CALIFICACIÓN DE IMDb
5.4/10
3.1 k
TU CALIFICACIÓN
La historia de Nina Simone, su ascenso a la fama y la relación con su manager Clifton Henderson.La historia de Nina Simone, su ascenso a la fama y la relación con su manager Clifton Henderson.La historia de Nina Simone, su ascenso a la fama y la relación con su manager Clifton Henderson.
- Dirección
- Guionista
- Elenco
- Premios
- 3 nominaciones en total
Zoe Saldaña
- Nina Simone
- (as Zoe Saldana)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Probably only 25 minutes that I'm watching this biopic about one of my idols:Nina Simone -> "What a bad television film"."A disaster" ... Zoe Saldana, clearly not up to the character! The allusions to Nina; a revolutionary musician are too few"... I don't care about Mrs Simone torments at the end of her life ! Mostly her relationship with her domestic/manager. (If at least it was "done properly). Plus, all the reproductions of her interviews and concerts : "We do not talk about it "... The film budget is what? $ 200 or something ... Roughly speaking, this full-length feature is a flop ... Let's watch a good documentary :)
I came in with expectations about this film. They weren't particularly high but what I did expect was to a lesser degree the music and vocal styling. Zoe Saldana as Nina Simone missed that mark completely. Unlike Jamie Fox in Ray where he magnificently captured Ray Charles's vocal patterns and musical style, you get none of this with Saldana's Nina. In fact, it doesn't transport you away at all. It's an unpleasant look into Nina's last years of her life, one that you do not wish to fully examine. And then there is the makeup that was applied to Zoe Saldana. It was not a visual look that was welcomed. I don't know if they were trying to capture Nina's appearance but this too was flawed and I go back to Jamie Fox role as Ray. Maybe Zoe Saldana was the wrong choice although I do see her being credited as one of the producers along with David Oyelowo who also has a role in this so maybe this was more of a vanity thing because they did it and figured it was easier for her to play the role. the other thing that bothered me was that they kept jumping from one era to another without any consistency. It was a visual headache to the story that just didn't fit. This was tough to watch.
Wow, that was a tough watch. Saldana is an appealing and decent actress within her range, but she's way, way out of it here, and given a script and a character that she simply can't do justice to.
It's rare that actors are asked to play older than their age, and for good reason: everyone can remember what it was like being younger, but can only imagine being older. There's no gravitas or presence to Saldana's performance here, and she can't anchor this muddled, tentative film. Since it's entirely about her, well, you see the problem.
And we have to talk about the blackface. Saying "yeah, but it was required for the role" doesn't make it all right. That's how you get Occidentals playing Charlie Chan or Fu Manchu, or girls with less Native American ancestry than Elizabeth Warren playing Comanches.
One rule for all, no exceptions, please.
It's rare that actors are asked to play older than their age, and for good reason: everyone can remember what it was like being younger, but can only imagine being older. There's no gravitas or presence to Saldana's performance here, and she can't anchor this muddled, tentative film. Since it's entirely about her, well, you see the problem.
And we have to talk about the blackface. Saying "yeah, but it was required for the role" doesn't make it all right. That's how you get Occidentals playing Charlie Chan or Fu Manchu, or girls with less Native American ancestry than Elizabeth Warren playing Comanches.
One rule for all, no exceptions, please.
After the big hoo-ha about how bad this film is, in particular because of Zoe Saldana's casting, I decided to give this movie a shot.
I know virtually nothing about Nina Simone's life, but this film does not want to portray what her life was during her prime. Instead it relies on itty bitty pieces of dialogue during interviews and conversations with Nina's old friend Richard Pryor. It is set during the last decade of her life, when she is mentally ill, unstably alcoholic and very difficult to tolerate. Clifton (David Oyelowo), the nurse at the mental hospital where she is interred, takes her in, looks after her and eventually becomes her manager.
The real problem with this movie is, glaringly, the time period of Nina's life. It's not a good one, and very little happens in the movie. We start her off as a little girl defying racial segregation so that her parents can sit in the front row. Nothing else is shown of her rise to fame and struggles, which makes the film feel very empty.
One thing I really didn't like is the erasure of Clifton's homosexuality. Although he and Nina are not seen intimate with each other (at one point she calls him the F word when he refuses to have sex with her) there is a small implication. Why couldn't they show everyone he was gay?
The last thing is of course Zoe Saldana as Nina. I personally feel the criticism (and it was extremely scornful) was very unfair. She did the best with what she was given, and she should be praised for it. The problem is not the color of her skin, its the age. She is supposed to be in her sixties, and yet Saldana is actually younger than David Oyelowo! They really couldn't find an older actress?
At times the movie was painfully boring, badly paced and perhaps unintentionally funny. 5 out 10.
I know virtually nothing about Nina Simone's life, but this film does not want to portray what her life was during her prime. Instead it relies on itty bitty pieces of dialogue during interviews and conversations with Nina's old friend Richard Pryor. It is set during the last decade of her life, when she is mentally ill, unstably alcoholic and very difficult to tolerate. Clifton (David Oyelowo), the nurse at the mental hospital where she is interred, takes her in, looks after her and eventually becomes her manager.
The real problem with this movie is, glaringly, the time period of Nina's life. It's not a good one, and very little happens in the movie. We start her off as a little girl defying racial segregation so that her parents can sit in the front row. Nothing else is shown of her rise to fame and struggles, which makes the film feel very empty.
One thing I really didn't like is the erasure of Clifton's homosexuality. Although he and Nina are not seen intimate with each other (at one point she calls him the F word when he refuses to have sex with her) there is a small implication. Why couldn't they show everyone he was gay?
The last thing is of course Zoe Saldana as Nina. I personally feel the criticism (and it was extremely scornful) was very unfair. She did the best with what she was given, and she should be praised for it. The problem is not the color of her skin, its the age. She is supposed to be in her sixties, and yet Saldana is actually younger than David Oyelowo! They really couldn't find an older actress?
At times the movie was painfully boring, badly paced and perhaps unintentionally funny. 5 out 10.
The high ratings must be from people unfamiliar with Nina Simone. The makeup looks like Saldana has bad skin. Saldana's acting is passable. But the film is just boring. Saldana's singing lacks the depth of Simone.
¿Sabías que…?
- TriviaLisa Simone Kelly, Nina Simone's daughter, disavowed the project on grounds it was a dishonest look at her mother's life, particularly the turbulent romantic relationship between Nina and Clifton Henderson. In real life, Henderson was gay; he was Nina's confidant, but never her lover. As a result, Simone's family was not consulted during production. While the family said publicly they didn't have any personal issues with Saldana, they didn't agree with her casting because Nina Simone had much darker skin than Saldana and they felt the choice was an attempt to erase what Nina Simone herself called "essential blackness" from the movie.
- ConexionesReferenced in The Cinema Snob: Marci X (2018)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Nina Simone
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 7,000,000 (estimado)
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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