La esperanza vive en mí

Reign Over Me is a success due to the powerful work by Adam Sandler and Don Cheadle. While comedic actors going dramatic has been seen as somewhat of a distraction, Sandler is no stranger to playing more serious roles. Most of the characters he portrays have an unstable temperament and a vulnerability that can burst at any moment. He might even be typecast for characters with such hidden anger problems. However, this performance has some considerable dramatic weight, unlike his roles in less comedic fare like Punch-Drunk Love and Spanglish.

In the film, Alan Johnson (Cheadle) runs into his old college roommate, Charlie Finerman (Sandler), whom he hasn't seen in several years. Five years before, Charlie suffered the overwhelming loss of his wife and three daughters in a plane crash. Charlie barely even recognizes Cheadle's character due to the repression of his memories and consequent reclusive childish lifestyle since the accident. It isn't until Alan persists in engaging him in conversation that Charlie remembers who he is. Their renewed relationship that follows will allow Finerman to have a friend who doesn't speak about his loss, eventually enabling him to confront the thoughts and feelings he has suppressed on his own terms.

Though writer-director Mike Binder doesn't show much sense of an individual style and some of his shots and transitions are a bit awkward, he does have a knack of getting decent to great performances from his actors while being a talented and funny writer. He shot this film with a digital camera, as more and more filmmakers are doing today, enabling the crew to shoot the night scenes with limited lighting. This kept the colorful backgrounds of New York City in focus, but resulted in creating frequent digital grain, which resembles blue specks scattered and moving on the screen.

Almost every main character in Reign Over Me gives a great performance. Jada-Pinkett Smith and especially Liv Tyler are memorable in their respective roles as a frustrated wife to Cheadle's character and a psychiatrist. However, it is Sandler and Cheadle that give some of their finest work to date. They completely owned this movie. Sandler actually plays a character that doesn't outwardly resemble or act like himself at all, partially credited to his Bob Dylan-esquire wig. Though Cheadle's character has more screen time than Sandler, they both should be considered to be leading roles, as they equally support and help each other throughout the film.

Music also plays a great part in this film, especially the title song "Reign Over Me," or "Love, Reign O'er Me" by The Who, and later covered by Pearl Jam. In one of the most powerful moments of the film, Binder shows Sandler using music to shut out his feelings and memories, but this particular song provokes such intense emotion that rather than diminishing his anger, it incites his emotions. All an all, Reign Over Me is an enjoyable, sad, yet many times funny film, driven by its amazing leading performances.

I just got back from a screening a couple of hours ago, and I was very happy with the movie when I left it. It's very intense, and the closest I've come to crying in a movie in quite some time. That is a credit to Adam Sandler, who delivers a magnificent performance on many levels, and who probably deserves an Oscar nom for it, were it not coming out so early in the year. Don Cheadle gives his usual superb performance playing the straight man to Adam's disturbed.

There is some humor, but most of it is really only funny in comparison to the tearjerking moments, as Adam deals with his loss and Don struggles to help him. Adam plays two levels very well... when he is mentally stable he is funny and likable, but when he is, well, less stable he's powerful and dark.

I recommend it for anyone who likes intense mental dramas about difficult friendship and loss.

Greetings again from the darkness. How rare it is for a film to examine the lost soul of men in pain. Adam Sandler stars as Charlie, a man who lost his family in the 9/11 tragedy, and has since lost his career, his reason to live and arguably, his sanity. Don Cheadle co-stars as Sandler's former Dental School roommate who appears to have the perfect life (that Sandler apparently had prior to 9/11).

Of course the parallels in these men's lives are obvious, but it is actually refreshing to see men's feelings on display in a movie ... feelings other than lust and revenge, that is. Watching how they actually help each other by just being there is painful and heartfelt. Writer/Director Mike Binder ("The Upside of Anger", and Sandler's accountant in this film) really brings a different look and feel to the film. Some of the scenes don't work as well as others, but overall it is well written and solidly directed.

