Takva

The film is about a devoted man to God and his rise in a Way of Islamic society. The film focuses on an ordinary man's Islamic life to his interference with money affairs and the results of it. The psychological state of the man is analyzed from sociological way as well.

The film is great from two main aspects. The first aspect is Erkan Can's wonderful role play. Enormous acting performance. Just unbelievable. The other great side is, the film is shot at real historical places of Istanbul.

The only weakness of the film is the end part of it. The enormous entrance the psychological and sociological perfectness in the beginning was not given in as good as beginning.

Moreover as a philosopher I would like to comment that this film gives a side of Islamica philosophy both its sociology.

Takva attempts to achieve two things; It is a philosophical drama, and also a quasi-documentary. Putting the main character in a low-profile religious order, and in a ethical conundrum, the movie makers hit two birds with one reel.

Religious orders and their role in the growing politicization of Islam in Turkey is a sensitive subject. The movie refrains from saying much politically, or the characters do not have lines that can be interpreted in such a manner. However, 'Takva the documentary' speaks volumes.

Takva has good actors such as Erkan Can (the lead), a straightforward but engaging story, and a lot to learn from.

I would like to mention a different side of the movie that sheds light on Sufi or Mevlevi orders in Turkish and Islamic history.

Why Muharrem is selected for this task to perform financial affairs of the order? The answer is related with the stages of knowledge or purity that one has to qualify to become a "Perfect Human Being" or "insan-i kamil" in Turkish. This concept or ideology is rooted with Islamic tradition. Many Sufi or Mevlevi order has this process for their dervishes which may take a lifetime to achieve this goal or even never be able to reach that level of "perfection".

Different than being nun or monk which requires leaving mainstream society and living in the monastery with prayers, last step of this difficult and lengthy process of purifying one's soul from earthly desires, is to be able to return to the real world after so many years lived in contemplation and yet not being disturbed with its appeal to commit sin. I believe in the last few minutes head of the order explains this a little bit. And apparently Muharrem failed to accomplish last stage before achieving "perfection".

the movie and it's consistency with,the reality of such kind of religion originated community, is marvelous since you feel familiar most of the stages with the man you recognize which is rigidly religious.It is rare and very difficult to create such kind of complicated film especially for a director which had directed only moderate TV series in Turkey.He surpassed the expectation thanks to his talent and observation.Besides director, the casting and performance of the actors is impressive since they really overcame the difficulty of the performing the characters who are rare in community and which differs from society by small details.The way pilot flows is satisfactory but on the other hand,the simplicity of some parts of the movie, especially in final minutes,does not meet the expectation of the audience which expects the ultimate end.The issue director criticize is imagined untouchable for the conservative parts of society.according to me we should congratulate the courageous and objective view of director.it is a good film for whom are open minded and opposing.

Takva - A Man's Fear of God is one of those films that playfully enact conflicts of fundamental importance for the world we live in. Takva starts off with humble Muharrem, an introverted single man living in Istanbul, being drawn into the inner circle of a Muslim brotherhood he has adhered to ever since his childhood days. When the erudite and strikingly pragmatic leader, Sheikh Cemal, appoints him as his financial organizer, Muharrem gets endowed with all the amenities and trappings of a modern world businessman. He has to collect rent and administer the order's finances. His naive will to live a life according to what he thinks is the will of God clashes not only with his unfulfilled sexual desires, but also with the mechanisms of power within the order. The brothers' lifestyle may be conservative, but they run an organization that is fully intertwined with the present day social, political and economic life of Turkey.

For Muharrem, who hardly understands any of this business, this means that every step he intends to make for the greater glory of God draws him ever deeper into the quagmire of corruption, lies and hypocrisy. The authority he is endowed with now makes him haughty and difficult to deal with, while his accumulated frustration increasingly throws him into literal fits. Everything escalates when he comes face to face with the woman he desires...

The plot for this great film is based on an old folk tale from Turkey about a man who refuses to marry the daughter of his spiritual master although he clearly loves her. In Onder Cakar and Omer Kiziltan's adaptation, the narrative serves to expose the inner mechanisms of puritan Muslim orders and throw light on the mental set-up of its loyal members. The film is pure fun to watch due to countless instances of great irony, a remarkable love for detail and breathtaking scenes of ecstatic rituals. While the filmmakers were very careful not to ridicule the milieu they're depicting, their critical approach accounts for a film that substantially helps understand the way political Islam "works".