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A silly and plodding effort, Kaw (Lame, lame title) is watchable but missable. The attack by animals thing has been many times before and Kaw brings nothing new to the table.

There is a lot of stupidity in Kaw. The explanation for the ravens going crazy is ludicrous- mad cow disease!? How the hell these ravens in Middle America got affected by mad cow disease is never really addressed and nor is the fact that this degenerative brain disease seems to make them way more intelligent and develop a sophisticated societal mentality. There is no scene sillier in the movie than the part in which the ravens attack the besieged school bus by picking up rocks and throwing them at the windows. Surely somebody at some point in the process of making this movie must have been aware how goofy this looked. The subplot about the Amish (Or Mennonites or whatever they were) is lame and brings nothing to the plot. It is hard to make the freakin' Amish look menacing, especially not half-arsed car driving, button wearing Amish like these and Kaw does not meet the challenge. Plus the men are wearing the fakest looking false beards you'll ever see.

The characters are standard horror movie archetypes. How many movies must we see set in a small town where a couple are divided over whether or not to stay, one of them wanting to pursue a career in the outside world and the other preferring quaint, small town life, reluctantly dragged along? The only good character in the movie is Clyde, the gun toting, recovering alcoholic bus driver played by the reliable and ever creepy Stephen McHattie ("Don't get ravens like that in Philly. But I guess you wouldn't know anything about that, would you, Joey?") Everyone else is bland or annoying. Actually, there is only one really annoying character- the smarmy teen bitch, who sadly survives when most of those around her from the ill fated bus trip die. I'm sad to say Sean Patrick Flannery never grew up to be like Harrison Ford in terms of charisma or screen presence.

On the positive side the special effects are actually quite good, seeming to be a mixture of real birds, perhaps some practical visual effects and some good CGI. The fact you can't always tell how the shot was done is a sign it was well done. Even the more ludicrous scenes such as the one involving the ravens picking up rocks and throwing them at the bus actually looks fairly realistic no matter how dumb what we are seeing is.

Alfred Hitchcock doesn't need to rollover in his grave just yet, but at some points during this average and largely uninspired imitation of "The Birds", we definitely came too damn close! Sheldon Wilson, who recently scored a modest hit with "Shallow Ground", adds very few elements to the original idea of aggressive birds (ravens, to be exact) attacking human beings, apart from an admittedly decent explanation for the their unusual behavior. On his very last day as the Sheriff of Middletown, Wayne encounters several peculiar fatal accidents that are seemingly inflicted by ordinary ravens, judging by the bloodied wounds on the victims' bodies. Long before Wayne and the local doctor (played by Rod Taylor; lead star of Hitchock's "The Birds"!) can find the time to investigate the reasons for the birds' murderous new instincts, they have to protect and evacuate the townspeople, as the bird-attacks rapidly become more frequent and hostile. As mentioned before, I appreciated the explanation given to the epidemic of virulent ravens. I won't reveal everything, but it relates to factual diseases cattle-breeders recently had to deal with, combined with the secluded and private life style of Amish communities. The rest of the film is overall decent too, but director Wilson sadly doesn't share Hitchcock's talents to make even a simple bird look scary and menacing. The multiple and extended images of hundreds of birds suspiciously observing the people of Middletown therefore aren't very unsettling and quickly tend to get boring. Their attacks naturally are a bit monotonous as well, since they can exclusively peck their victims to death and we all know this may take a while. And still, despite all these flaws and some more, "Kaw" is an overall entertaining creature-feature that mainly benefices from likable character drawings and neat acting performances. Although most of the characters are pure stereotypes (the Sheriff facing his ultimate challenge on his last day, the town's drunkard, etc...), you quickly develop sympathy for them and you hope that at least some of them make it out alive. The photography is quite nice, with a handful of ingenious POV shots and director Wilson also effectively creates a feeling of complete isolation. There probably isn't enough gore or cheese to satisfy the majority of fanatic horror fans. I count myself among them and I thought it easily could have been much gorier without affecting the plot in a bad way. Is it too much to ask to show at least one raven pecking out someone's eyeball and fly around it with it? Guess so... "Kaw" also stands for Sean Patrick Flannery's best career move since "Boondock Saints" – he starred in a lot of straight to video crap recently – and it was a fantastic stunt to motivate Rod Taylor to star in an unofficial homage to "The Birds". Taylor barely starred in any film since the early 90's, but he's still a powerful actor. I say this reasonably well-made and interesting film deserves at least one viewing.

Any film made with rampaging birds is bound to be immediately compared with the Alfred Hitchcock classic 'The Birds', especially if it has the hero of that film, Rod Taylor, playing a cameo role. Now this was Rod's pen ultimate movie appearance at 76, and he probably only accepted it for a laugh, but he does lend it some heavyweight clout, and is the main reason I bought it on DVD. Having said that, it's light on plot, but considering the minuscule budget compared with what Hitchcock would have had, it's quite well done, of course they had the added benefit of CGI, which of course Alfred didn't. From the extras I learnt that they had 11 trained ravens to work with, plus a couple of mechanical ones, and of course the CGI effects. Unlike 'The Birds' at least there's a reason given for the birds behavior, even if implausible, and the ending is equally anti climactic, still, as I say, anything with Rod Taylor in the cast can't be all bad, and it's better than a lot of stuff being churned out!

I first saw this in 2007 on a dvd which I own. Revisited it recently cos my nephew wanted to c a "crow" horror film.

Agree it's a blatant rip off of The Birds but they compensated by taking the lead actor Rod Taylor from The Birds into this film. In the classic there is never an explanation as to why the birds go full rampage but this film compensated by giving a medical explanation. The classic one had some solid tension n suspense n Hitchcock turned the docile birds into some of the most terrifying villains. This film is devoid of tension n character build up but has some nasty flesh n brains being pecked by infected but intelligent ravens.

This is a reworking of Alfred Hitchcock's "The Birds". And, this is a great example of why I prefer classic movies. The Birds started out developing the characters. You understood them, and even to care for them. Gradually Hitchcock built up the suspense and he anticipated the audience reactions. The Birds had real characters, complete with quirks, flaws, problems, emotions and feelings. You got to really know the citizens and visitors of Bodega Bay. It also had a plot, (imagine that), genuine suspense, atmosphere, humor, a riveting score and masterful Hitch touches throughout. It wasn't about special effects, gore and shock, although he incorporated that into The Birds, it is not what made the film work.

Kaw isn't an awful film, but it lacks just about everything I mentioned above. It lacks a heart and soul, and especially character development. There are no intriguing characters. It's obvious and predictable. There isn't much suspense if you know what's going to happen. It's watchable, I wasn't bored. Best of all, it helped me appreciate the classics even more. Watch this, then The Birds. You'll see what makes a film great, rather than just merely passable.