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IMDbPro

Nina

  • 2016
  • Not Rated
  • 1h 30min
CALIFICACIÓN DE IMDb
5.4/10
3.1 k
TU CALIFICACIÓN
Mike Epps, David Oyelowo, Jessica Oyelowo, Zoe Saldaña, and Ella Thomas in Nina (2016)
The story of the late jazz musician and classical pianist Nina Simone including her rise to fame and relationship with her manager Clifton Henderson.
Reproducir trailer2:31
1 video
11 fotos
BiografíaDramaMúsica

La historia de Nina Simone, su ascenso a la fama y la relación con su manager Clifton Henderson.La historia de Nina Simone, su ascenso a la fama y la relación con su manager Clifton Henderson.La historia de Nina Simone, su ascenso a la fama y la relación con su manager Clifton Henderson.

  • Dirección
    • Cynthia Mort
  • Guionista
    • Cynthia Mort
  • Elenco
    • Zoe Saldaña
    • David Oyelowo
    • Kevin Mambo
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.4/10
    3.1 k
    TU CALIFICACIÓN
    • Dirección
      • Cynthia Mort
    • Guionista
      • Cynthia Mort
    • Elenco
      • Zoe Saldaña
      • David Oyelowo
      • Kevin Mambo
    • 46Opiniones de los usuarios
    • 17Opiniones de los críticos
    • 27Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 nominaciones en total

    Videos1

    Official Trailer
    Trailer 2:31
    Official Trailer

    Fotos10

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    + 5
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    Elenco principal61

    Editar
    Zoe Saldaña
    Zoe Saldaña
    • Nina Simone
    • (as Zoe Saldana)
    David Oyelowo
    David Oyelowo
    • Clifton Henderson
    Kevin Mambo
    Kevin Mambo
    • Gilles, Lead Guitarist
    Ronald Guttman
    Ronald Guttman
    • Henri Edwards
    Chuma Gault
    Chuma Gault
    • Nina's Husband
    Allison Sarofim
    Allison Sarofim
    • Head Nurse
    Mike Epps
    Mike Epps
    • Richard Pryor
    Keith David
    Keith David
    • Clifton's Father
    Ella Joyce
    Ella Joyce
    • Clifton's Mom
    Stevens Gaston
    Stevens Gaston
    • Clifton's Brother
    Fred Cassidy
    Fred Cassidy
    • Customs Agent
    Jessica Oyelowo
    Jessica Oyelowo
    • Nurse
    Anthony Molinari
    Anthony Molinari
    • Cop #1
    Ella Thomas
    Ella Thomas
    • Lorraine Hansberry
    Bonnie Bartlett
    Bonnie Bartlett
    • Recital Stage Woman
    Ken Davitian
    Ken Davitian
    • Club Owner
    Camille Natta
    Camille Natta
    • Miss Larouche, Vocal Coach
    Marianne Muellerleile
    Marianne Muellerleile
    • Nurse Mary
    • Dirección
      • Cynthia Mort
    • Guionista
      • Cynthia Mort
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios46

    5.43.1K
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    Opiniones destacadas

    5annette-pulliam

    Atrocious Makeup Boring Movie

    The high ratings must be from people unfamiliar with Nina Simone. The makeup looks like Saldana has bad skin. Saldana's acting is passable. But the film is just boring. Saldana's singing lacks the depth of Simone.
    4tomofsweden

    An uninteresting depiction of mental illness.

    Nina

    Yet another film of a famous person that in reality is just an excuse to show off mental illness. In this case the bipolar condition of Nina Simone.

    The film assumes that the viewer already is familiar with her life. I wasn't. I only knew her by having heard a couple of her songs. The start of the film rushes ahead through her life to the very end of her life. But it doesn't start at the end and show flash backs. Well... sort of. It was mostly just a confusing mess and I had no clue what her career was like up to the end (where the film begins). The first concert she does is in a small bar. So as a viewer I'm like, OK, so this is the kind of concerts she had. And then I'm told she is one of the most famous singers. OK, so why is she in a small bar performing if she is so famous? And then somebody says that she should be in a huge concert hall, and not in a small bar. And I'm like, yes, so why isn't she? Please tell me, the viewer. No information.

    The film revolves around her (non-romantic) relationship with her nurse/assistant/manager. This is uninteresting. It never goes anywhere and there's very little tension. I suspect it's just badly acted. David Oyelowo plays the assistant. I had never heard of him. So I looked him up. He has a long career of so-so stuff. So he doesn't seem particularly talented. He seems to be established as a middling talent. So it's an odd casting. It seems to me like he just didn't have what it took to make this role work.

