CALIFICACIÓN DE IMDb
7.4/10
3.4 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA man is released from a mental institution after serving 9 years for multiple rape.A man is released from a mental institution after serving 9 years for multiple rape.A man is released from a mental institution after serving 9 years for multiple rape.
- Dirección
- Guionistas
- Elenco
- Premios
- 5 premios ganados y 4 nominaciones en total
Andreas Laurenz Maier
- Marius
- (as Andreas L. Maier)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I, too, saw this film at the Berlinale, and though the matter of rape was treated with maturity and frankness, the film itself was constructed poorly. More than anything, it was bland - camera placement and cuts were standard fare, non-diagetic sound was near non-existent, and the dialogue was highly unrealistic, comprising of long, drawn-out pauses interspersed with briefly-spoken lines.
The upshot of this was that I felt no attachment to the characters beyond a basic sympathy for their current predicaments - dialogue was stretched out to the point of losing its emotional resonance, and many lines were delivered with little feeling from the actors. I was particularly unconvinced by Sabine Timoteo's performance, whose talent restricted her to screaming rather than actual crying. Compared to Claire Dane's stunning depiction of anguish in Romeo and Juliet, I felt wholly unsatisfied by her performance.
It was these factors that made the characters feel less than human, failing to imbue them with life. This, coupled with the utterly bland direction and editing, meant that I felt no attachment to them, and I was left gagging for each coming line of dialogue purely to provide a break from the silent, expressionless moments in between. Drawing out the narrative to over two and a half hours simply rubbed salt in the wound.
The Free Will was not in itself awful, but there were so few points of interest that I found myself becoming restless within forty minutes, and when the credits rolled in what will doubtless be considered a brilliantly emotional finale, I still felt little attachment to the characters.
The upshot of this was that I felt no attachment to the characters beyond a basic sympathy for their current predicaments - dialogue was stretched out to the point of losing its emotional resonance, and many lines were delivered with little feeling from the actors. I was particularly unconvinced by Sabine Timoteo's performance, whose talent restricted her to screaming rather than actual crying. Compared to Claire Dane's stunning depiction of anguish in Romeo and Juliet, I felt wholly unsatisfied by her performance.
It was these factors that made the characters feel less than human, failing to imbue them with life. This, coupled with the utterly bland direction and editing, meant that I felt no attachment to them, and I was left gagging for each coming line of dialogue purely to provide a break from the silent, expressionless moments in between. Drawing out the narrative to over two and a half hours simply rubbed salt in the wound.
The Free Will was not in itself awful, but there were so few points of interest that I found myself becoming restless within forty minutes, and when the credits rolled in what will doubtless be considered a brilliantly emotional finale, I still felt little attachment to the characters.
Saw it here in Germany yesterday. This is a pretty intense film. It's a psychological study about two people, one of them a rapist and one a shy young women (strange personality as well) who seem to develop feelings for each other. Because of the very gritty atmosphere and some disturbing scenes quite a few people left the cinema. Even though I appreciated some of the film's aspects like not holding back on anything and developing deep characters I still felt like the director forgot to deliver a final cut of the movie: it was so long (160 minutes) and stuffed with endless shots that didn't help the story, that I felt bored many times, in spite of the extreme story and the brilliant acting. Another thing that bugged me was the low resolution, low color, video camera style which was probably supposed to make the film look even more bleak - unnecessary in my opinion.
Had it been cut to regular film length, it would have greatly benefited the impact of the movie. Like this, for me it's a 7.
P.S. One guy here mentioned in his review, that understanding of different cultures is necessary like the Germans' "cool and thoughtful communication style". I have never seen people in Germany talk as little as the characters in this movie and can't imagine any two people to build a relationship based on one sentence per five minutes.
Had it been cut to regular film length, it would have greatly benefited the impact of the movie. Like this, for me it's a 7.
P.S. One guy here mentioned in his review, that understanding of different cultures is necessary like the Germans' "cool and thoughtful communication style". I have never seen people in Germany talk as little as the characters in this movie and can't imagine any two people to build a relationship based on one sentence per five minutes.
