing its agenda very hard and it can feel preachy. Some of it feel fake and rubs me the wrong way.
This is mostly a two person play. Strathairn is a class act and his greatness is expected. Andrew Walker is equally amazing. As for the play, some parts of it is poignant while other parts feel overwrought. It's walking on a knife's edge. The movie has both types of moments. It can be powerful one moment and fake the next. It's definitely pushing its agenda very hard and it can feel preachy. Some of it feel fake and rubs me the wrong way.
- SnoopyStyle
- 25 abr 2016
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Little film with giant acting especially by Andrew W. Walker and David too off course!
- bren-t-mgr
- 6 sep 2021
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- pc95
- 22 jul 2009
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The movie is fairly well acted and produced, however the movie lacks originality, warmth, and anything that would make the tale necessary to tell.
Forgiveness is the primary theme, but never fully explored. The interesting plot points, such as the Lawyer's family shunning him for defending the skinhead, are left unfinished.
The ending leaves you feeling downhearted rather than uplifted. The skinhead's change of heart is hard to take seriously.
The character's motivations needed to be explored more. This seems like an empty "After School Special."
Forgiveness is the primary theme, but never fully explored. The interesting plot points, such as the Lawyer's family shunning him for defending the skinhead, are left unfinished.
The ending leaves you feeling downhearted rather than uplifted. The skinhead's change of heart is hard to take seriously.
The character's motivations needed to be explored more. This seems like an empty "After School Special."
- chuckroddy
- 28 jul 2008
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This was an 8/10 until the final 20 minutes. Then it got very, very stupid.
I suggest you watch it. It is worth watching, but ugh, the end blows hard. It progresses from an insightful, touching movie to...ugh.
Watch it. You'll see.
I suggest you watch it. It is worth watching, but ugh, the end blows hard. It progresses from an insightful, touching movie to...ugh.
Watch it. You'll see.
- drake-harbinger
- 5 mar 2017
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- gradyharp
- 10 sep 2007
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Serious flaws in the script,and pacing in this movie.
I had enough of the movie halfway in,was extremely slow and going too and from,and backwards,and forwards....
Boring overall!
- pauljamesross
- 29 mar 2020
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It is a movie that should be required viewing in schools. I was privileged to see it at the Woodstock Film Festival this past year. Unfortunately, films of this caliber that have a vital message rather than providing moviegoers with a thrill a minute "entertainment" too often do not receive sufficient funding get them into the local movie houses. The plot is timely and the acting is superb and realistic. I felt that, possibly in order to cut expenses the story was cut short. The "interplay" between Danny and his wife, Anna, and Danny and his brother could have been given more attention. Hopefully, the fact that David Strahairn is starring will provide the necessary backing to give the public an opportunity to see Steel Toes.
- grogkill
- 16 feb 2007
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- bkoganbing
- 6 ene 2017
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As soon as the skinhead had been in porridge for week or two the ending became blindingly obvious.
Possible relief from my increasing ennui would have been if David Strathairn's scruffy Jewish lawyer character could have only also been a frequent casual loud-farter during their prison interviews, which would have been such a welcome change of direction which could have seen an enraged skinhead viciously attacking his flatulent lawyer in his oft-polluted, evil-smelling cell - to give him a 10/10 good hiding as a fillip to what had rapidly become a slumber-fest.
Possible relief from my increasing ennui would have been if David Strathairn's scruffy Jewish lawyer character could have only also been a frequent casual loud-farter during their prison interviews, which would have been such a welcome change of direction which could have seen an enraged skinhead viciously attacking his flatulent lawyer in his oft-polluted, evil-smelling cell - to give him a 10/10 good hiding as a fillip to what had rapidly become a slumber-fest.
- xpat-55192
- 8 abr 2020
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Steel Toes is basically a play that has been filmed - not usually my cup of tea - but the filmmakers have provided enough visual action to change it from a dry play put before a motionless camera into an engrossing character study driven by two extraordinary actors.
The story of one of brutality and redemption revolving around self-examinations by the two major characters.
Mike is a hateful neo-Nazi who beats an Indian man so badly that he eventually dies. The attack was basically unprovoked which caused it to be even more horrendous. Because of his skinhead ties, it has been necessary for the authorities to place him in isolation while awaiting trial.