    Zoe Saldana plays Nina Simone. This is also not particularly interesting. But I don't think it's the acting that's the problem this time. I suspect the problem here is the script. A string of scenes showing a crazy person doing crazy things is not interesting. This is not a comedy. The craziness has to be coupled with her being sensible sometimes. There has to be some sort of balance. Nina Simone in this film goes from being disturbingly weird to being bouncing-off-the-walls-in-a-padded-cell- crazy. She's impossible to like. But she's famous for being a musical genius. She created amazing music and trail-blazed against all odds and conquered the world. This is not shown in this film. Nina Simone in this film is just nuts with no redeeming qualities. It's the stuff that made her famous that I'm interested in. This film provides none of it.

    They use the "Angry Black Woman" trope to it's fullest extent. Sure, Nina Simone does have ample reason to be angry. But this character seems utterly consumed by it. It's like she has nothing else going for her in her life.

    It would be nice with a film about a historical black person that doesn't focus on how much a victim he or she is. I'm not saying that black people historically haven't suffered. What I'm saying is that, by looking at the movies produced focusing on black people, black history seems to be defined by being a victim and nothing else. I'm starting to find this tedious. And in this film it's especially obvious, since her talents are so down-played. It's all about Nina, the crazy victim.

    I learned almost nothing about Nina Simone's music career.
    4twotrybe

    Not at All Satisfying

    I came in with expectations about this film. They weren't particularly high but what I did expect was to a lesser degree the music and vocal styling. Zoe Saldana as Nina Simone missed that mark completely. Unlike Jamie Fox in Ray where he magnificently captured Ray Charles's vocal patterns and musical style, you get none of this with Saldana's Nina. In fact, it doesn't transport you away at all. It's an unpleasant look into Nina's last years of her life, one that you do not wish to fully examine. And then there is the makeup that was applied to Zoe Saldana. It was not a visual look that was welcomed. I don't know if they were trying to capture Nina's appearance but this too was flawed and I go back to Jamie Fox role as Ray. Maybe Zoe Saldana was the wrong choice although I do see her being credited as one of the producers along with David Oyelowo who also has a role in this so maybe this was more of a vanity thing because they did it and figured it was easier for her to play the role. the other thing that bothered me was that they kept jumping from one era to another without any consistency. It was a visual headache to the story that just didn't fit. This was tough to watch.
    4maripere95

    I was not impressed by this film's portrayal of Nina's life, her music and her importance in history.

    Nina Simone was a huge public figure in the black civil rights movement and one of the most popular jazz musicians of all time. She remains to this day very influential and unique. This film managed to capture none of it. It decides to focus entirely on her romantic relationship with her assistant during the last years of her life and - even though it does address her mental health issues and her problems with showbiz - it briefly skims over all the good and important influence she had over culture and music. Zoe Saldana may have been able to pull off her demeanour while in daily life, however her 'on stage' performances were underwhelming. I don't have a problem with her doing her own singing while impersonation an actual person, because a voice-over would probably not have worked well, however, Zoe's auto-tuned performance failed to capture the spirituality, strength and powerful presence that Nina had. Obviously, no one can be as good a Nina as Nina was, but if I didn't know who Nina Simone was before this movie, I certainly would not have cared about her afterwards. Overall, I was not impressed by this film's portrayal of Nina's life, her music and her importance in history. If you want a better portrayal of Nina, watch What Happened, Miss Simone (her documentary) or listen to her actual music.
    6welambert01

    Oh my!

    Why a 6? There are few performers that can captivate an audience. Nina Simone was one of those performer. It's a crime, no sin, the same cannot be said of her biography. The first biography I was not invested in the character. The treatment of Mississippi Burning best describes this movie. Power, hate and anger best describes the song. It is also one of Nina's iconic song, brushed over barely a mention. The best description of the movie: brushed over. Why the 6? I believed Zoe Saldana was incapable of portraying a powerful woman as Nina Simone; I was wrong. Is the movie worth watching for her performance? Sadly No. Nina deserved a better treatment of her life.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Lisa Simone Kelly, Nina Simone's daughter, disavowed the project on grounds it was a dishonest look at her mother's life, particularly the turbulent romantic relationship between Nina and Clifton Henderson. In real life, Henderson was gay; he was Nina's confidant, but never her lover. As a result, Simone's family was not consulted during production. While the family said publicly they didn't have any personal issues with Saldana, they didn't agree with her casting because Nina Simone had much darker skin than Saldana and they felt the choice was an attempt to erase what Nina Simone herself called "essential blackness" from the movie.
    • Conexiones
      Referenced in The Cinema Snob: Marci X (2018)

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    Preguntas Frecuentes17

    • How long is Nina?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de abril de 2016 (Estados Unidos)
    • País de origen
      • Reino Unido
    • Idiomas
      • Inglés
      • Francés
    • También se conoce como
      • Nina Simone
    • Locaciones de filmación
      • Los Ángeles, California, Estados Unidos
    • Productoras
      • 66 Productions
      • Ealing Studios Entertainment
      • Ealing Studios
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 7,000,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 30min(90 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.39 : 1

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