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5.5/10
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Agrega una trama en tu idiomaYoung siblings Abby and Ethan are adopted by outwardly perfect parents Eve and Raymond Goode, only to find that that their new guardian's remote mansion is far from the idyllic abode that it... Leer todoYoung siblings Abby and Ethan are adopted by outwardly perfect parents Eve and Raymond Goode, only to find that that their new guardian's remote mansion is far from the idyllic abode that it initially appears to be.Young siblings Abby and Ethan are adopted by outwardly perfect parents Eve and Raymond Goode, only to find that that their new guardian's remote mansion is far from the idyllic abode that it initially appears to be.
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Opiniones destacadas
I must admit i did think this might be just another of those dreary drag along movies. But I can honestly say its not. Angie Harmon plays a very convincing role as a troubled mother & keeps you squirming in your seat. Shes backed up well by Joel Gretsch as her doting husband, with a very fine performance from unknown Jordon Hinson. The plot it self is a very simple one & its been seen before in a number of good movies, but this doesn't take anything away from the excitement or suspense. The characters all develop well as the story unfolds, & still gives you a ending with a surprise twist. Its a very entertaining effort, its no blockbuster but I,m sure it will be well received in video stores.
7rbrb
High class intense melodrama which had my attention.
Mother loses child and adopts two as replacement; yet the mother and her husband have dark secrets in a house full of them. And on one level this film goes further than child endangerment but into child cruelty and worse.
Excellent photography, generally very good direction with a few blimps near the end.
Super performances from the two female leads which makes the film.
The actress playing the mother is sensationally "bad".
Worthy of a sound: 7/10.
Mother loses child and adopts two as replacement; yet the mother and her husband have dark secrets in a house full of them. And on one level this film goes further than child endangerment but into child cruelty and worse.
Excellent photography, generally very good direction with a few blimps near the end.
Super performances from the two female leads which makes the film.
The actress playing the mother is sensationally "bad".
Worthy of a sound: 7/10.
In this sequel to the mediocre original, another teenage girl and young boy get adopted by a creepy couple after their parents pass away. At first, their new life seems idyllic, but as in the first film, things aren't always as they seem, and there are a few skeletons busting to come out of the closet.
Okay, for a start the main problem here is there is not a sympathetic character in the film. Mom is a psycho, Dad is a doormat, Abby (the girl) is a total biatch and the young lad has so few scenes we barely know what to think of him. Also, from the beginning it's pretty obvious that everything about this place spells *CREEPY* and yet, it takes Abby more than an hour of the movie to bother doing anything about it. That's after her foster mother purposely leaves broken glass in the sink for her to cut herself with, drugs her with tranquilisers so she spends days at a time in her room and forbids her to leave the house or speak to anyone on the phone. Even when her brother falls MYSTERIOUSLY ILL with 'food poisoning' and crazy mom won't take him to the hospital, she still doesn't twig. Fortunately, there's a convenient bedroom full of evidence of her past crimes and... Oh, wait, I'm getting ahead of myself here. If you're going to watch it, I suppose you want to discover the 'surprises' all by yourself. Lucky you.
The acting all round ranges from average to deplorable (especially in the later sections when things get REALLY over the top), there isn't an unpredictable plot twist in the script and most of the occurrences happened in the original, anyway. So why not do yourself a favour, see The Glass House again instead? Save yourself a rental fee. Or better yet, why not just dump both movies and go watch something classic from that Master Of Suspense himself, Sir Alfred Hitchcock? I recommend North By Northwest or The Birds. No, they weren't made this century, but I tell you what.. they beat ten shades of poo out of today's so-called thrillers. Exhibit A: this film. Life is short, after all.. 3/10
Okay, for a start the main problem here is there is not a sympathetic character in the film. Mom is a psycho, Dad is a doormat, Abby (the girl) is a total biatch and the young lad has so few scenes we barely know what to think of him. Also, from the beginning it's pretty obvious that everything about this place spells *CREEPY* and yet, it takes Abby more than an hour of the movie to bother doing anything about it. That's after her foster mother purposely leaves broken glass in the sink for her to cut herself with, drugs her with tranquilisers so she spends days at a time in her room and forbids her to leave the house or speak to anyone on the phone. Even when her brother falls MYSTERIOUSLY ILL with 'food poisoning' and crazy mom won't take him to the hospital, she still doesn't twig. Fortunately, there's a convenient bedroom full of evidence of her past crimes and... Oh, wait, I'm getting ahead of myself here. If you're going to watch it, I suppose you want to discover the 'surprises' all by yourself. Lucky you.
The acting all round ranges from average to deplorable (especially in the later sections when things get REALLY over the top), there isn't an unpredictable plot twist in the script and most of the occurrences happened in the original, anyway. So why not do yourself a favour, see The Glass House again instead? Save yourself a rental fee. Or better yet, why not just dump both movies and go watch something classic from that Master Of Suspense himself, Sir Alfred Hitchcock? I recommend North By Northwest or The Birds. No, they weren't made this century, but I tell you what.. they beat ten shades of poo out of today's so-called thrillers. Exhibit A: this film. Life is short, after all.. 3/10
Having lived with an abusive stepparent, this hit the nail bang on the head. DAMNED scary. Soundtrack was nice, acting superb all around, and the photography lush and brilliantly planned.