Enter Danny who will be serving as Mike's defense attorney. Danny is a middle-aged Jewish man who somehow sees something beyond hate in his young client, and he makes it his goal to reach the human being buried deep within indoctrination and prejudice.
The interplay between the actors playing these two men - actually a man and a boy - is the meat of this film, and their time on screen is a luxury to the viewer.
David Strathairn portrays Danny. He is a consummate actor and, as Danny, he entitles us a view of a good, strong-willed man who, through his interaction with a young man lost to society, is able to reexamine his own life and goals. He is such a strong performer that the viewer never doubts the accomplishment of his gargantuan task of bringing about the reformation of a man filled with hate.
Andrew W. Walker plays Mike. Most of his credits are in television and in programs that are of no interest to me, so I did not recognize him. Actually, I think this heightened my enjoyment of his portrayal. He is astounding as a raw young man completely given over to hate, prejudice, and testosterone - a deadly combination.
There is a third extremely moving performance given in the film, and that is the one given by Ivan Smith as the Indian man beaten to death by Mike. The scene is that of Smith's character giving his victim impact statement in the hospital before his death. It is heartbreaking.
This film, in spite of its subject matter, actually has somewhat of an upbeat ending in which the triumph of knowledge and character overcome baser human emotions. Steel Toes is a delicacy for anyone who enjoys a film saturated with superior acting.
The story of one of brutality and redemption revolving around self-examinations by the two major characters.
Mike is a hateful neo-Nazi who beats an Indian man so badly that he eventually dies. The attack was basically unprovoked which caused it to be even more horrendous. Because of his skinhead ties, it has been necessary for the authorities to place him in isolation while awaiting trial.
Enter Danny who will be serving as Mike's defense attorney. Danny is a middle-aged Jewish man who somehow sees something beyond hate in his young client, and he makes it his goal to reach the human being buried deep within indoctrination and prejudice.
The interplay between the actors playing these two men - actually a man and a boy - is the meat of this film, and their time on screen is a luxury to the viewer.
David Strathairn portrays Danny. He is a consummate actor and, as Danny, he entitles us a view of a good, strong-willed man who, through his interaction with a young man lost to society, is able to reexamine his own life and goals. He is such a strong performer that the viewer never doubts the accomplishment of his gargantuan task of bringing about the reformation of a man filled with hate.
Andrew W. Walker plays Mike. Most of his credits are in television and in programs that are of no interest to me, so I did not recognize him. Actually, I think this heightened my enjoyment of his portrayal. He is astounding as a raw young man completely given over to hate, prejudice, and testosterone - a deadly combination.
There is a third extremely moving performance given in the film, and that is the one given by Ivan Smith as the Indian man beaten to death by Mike. The scene is that of Smith's character giving his victim impact statement in the hospital before his death. It is heartbreaking.
This film, in spite of its subject matter, actually has somewhat of an upbeat ending in which the triumph of knowledge and character overcome baser human emotions. Steel Toes is a delicacy for anyone who enjoys a film saturated with superior acting.
- nturner
- 7 nov 2008
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Do not watch this amateur film. Its more like a video shot by kids back in the 90s. I wasted my 2hrs on this boring flick. Clearly made by a indian hindu who hates Americans qnd westerners. In all this movie deserves a minus -0/10 DO NOT WATCH THIS FILM!
- shwang-91937
- 1 jul 2021
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David Gow wrote it first as a play between a Canadian Jewish attorney, Danny Dunckelman and a Canadian white nationalist skinhead, Michael Downey. The actors were played by David Straithairn and Andrew Walker. They did a terrific job. Straithairn played the role on stage in Philadelphia, Pennsylvania. When the director and screenwriter, David Gow, made the movie. Straithairn jumped at the chance to play the role onscreen. It's a powerful movie even if it's not evident. Andrew Walker did a terrific job as the remorseless racist skinhead.
- Sylviastel
- 23 mar 2020
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- twi1609372
- 8 ene 2008
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Powerful, moving... I am so VERY impressed and humbled. From what I saw on your first cut into what I watched tonight, this movie which forced my attention time and again back to watch and refocus on the screen, had such a wonderful progressive movement from that movie into this one.
