Un secreto

Well, I'm very definitely with those who praise this film. I think it's quite excellent.

It has many qualities that I value. To begin with, the narrative is entirely believable. I particularly liked the fact that one of the principal characters was a Jew who didn't didn't care much about being a Jew and felt no need to proclaim his Jewishness to the world: there are many Jews like that and they are as entitled to respect as a non-practising Christian or Muslim or anyone else. The knowledge of the son that he's a disappointment to his father rang true. The acceptance by some Jews of the Nazi laws, and the belief of those same Jews that if they obey the laws, wear the star, stay away from public swimming pools, then they will be all right. The desire of those who live through the holocaust to put it behind them rather than dwell on it.

I like its directness and understatement. There are no histrionics. The story is told; the audience observes and draws its own conclusions.

The acting and directing are uniformly outstanding. I'd never had much time for Cécile de France, but she is perfect in this rôle. Patrick Bruel as the athletic father is just as good, and Julie Dépardieu as the family friend and the three actors who play the son at different times of his life are up there too; in fact, it's unfair to leave anyone out.

The director Claude Miller deserves special mention. I haven't seen any of his other films, but I'll look out for him from now on. He handles the film with absolute confidence, never obtruding, but conveying every nuance without faltering. This is a classic example of how simplicity, directness and lack of elaboration can add to the power of a story.

This film deserves much more than it's current user rating of 6.7.

Since the structure of the movie, works with many flashbacks, there is not a big surprise in the end. The acting is more than decent (even I recognize many french actors and I'm not really familiar with most of them) and the story deserves to be told. Although I'm not sure, if it really is based on a true story, it's still a gripping story ... unfortunately, this movie does underscore many things. And while sometimes it might work out to underplay a few things, it doesn't work in the favor of the movie ...

I watched it with another person and he kind of despised the movie. He thought the theme was nice, but was unhappy with the handling of that subject matter. I do agree with him to some degree, but I think it would be unfair to the actors and the (overall) story to give it a lesser rating ...

This is a complex, moving and beautifully realised film by Miller. The themes of rejection, love, loss and guilt are explored in a complex narrative structure where ultimately the guilt of one man and the rejection felt by one woman are mirrored in the guilt of the French nation in their rejection and abandonment of their Jewish fellow countrymen.

Lush cinematography, precise mise en scene and excellent performances including Ludivine Sagnier cast against type as the object of non-desire make for a totally satisfying cinematic experience. Perhaps we could have done without the coda in Laval's pet cemetery but by that stage I and the rest of the audience were emotionally drained. Go see.

Claude Miller is a director I have been much interested in in the past, and the sufferings of those targeted by Nazis during the war can't fail to affect me, but this film dealing with a Jewish family before, during and after the war somehow does not grip me as it should. I can't fault the actors, they are all good, and Cécile de France is inspired, but the endless flashbacks and flash-forwards tried my patience greatly. When I have to ask myself who this character is who is hurling angry words at another character, I lose patience with the story. Some pruning of plot and characters would have benefited the film.

Miller also made L'Accompagnatrice, again a war story, which suffered from many of the same faults. I think he is best at contemporary stories like Betty Fisher et autres histoires and Garde à vue, when he can work with the actors without having to recreate an historical context.

Beautifully filmed - stunning screenplay A simple story beautifully acted by the entire cast.

Stunningly beautiful female leads as well.

This film gets my vote as one of the best foreign language films I've seen. It can be a little slow moving in parts so it's a film that you want to watch when you are not in any hurry, just sit back and enjoy.

The story revolves around Francois growing up in 50's Paris who find out a family secret. It jumps from the 30's - 80's in telling the story and I thought it a nice touch filming the 80's section in black and white. Don't miss if you like good well acted drama.