10tkam
Just saw this at the Tribeca Film Festival and it's one of the most intelligent, raw, intense and thought provoking films I've ever seen. It's unfortunate that some audience members and critics will focus on the graphic scenes of rape, tender lovemaking, masturbation and emotional trauma.
The movie ultimately is about the extreme strength and fragility of personal will. We're shown how one person's surfacing unconditional love strengthens that person's will enough to accept and (heart wrenchingly) and not stop the complete relinquishing of another's personal will. Heady stuff, but very cleanly done.
The two lead performers, Jürgen Vogel & Sabine Timoteo, fully inhabit and bring to surface the deeply-buried emotional chaos and trajectories of their characters. (The brilliance of their work would be lost on audience members who aren't used to understanding different cultures, i.e.: Germans cool, thoughtful communication style.) Their performances are nothing short of phenomenal.
If you love great film making, see this. But brace yourself for a very compelling and intense 2.75 albeit efficient hours. You will be blown away. I found it very insightful and moving.
The movie ultimately is about the extreme strength and fragility of personal will. We're shown how one person's surfacing unconditional love strengthens that person's will enough to accept and (heart wrenchingly) and not stop the complete relinquishing of another's personal will. Heady stuff, but very cleanly done.
The two lead performers, Jürgen Vogel & Sabine Timoteo, fully inhabit and bring to surface the deeply-buried emotional chaos and trajectories of their characters. (The brilliance of their work would be lost on audience members who aren't used to understanding different cultures, i.e.: Germans cool, thoughtful communication style.) Their performances are nothing short of phenomenal.
If you love great film making, see this. But brace yourself for a very compelling and intense 2.75 albeit efficient hours. You will be blown away. I found it very insightful and moving.
2 days ago i saw "der freie wille". now, after 2 days and many thoughts, i'm more than positive about this movie. what it makes great, is the brilliant script, especially when you consider the subject, the superb acting by jürgen vogel and sabine timoteo and the discreet, but precise directing by matthias glasner. while watching the movie i was drawn into the story, understood the characters and felt with them. i actually was talking loud in front of the screen. that might sound a bit silly due to it's just a movie, but i was captured. despite the length and the difficult subject of the movie, i just can highly recommend this film!!!
One of the worst movies I have ever seen. Inconsistent story line, way too long, camera shots that last forever, mute characters, scenes that have nothing to do with the story, etc. E.g. why do we have to watch the protagonist practicing his martial arts moves? Especially when it's a bad move like when he teaches his girlfriend to defend herself from being choked. I hope no female viewer will memorize that move, because it will not work at all but even put her in greater danger.
A typical poor German movie, I have seen many of this kind. Heavy stuff, always trying to explain the world to us, and/or trying to educate the audience when it is not called for.
The story could have been told in 90 minutes (max). But it drags on and on and on.
But the worst is the sound, there is a constant background noise. The sound editor should be put in jail for this masterpiece, at least he should not edit another movie.
What a waste of time and money.
Dr. Marre (ph.d.guy)
A typical poor German movie, I have seen many of this kind. Heavy stuff, always trying to explain the world to us, and/or trying to educate the audience when it is not called for.
The story could have been told in 90 minutes (max). But it drags on and on and on.
But the worst is the sound, there is a constant background noise. The sound editor should be put in jail for this masterpiece, at least he should not edit another movie.
What a waste of time and money.
Dr. Marre (ph.d.guy)
¿Sabías que…?
- Errores(at around 1h 08 mins) When Theo brings Sascha to the train station, the approaching train on the track is an Intercity Express (ICE). In the next shot, the train that is actually stopping at the platform is NOT an ICE, but an Intercity (IC) train, which can be identified by different windows and the gray rooftop.
- ConexionesReferenced in Zui sheng meng si (2015)
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- How long is The Free Will?Con tecnología de Alexa
Detalles
Taquilla
- Total a nivel mundial
- USD 41,398
- Tiempo de ejecución2 horas 43 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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