I've jotted down thoughts as I was watching it... most all of these notes are therefore in sequential order but just quick thoughts: Great grab at the beginning, one thinks it's an action movie. The slow effects- spot on- good! Entering into the cell first time -- the grid work shadowing -- wonderful Overall: Music -- oboe, cello, violin, piano....touches a persons heart strings.
Sound effects... really hammer home many things; hard, cold, etc. of the prison environment.
The first St. Viatteur scene with Muslim and orthodox Jew was good transition.
Really well cut re: close in and full shots... especially first meeting and last (e.g., chair breaking) scene. Yes, the tub scene worked with Danial, finally I understood what he was thinking and then he focused on the "Victim Impact Statement".
Showing the passing of time... worked well... good angles of the prison- stark, cold.
Interior prison scenes: really worked, bars, blocks, sun off the wall.
It was very clear at the beginning... the dialog which meant to convey 'try me for me, not for what I believe', etc.
Danny and mike "what happened with you today" worked great... it wasn't necessary to know what and why.... leaves the minutiae up to the audience... yet, the frustration is clearly seen... based on prior scenes and what was going on in that one.
The window-washing scene... so clearly showed Danny's frustration at so many things but then framed against a "random act of kindness"
Very clearly you were able to capture the home and work responses to his work on this case with very little air time.
The title grew on me... as it's significance was played up during the course of the movie. ALL scenes carried a very nice juxtapositions between Dan/mike Great scenes to close with... jail vs. free ... yet both were in their own prisons.
And the end provided hope for them and for us. Wonderful Work.
I've jotted down thoughts as I was watching it... most all of these notes are therefore in sequential order but just quick thoughts: Great grab at the beginning, one thinks it's an action movie. The slow effects- spot on- good! Entering into the cell first time -- the grid work shadowing -- wonderful Overall: Music -- oboe, cello, violin, piano....touches a persons heart strings.
Sound effects... really hammer home many things; hard, cold, etc. of the prison environment.
The first St. Viatteur scene with Muslim and orthodox Jew was good transition.
Really well cut re: close in and full shots... especially first meeting and last (e.g., chair breaking) scene. Yes, the tub scene worked with Danial, finally I understood what he was thinking and then he focused on the "Victim Impact Statement".
Showing the passing of time... worked well... good angles of the prison- stark, cold.
Interior prison scenes: really worked, bars, blocks, sun off the wall.
It was very clear at the beginning... the dialog which meant to convey 'try me for me, not for what I believe', etc.
Danny and mike "what happened with you today" worked great... it wasn't necessary to know what and why.... leaves the minutiae up to the audience... yet, the frustration is clearly seen... based on prior scenes and what was going on in that one.
The window-washing scene... so clearly showed Danny's frustration at so many things but then framed against a "random act of kindness"
Very clearly you were able to capture the home and work responses to his work on this case with very little air time.
The title grew on me... as it's significance was played up during the course of the movie. ALL scenes carried a very nice juxtapositions between Dan/mike Great scenes to close with... jail vs. free ... yet both were in their own prisons.
And the end provided hope for them and for us. Wonderful Work.
- littleprince1977
- 19 feb 2006
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This film I expected to be an excellent indie flick, but what I got was complete disappointment. This movie could have been summed up in 10 minutes, but instead dragged on for an hour and a half. There is at most only 2 scenes worth watching, and even they are nothing new to cinema,have already been seen and done better in other films such as American History X and Romper Stomper. I think the acting may have been OK, but the storyline was weak, and there was nowhere near enough material to make this story last. Overall, I advise that you only recommend this to someone film if you wish to play a cruel practical joke on them, in which case you tell them its a great film and to watch it.
- strkrz
- 9 may 2008
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OK, I really wanted to rate this a 10, just because I saw how underrated this movie was in its reviews by a small group of people whom I believe tainted its rating unfairly.I do believe that this movie was a solid 9, however, and if more people watched it, it would be ranked up there where it rightfully belongs.
