True North

If you enjoy a great character driven yarn then this film is a must see. If you yearn for Hollywood style action then just switch on your Sky box - everything you need will be there.

Its hard to pigeon-hole this film in any specific genre. I imagine it will come under 'drama' or possibly 'thriller'. But quite simply its much more than either.

The screenplay/script/acting/direction are all of the highest standard. If I was being honest I would have happily watched 2 hours of the main characters just chatting as the dialogue is exquisite at times. Its REAL banter. The humour is generated in the actors delivery of the line rather than the line itself.

The premise of the film is very simple. An under-performing fishing trawler needs a rapid injection of cash. So the crew, unbeknown to the captain, take on board a couple of dozen illegal immigrants and attempt to smuggle them into Scotland for a large sum of said cash.

This film is very insightful and ultimately very moving. When I sat down to watch this I didn't even have an outline of what the film was about so I was unprepared for what I was to experience. And I feel 'experience' is the right word. You are there cooped up in the cramped living conditions and poor weather. As the story chugs along you are there with it. It never leaves you behind or allows you to race ahead of it.

Watch this film.

10/10

Beautifully shot and scripted, this gripping human drama is one of the best British films I've seen in recent years.

Two of a four-man crew on a Scottish fishing trawler on the verge of bankruptcy decide to traffic a group of Chinese immigrants in their hold; the young first mate (Martin Compston) keeps this highly illegal transaction secret from his proud father and boat's captain (Gary Lewis), but hopes it should go a long way to balancing the books. Meanwhile the dodgy crew member (Peter Mullan), who persuaded him to do the deed in the first place, gradually starts to develop a conscience as he witnesses the worsening degradation of the people slowly dying in the bowels of their vessel. Meanwhile sexually confused cook (Steven Robertson) helps the young pre-teen girl (Angel Li, on her debut) who is driven by desperation to steal out of the fetid, watery hold to his galley.

The five principals are utterly compelling throughout, making the unflinching honesty of the story as it moves towards its inexorable destination so completely believable. On one level it is the kind of human suffering as old as mankind itself, while also reflecting the consequences as the pitiless expansion of modern global capitalism continues unchecked.

Despite being a) Scottish and b) a bit of a buff for independent film, I had never even heard of this film when my 17-year old son & I came across it by accident on BBC late one night. It is a superb piece of work from all concerned and a genuinely moving experience. I can only assume the lack of big studio, big names and big budget (along with a quite forgettable, unhelpful title) conspired to ensure this memorable film didn't get a wider audience or praise. A great shame, but seek it out - you won't be disappointed.

This should really be rated higher than it's average. Low ratings are likely from people from the US who consume big budget action flicks in high volume. There needs to be a separate ratings for American movies and the rest of the world. Very few American movies will rip your guts out the way the rest of the world does on a regular basis. This movie, if you invest in the story, will certainly rip your guts out. It's not for the faint of heart but then the subject matter shouldn't be. We know there's no happy ending coming but it is shocking and unexpected. It's well worth the watch and a good find on Plex.

True North hits the ground running. It's never less than engrossing and the performances are uniformly excellent.

What sounds like a derivative thriller: A crew of fishermen facing bankruptcy decide to smuggle Chinese immigrants from mainland Europe to Scotland, could easily have traded on clichés for it's effects. But writer/director Steve Hudson creates an all together more complex portrait of what essentially decent people will do in desperate circumstances.

Martin Compton shows a maturity and stoicism in his performance.

Peter Mullens character has the greatest arc; as an ex-con who lives his life at a superficial level to avoid engaging in anything deeply who has his humanity awakened by the plight of the immigrants stored in the belly of the boat.

Gary Lewis quietly exudes the desperation of man whose working life is based around daily failure.

Steven Robertson is excellent as the uptight cook from the Western Isles who is terrified of his own sexuality.

But the real revelation for me was first time actress Angel Li whose facial expressions are pages of dialogue in themselves.

My criticism of the film is not in the story itself but the state of the Scottish film industry with again, another Scottish story being shot predominantly in Ireland.

In closing, I just hope True North gets the distribution deal that it deserves. It will probably be marketed as a thriller but it is so much more than this. Go see it.

When I saw Gary Lewis playing in the movie I was almost certain that this film is promising a lot. However, I was wrong. Lets start with good things: Excellent acting and camera directing which proves that movie was an art work (not so) long time ago. Everything is so convincing, almost like real. However, film misses a real plot. Simple plot is an idea of a real grandmaster, but it needs developments of characters and/or interaction with another plots. The movie is way too slow for its genre and way too profiled for an art film. Attempt to make a good movie has been lost somewhere on the horizon of the promising film-making. My opinion is that this is a real pity, since most of the people in this film project seems to know their job pretty well.