Un secreto

This is a complex, moving and beautifully realised film by Miller. The themes of rejection, love, loss and guilt are explored in a complex narrative structure where ultimately the guilt of one man and the rejection felt by one woman are mirrored in the guilt of the French nation in their rejection and abandonment of their Jewish fellow countrymen.

Lush cinematography, precise mise en scene and excellent performances including Ludivine Sagnier cast against type as the object of non-desire make for a totally satisfying cinematic experience. Perhaps we could have done without the coda in Laval's pet cemetery but by that stage I and the rest of the audience were emotionally drained. Go see.

"Un Secret" (2007) is a challenging family drama - mystery which takes place in at least five different time periods, but mostly in the past and around the German occupation of France in the WWII years. It dexterously handles multiple time jumps, and keeps your attention, but loses momentum somewhere along the way. It does have a first-rate cast: Cécile de France certainly looks the part of an athlete (a swimmer / diver, to be specific) -> you can see why Patrick Bruel would, with a guilty conscience, consider her to be an upgrade compared to a deliberately dowdy Ludivine Sagnier. **1/2 out of 4.

Well, I'm very definitely with those who praise this film. I think it's quite excellent.

It has many qualities that I value. To begin with, the narrative is entirely believable. I particularly liked the fact that one of the principal characters was a Jew who didn't didn't care much about being a Jew and felt no need to proclaim his Jewishness to the world: there are many Jews like that and they are as entitled to respect as a non-practising Christian or Muslim or anyone else. The knowledge of the son that he's a disappointment to his father rang true. The acceptance by some Jews of the Nazi laws, and the belief of those same Jews that if they obey the laws, wear the star, stay away from public swimming pools, then they will be all right. The desire of those who live through the holocaust to put it behind them rather than dwell on it.

I like its directness and understatement. There are no histrionics. The story is told; the audience observes and draws its own conclusions.

The acting and directing are uniformly outstanding. I'd never had much time for Cécile de France, but she is perfect in this rôle. Patrick Bruel as the athletic father is just as good, and Julie Dépardieu as the family friend and the three actors who play the son at different times of his life are up there too; in fact, it's unfair to leave anyone out.

The director Claude Miller deserves special mention. I haven't seen any of his other films, but I'll look out for him from now on. He handles the film with absolute confidence, never obtruding, but conveying every nuance without faltering. This is a classic example of how simplicity, directness and lack of elaboration can add to the power of a story.

This film deserves much more than it's current user rating of 6.7.

I was able to see to see this film as part of a recent festival of French films shown at Cannes. It was one of the better French movies that I've seen but somehow it lacks the emotional impact to make it a truly outstanding film.

Un Secret is about Francois, who gradually learns about his family's secret history, dating back to World War II, that continues to haunt his parents and himself even up to the present. The director expresses this idea visually by shooting the present day scenes in black and white and the flashback scenes in color.

The plot of Un Secret is well-laid out and comes together satisfyingly enough. I have to admit that one problem I had with the film was that I had some problems following the complicated family relationships among the characters, but once you get past that, the way the story unfolds is ultimately rewarding.

The problem I had with the film, which may just be my problem, is that the film lacks emotional impact. The film'e emotions are understated and, while this is not necessarily a bad thing, prevents it from becoming truly memorable.

Still, its one of the better recent French films and you should see it if you get the chance.

Director Claude Miller ('The Little Thief')has gone and crafted a fine, taut,heartbreaking tale of repression,tragedy & truth,leading to closure. 'A Secret',adapted from the novel of the same name by author Phiiippe Grimbert,concerns a man,Francois,who as a young boy,had the feeling that he had an older brother. When he couldn't get a straight answer from his tight lipped family,he goes on a search for the truth & gets more than he bargained for. The film boasts of a fine cast,including Julie Depardieu,daughter of actor Gerard Depardieu,and the always welcome Ludivine Sagnier (Swimming Pool). The story's pace may be a bit slow for most Western viewers,but waiting it out will be well worth it,for the final solution. The film's visual look is a treat for the eye (with the present day sequences filmed in black & white, and the scenes that take place in the past which were filmed in colour,which may remind some viewers of 'Les Violins Du Bal'). Films like this deserve far better than they get (unlike any & all of the latest cine crapola that feature Pauly Shore or Adam Sandler). No rating,but contains nudity,sexual situations & some gruesome images of concentration camps that would be disturbing to youngsters under 15.