Pesadilla sin fin

I'm not usually that impressed by independent films because I like my movies glossy and slick but this one stands out because everything takes place against a background of mundane normality. No glamorous instantly recognisable stars or exotic locations in this movie. The cast all look like the guy/gal next door and the locations are authentic small town USA which in itself is like another world to us British viewers. Lauren Currie Lewis is completely believable as Claire the girl who dies again and again in her personal horror groundhog day and despite the clue earlier on I didn't see the twist coming at all. Didn't think much of the actors portraying the cops though, they let down the hard work done by the three main players and the scene in the service station was obviously inspired by Switchblade Romance but overall well done guys, great job - 8/10

I can't bring myself to write unnecessarily harsh and negative things about this film, but it's definitely a little too ambitious for its own good. With a title like "Gruesome" (at least, in Europe that's what it's called) and a plot summary that mentions a sadistic serial killer, the absolute last thing you expect to see is a psychological thriller that is reminiscent to "Groundhog Day" instead of to "The Texas Chainsaw Massacre". I saw this film amidst a boisterous and enthusiast crowd at the Belgian Horror & Fantasy Festival and needless to say nobody expected to see a psychological mind-exercise that serves a complex network of clues, twists and red herrings that all lead to a supernatural type of denouement that requires quite a lot of puzzling skills. And yet nonetheless, Jeff and Josh Crook surely deserve some respect and admiration for their film, as it undoubtedly holds the potential to grow out and become a modest cult-sleeper hit within a handful of years. The atmosphere is often quite terrifying, the film's structure is engaging to say the least and the climax is more than inventive enough to raise debates & discussions among avid horror fans. The tagline already reveals the premise of the film and immediately clarifies the similarities with the aforementioned 90's classic "Groundhog Day". "What if every day you relived your own murder?". When college student Claire Parker finishes her night shift as a gas station employee and awaits to be picked up by her boyfriend Jimmy, she meets the sinister Duke Desmond, who offers her a ride home in Jimmy's truck. He then brutally attacks Claire and drags her down to the basement of her house. The next morning, she wakes up and the events simply appear to be a disturbingly realistic dream. But all the horrible things happen again and again, indicating Claire is trapped inside an inescapable nightmare. Vague help from people close to her, like a befriended police detective and her own mother, eventually lead Claire to discover the true nature of the nightmarish cycle she's trapped it. I can't tell you too much about the twist at the end, of course, but it's quite staggering. Even though the final revelation raises more questions than it answers and causes you to skeptically play the movie again in your head, it's a horrific and ingenious finale that sticks to you. The pacing is occasionally slow, however, and at some times the confusing plot isn't compelling enough to force you to remain attentive and/or open-minded for new clues. "Gruesome" may not be as gruesome as I initially hoped, but it still features some effective shocks and awry images, most notably the sequences in which the killer savagely beats up Claire and drags her to her final resting place. Lead actress Lauren Currie Lewis is a talented young actress, and even if she doesn't get successful, she can always consider a second career as Alicia Silverstone's stunt double. The facial expressions and voices of the two actresses are almost identical. Chris Ferry's menacing performance as the robust killer is terrific as well. All in all, recommended with caution.

The first thing you should know about "Salvage" is that it's not a typical gore-heavy slasher flick. Although there's gore and at least one really heavy slash (you'll know the one I'm talking about when it happens), "Salvage" is more of a film for the mind along the lines of the quiet thrillers "The Sixth Sense", "The Others" or even going back to the 70s with the likes of "The Wicker Man" and "The Stepford Wives". All of these are films with a powerful, novel concept told without a whole lot of blood & guts but with a heavy punch at the end.

The minute I saw that this film was one of the films selected for the 2018 Sundance Film Festival, I knew to expect something different, and that's indeed what we get. Shot on a super low indie budget of $25,000 (compared to its more famous 2006 box office competitor "Silent Hill" which had a budget of $50 Million), "Salvage" doesn't give us many bells & whistles, no flashy cgi effects, no colossal sets or zombie makeup, and for that reason if you're looking for a mindless popcorn spiller, you might want to look elsewhere and save yourself 80 minutes. However, if you're prepared for a quieter, more thinking type of thriller flick, then this will be perfect.

When I say "thinking type of thriller flick", I don't mean you have to struggle to understand what's happening. Rather, the challenge is in trying to guess *why* it's happening. And I gotta say, the explanation totally surprised and impressed me. It's the kind of ending that makes you think for a long time afterwards.

The cons: Yes, in my title I mentioned that I hated it. This is because at times the film seemed to fight against itself. On one hand it presented itself as a deep, challenging mystery, but this was undermined by a lot of cheap horror flick clichés (the predictable fake scares, unnecessary schlock, and particularly some ridiculously overt sound effects and audio cues. For example there's a scene where a character finds a small trinket that is of significance, which 80% of the audience will recognize immediately, but the audio department decided to hammer it home with a silly "tinkerbell" sound effect as if to say "THIS IS SIGNIFICANT!" Moments like that are peppered throughout the film, and after a while it felt like the filmmakers were treating us like idiots who need tinkerbell sounds whenever something important happens. I suppose the horror genre isn't exactly meant for beard-stroking philosophers, but still, I think the film should have stuck with a subtle, challenging approach which would have been more fitting for the cryptic mystery that is unfolding.

But like I said, the ending really impressed me, and that along with the excellent acting by our main character Claire (Lauren Currie Lewis in her first headlining feature performance) makes this film a great watch. A note about Lauren's acting: she plays a very believable character, confused, terrified, and yet not a shrieking idiot like a lot of horror flick protagonists. She does utter a few great shrieks, especially her absolutely bone-chilling screams during the aforementioned "heavy slasher" scene, but for the most part the power of her acting came in her realistic portrayal of how a normal person would react to these extremely abnormal events happening around her.

I highly recommend this film to anyone who's looking for a mostly-quiet horror flick with a good, philosophical spin. Major props to the filmmakers who pulled this off on such a low budget. For what it aims to do it's truly in league with the best.

Given the constraints of the budget, this was an excellent hour and a half's entertainment. The lead actors were excellent and the plot was imaginative and original.

It seems to me that those slagging off the film didn't actually understand the plot. Maybe they should stick to the big Hollywood movies that take pains to explain every twist so even the stupid can watch! The advantage of low budget indy films is that the viewer has to make some deductive leaps himself.

I, for one, spent some time in the movie working out exactly what was going on. Was she dead? What was the relationship to the killer? Why was the mother so creepy? But the ending, when it came, was still a surprise.

Salvage is one of those wonderful surprises that you get when you're a fan of the genre. The film takes several familiar themes, moves along briskly and creepily, and winds up in a very surprising place, and low budget horror seldom surprises me anymore, so good job! It suffers from some typical slasher issues -- the heroine is attractive and likable but she is saddled with an obnoxious boyfriend, some "Hardy Boys Style" investigation that would never happen... but in general this film just plain works. Every time you think you've figured out what is happening and start to "settle in," there is a twist in the road, the leads actors Chris Ferry and Lauren Currie Lewis (who is as hot as the spicy dish that bears her name!) are fine, and overall, I can definitely recommend you check out "Salvage" if you get a chance.