This movie doesn't sugar coat how certain groups indoctrinate and are fueled by hatred, and how others, who are hated, can choose to respond apart from that ignorance. That, in itself, was a courageous endeavor that ended up truly moving. The best part, though, were the phenomenal performances and believability of the actors in the key roles...my hat off to you all for such very fine work, above and beyond, in an ongoing crisis of wills that has lasted way too long in our beautifully diverse world. This is a truly stunning performance and tribute to a richly ancient people who have represented God's heart and will in the midst of adversity. I sure hope to see more of these films, more of these actors, and hope more of the viewers who choose to watch and be as moved as I was, and my company, choose to vote and review this movie into the top where it belongs... good watching to you all!
This movie doesn't sugar coat how certain groups indoctrinate and are fueled by hatred, and how others, who are hated, can choose to respond apart from that ignorance. That, in itself, was a courageous endeavor that ended up truly moving. The best part, though, were the phenomenal performances and believability of the actors in the key roles...my hat off to you all for such very fine work, above and beyond, in an ongoing crisis of wills that has lasted way too long in our beautifully diverse world. This is a truly stunning performance and tribute to a richly ancient people who have represented God's heart and will in the midst of adversity. I sure hope to see more of these films, more of these actors, and hope more of the viewers who choose to watch and be as moved as I was, and my company, choose to vote and review this movie into the top where it belongs... good watching to you all!
- aandrewdorst74
- 28 ago 2013
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Worst movie thats mostly anti Christianity, the story changes way too often, i cringed like 10 times. Worst movie ever. Id watch a youtube rewind rather than this hindu stuff.
- nigelnoel-76547
- 1 jul 2021
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- jackasstrange
- 5 nov 2013
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This movie is very cleverly done, phenomenal dialogs and fantastic acting make this film a real masterpiece. It's about soul of a young man that has been lost in Nazi ideology and Jewish lawyer who will rise above the hate and try to help him. After just one viewing you will not see the true intentions of some sentences, but in the end it will all make sense...I read somewhere that this film should be shown in schools and I think that's a really good idea because it carries the message that is absolutely correct and can affect young people not to go the wrong path. Here, you will not find expensive movie effects but you will see the true human emotions...
- yoxy87
- 2 feb 2014
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This has to be a parody of some sort. How is it that all of a sudden hindu forgave people? Hindus have been hunting minorities in india for ages. This movie is made by hindus.
- checkinstayvista
- 1 jul 2021
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We tend to take for granted, nowadays, the average production value of most films, which is, as a matter of fact very, very high (even for television series).
This film is a throwback to the yesteryear of b-movies, a reminder of the uncanny feeling that a quasi-professional can evoke. Even during the opening credits, it was pretty obvious. So much so, that when the name of the director of photography appeared on screen I wondered to myself : "there was a dop in this?".
All in all, there is an overall Tommy Wiseau-esque quality running every aspect of the film (apart from framed pictures of spoons maybe). The plot, timing, character arcs and most components that make a story coherent and conventionally structured leave a lot to be desired from the writing, and the poor artistic choices, such as slow motion shots without the proper equipment complement visually in an equally incompetent manner.
The only saving grace is the actors' genuine attempts to save this mess. There are countless better films both in the skinhead and courtroom drama subgenres. When you have seen all of them, and really have nothing to do with your time, then watch this. Otherwise, skip and don't look back.
This film is a throwback to the yesteryear of b-movies, a reminder of the uncanny feeling that a quasi-professional can evoke. Even during the opening credits, it was pretty obvious. So much so, that when the name of the director of photography appeared on screen I wondered to myself : "there was a dop in this?".
All in all, there is an overall Tommy Wiseau-esque quality running every aspect of the film (apart from framed pictures of spoons maybe). The plot, timing, character arcs and most components that make a story coherent and conventionally structured leave a lot to be desired from the writing, and the poor artistic choices, such as slow motion shots without the proper equipment complement visually in an equally incompetent manner.
The only saving grace is the actors' genuine attempts to save this mess. There are countless better films both in the skinhead and courtroom drama subgenres. When you have seen all of them, and really have nothing to do with your time, then watch this. Otherwise, skip and don't look back.
- Guratza
- 9 feb 2024
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