¡Porque Lo Digo Yo!

Diane Keaton wants her daughters to do things "Because I Said So" in this 2007 movie.

Keaton is a neurotic mother who is constantly poking her nose into her daughters' lives. She is desperate for her youngest (Mandy Moore) to find a man to spend the rest of her life with, so she puts an ad on a dating site and interviews potential men. Yeah, that certainly is a way to find a life partner for your daughter - advertise and then screen them for her.

One of the problems for me in this movie was Diane Keaton's performance. Here is an excellent, wonderful actress, capable of so much, playing the most annoying woman in history. If she were my mother, she'd have been dead long before her "big birthday" - 60. I don't know what the director was thinking having her go so over the top like that.

Not to mention, this film had Lifetime written all over it. How the producers got movie people to participate in this is to their credit, though it's done all the time - a TV script put on the big screen because someone with clout gets a movie star to agree to it. We saw it in "Before and After," "Six Days and Seven Nights," "What Lies Beneath," that movie with Hugh Jackman and Ashley Judd that I saw in the theater and blocked out of my mind - all TV fare turned into bad movies and starring big people.

I guess you can tell I didn't like it. I very rarely hate anything. If you've read some of my other reviews and find you agree with me on a lot of films, when you see this one is coming on TV, run; if you are tempted to put it on your Netflix list, don't do it.

At a pre-screening and Q&A with Director Michael Lehmann and writer Karen Leigh Hopkins hosted by critic Leonard Maltin, the soon to be released film opened with mixed reactions before the 365 member audience of USC film students. The narrative gets off to a slow start with on opening sequence that fails to arouse much interest or laughter. Only until a joke is shared between Millie (Moore) and her mother (Keaton) about a man's uncircumcised entity does the audience begin laughing. This is fairly representative of the movie's humor. It is consistently funny, but only through cheap and superficial jokes and scenarios. At times it even verges on slapstick. However, credit must be given to both Moore and Keaton who put out stellar performances. Moore proves her ability to be an actress following initial debut in Saved and will hopefully be able to move past her image as teenie-bopper musician. Keaton convincingly portrays an over the top single mother who cannot keep her nose out of her daughters' business. The film will have wide appeal for female audiences as it is about the mother-daughter relationship. But men will also find humor throughout and should not be discouraged to accompany their wives and girlfriends. (Note: Guys, this is a good chance to compromise on seeing a romantic comedy that will not bore or disgust.) The film sticks to genre conventions but the comedy aspect of the film veers from typical. The set design and editing are both noteworthy. The film will provide a fun evening for couples, old and young, at the theater and home.

It's easy to understand why this movie is badly reviewed by critics and so well received by audiences. Diane Keaton starts in her most Keaton of all as the single mother of three daughters. Two of which are taken and one of which is single. She's of course constantly meddling in their lives and trying to set up her single daughter whose a chef played by a ridiculously charming Mandy Moore. She posts a single ad for her unknowing daughter which draws two suitors for different reasons and complicates things. Piper Perabo, Lauren Graham, a hunky Gabriel Macht and sexy Tom Everett Scott also star. The movie is chaotic and definitely resembles it's manic, overbearing lead character. But the relationship feels genuine and the movie is heartfelt and engaging. There's no doubt that it's a bit unfocused but it's also undeniably charming and relatable to most of us.

Daphne Wilder (Diane Keaton) happily marries off her two older daughters, Maggie (Lauren Graham) and Mae (Piper Perabo). Sadly her romantically-challenged youngest daughter Milly (Mandy Moore) is giving up. Daphne takes matters into her own hands and interviews men from the internet. She decides on entrepreneur Jason (Tom Everett Scott) and schemes to get them together. Musician Johnny (Gabriel Macht) witnesses the interviews and sets off to meet her himself. Milly ends up dating both men.

This is rather disappointing. I love every one of these actresses. The movie piles on a bunch of rom-com stuff. Bits of it seems fine but most of this is bad. It is bad writing. Keaton is doing some silly slapstick stuff. Moore is rather bland. Perabo doesn't get much screen time. Graham has some limited fun with Tony Hale. The two guys are pretty and possibly in the wrong roles. Macht can play the hard driven businessman better and Scott is the more artistic type. It's a lot of useless fluff that don't come together substantively.

Waw! I have not seen such a bad film in a really long time...more like never actually. this is truly appalling. Lets start with the Small tragedy, the actors. Dian Keaton, normally an amazing actress somehow managed to do a really bad job with this one. Her acting was way over the top and more like hysterical really. It was like she was lending her voice to an animated film! Mandy Moore was actually better than her if u can believe it. But still quite bad. And as for the rest of the cast well there were none! we can say they were put there so that Dian Keaton and Mandy Moore can create dialog with someone other than themselves.

Now for the major tragedy, the script. A horror story put together to make the audience quiver with every uttered line! and the lines just keep getting worse and worse until we reach the climactic scene where we cave in and can no longer hold the vomit! Horrible predictable and very illogical plot. Corny is an understatement for the lines of this dialog. No depth or substance to characters. It's such a disappointment.