Sandler and Cheadle are both excellent. Sandler's character reminds a bit of his fine performance in "Punch Drunk Love", but here he brings much more depth. Cheadle is always fine and does a nice job of expressing the burden he carries ... just by watching him work a jigsaw puzzle.

Support work is excellent by Jada Pinkett Smith (as Cheadle's wife), Liv Tyler (as a very patient psychiatrist), Saffron Burrows (in an oddly appealing role), Donald Sutherland as an irritated judge and Melinda Dillon and Robert Klein as Sandler's in-laws.

The film really touches on how the tragic events of that day affected one man so deeply that he is basically ruined. In addition to the interesting story and some great shots of NYC, you have to love any film that features vocals from Chrissy Hynde, Bruce Springsteen and Roger Daltrey ... as well as Eddie Vedder impersonating Daltrey. Not exactly a chipper upbeat film, but it is a quality film with an unusual story.

Reign Over Me (2007)

This might be the best movie to deal with the 9/11 attacks out there. At first that isn't clear, but once you are done you realize that's all that matters. Out of nowhere, a tragedy and its personal consequences.

Of course, this is also a movie about a very unselfish friendship. Don Cheadle leads this movie top to bottom (this is the Adam Sandler movie that is really a Don Cheadle movie). And his unshakeable kindness and patience with ex-roommate Sandler is beautifully rendered. Cheadle's acting has a whole range of subtle gestures and hesitations that are clearly his, beyond what any director might offer. As the successful dentist in his late model Volvo wagon, he represents what Sandler, the man suffering from loss and psychological instability, once had.

Sandler is sort of perfect as a choice in this role partly because he's cast against type and that's the dynamic of the movie--a man who should be very different from what you see. The whole time you can picture the lively loving Sandler, and not the wreck before you. He plays the part with the quirks and inwardness you might expect, and it's not quite brilliant. He ends up supporting the shine of Cheadle's lead.

Another aspect to the movie, probably not unintended, is the beauty of New York, and the romantic lure of its ordinary streets. There are no landmarks here, just regular life in regular Manhattan.

The one slight drag on the whole affair, and I'm not sure how this could have been avoided without a wholly different plot, is the attempts to bring Sandler out of his hole. One aspect is professional psychiatry, which makes sense, and is pretty well done. (I found the depiction of an accomplished shrink by Liv Tyler really good.) But the other aspect, meant I suppose to add some spice to the cast, is the nutty and sharply beautiful presence of an outlier character, a woman who just happens along first into Cheadle's world and then by extension (and some unbelievable coincidence) into Sandler's. Saffron Burrows plays the part well but it seems forced into the scene--at times funny and poignant but, as with several other minor characters like the in-laws, mostly caricatured or out of place.

Not that anything is ever quite out of place in fiction. Fiction with a strong strain of truth giving it its depth. Director and writer Mike Binder has managed to pull together a gem that refers, ever so gently, to 9/11, and to some deeply caring New Yorkers who all, as a larger group, all suffered from the attacks. "Reign over Me" did not get the attention you might have expected. It's possibly because it's such a depressing movie, whatever its upbeat moments. But it's beautifully sad, like maybe we imagine some of the best European films to be, and I really recommend it on those terms.

I can't say I'm a fan of Adam Sandler, the comedian, but I CAN say, the fact that I stayed up until 1 in the morning to finish watching this film means that I was totally caught up in it and in Sandler's surprisingly mature and moving performance. The end kind of drags on a bit, like they weren't quite sure how to wrap it up. Ironically reminiscent of most current SNL skits; they just don't know when to quit. But for Sandler to exercise the restraint he did (as a comedian) was no small feat and I was thoroughly impressed by his skill as a serious actor (I couldn't believe how effortlessly he seemed to be able to emote with real tears). Good for him! It might be nice to see him try his hand at other serious roles. If you happen to see it on TV, don't pass it up.