Actually, I'd rate this as an 8.5, because the enabling stepfather was just a little TOO accommodating, although the writing is otherwise well-crafted. The reason I gave this a ten is to offset the overly biased previous postings which don't give this movie its due. The visuals are truly stunning, the sets gorgeous, and the camera-work clever and innovative.
Oh, and the actresses are unbelievably beautiful. The "stepmother" is a latter-day Ali McGraw, and it's testament to her talent that she can go from dazzlingly, breathtakingly sexy to skin-crawlingly scary within a matter of seconds.
The "stepdaughter" is also great, absolutely believable and so pretty and vulnerable you know she's going to be a major heartbreaker as she matures.
Don't listen to the negative voices. Judge for yourself. A solid, high-tension, superbly-crafted thriller.
(And no, I have no connection whatsoever to anyone involved.)
Actually, I'd rate this as an 8.5, because the enabling stepfather was just a little TOO accommodating, although the writing is otherwise well-crafted. The reason I gave this a ten is to offset the overly biased previous postings which don't give this movie its due. The visuals are truly stunning, the sets gorgeous, and the camera-work clever and innovative.
Oh, and the actresses are unbelievably beautiful. The "stepmother" is a latter-day Ali McGraw, and it's testament to her talent that she can go from dazzlingly, breathtakingly sexy to skin-crawlingly scary within a matter of seconds.
The "stepdaughter" is also great, absolutely believable and so pretty and vulnerable you know she's going to be a major heartbreaker as she matures.
Don't listen to the negative voices. Judge for yourself. A solid, high-tension, superbly-crafted thriller.
(And no, I have no connection whatsoever to anyone involved.)
An orphaned teen girl (Jordan Hinson) & her little brother start a new life in remote Simi Valley, Ca, with their adoptive parents (Angie Harmon & Joel Gretsch), a seemingly-ideal couple who tragically lost their son a year earlier. Jason London is on hand as the kid's acting-godfather.
"Glass House: The Good Mother" (2006) naturally has a similar plot to the first film, but the kids are a little younger here and, as the title implies, the mother is now the key adversary. Being a direct-to-video release it lacks the budget of the first film with Leelee Sobieski and Stellan Skarsgård (2001) and therefore lacks the theatrical pizazz thereof, having a Lifetime movie vibe.
As with that first movie, the awesome mansion itself is a highlight, located just a dozen miles north of the Glass manor used in the previous flick (in real-life). Unlike the first film, however, the actors are all no-names. Yet they rise to the challenge, especially Harmon as the increasingly not-good mother and Hinson as the formidable girl, who essentially becomes the "final girl" à la slasher flicks.
Not that this is a horror movie, but there is that element. It's more realistic than the conventional slasher, which typically involve some eye-rolling psycho wearing a mask and brandishing a machete, etc. Here, the diabolic individual is more every-day and perfectly harmless on the surface, which somehow makes it more chilling.
The flick effectively addresses the mental illness factitious disorder imposed on another (FDIA), aka Munchausen syndrome by proxy (MSbP). These types of psychos actually exist, unfortunately.
The film runs 1 hour, 34 minutes, and was shot in Simi Valley, Ca, with some stuff done in Hollywood.
GRADE: C
"Glass House: The Good Mother" (2006) naturally has a similar plot to the first film, but the kids are a little younger here and, as the title implies, the mother is now the key adversary. Being a direct-to-video release it lacks the budget of the first film with Leelee Sobieski and Stellan Skarsgård (2001) and therefore lacks the theatrical pizazz thereof, having a Lifetime movie vibe.
As with that first movie, the awesome mansion itself is a highlight, located just a dozen miles north of the Glass manor used in the previous flick (in real-life). Unlike the first film, however, the actors are all no-names. Yet they rise to the challenge, especially Harmon as the increasingly not-good mother and Hinson as the formidable girl, who essentially becomes the "final girl" à la slasher flicks.
Not that this is a horror movie, but there is that element. It's more realistic than the conventional slasher, which typically involve some eye-rolling psycho wearing a mask and brandishing a machete, etc. Here, the diabolic individual is more every-day and perfectly harmless on the surface, which somehow makes it more chilling.
The flick effectively addresses the mental illness factitious disorder imposed on another (FDIA), aka Munchausen syndrome by proxy (MSbP). These types of psychos actually exist, unfortunately.
The film runs 1 hour, 34 minutes, and was shot in Simi Valley, Ca, with some stuff done in Hollywood.
GRADE: C
¿Sabías que…?
- TriviaJoel Gretsch had to be persuaded into taking his shirt off in the sex scene as he felt that his body wasn't in good enough shape. (As can be seen by his excellent physique in the final edit, Gretsch needn't have worried.)
- ErroresWhen Abby goes to check on Ethan right after he gets sick, her wrist isn't wrapped in the bandages, though it is in the scenes directly before and after.
- ConexionesFollows La casa de cristal (2001)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Glass Houses: The Good Mother
- Locaciones de filmación
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- Tiempo de ejecución
- 1h 34min(94 min)
- Color
- Relación de aspecto
- 1.85 : 1
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