CALIFICACIÓN DE IMDb
7.2/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaA small South American village is in a flurry over the Pope's 1988 visit.A small South American village is in a flurry over the Pope's 1988 visit.A small South American village is in a flurry over the Pope's 1988 visit.
- Dirección
- Guionistas
- Elenco
- Premios
- 12 premios ganados y 9 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10CarNen
Excellent actors achieve a perfect description of how people live, work and feel in the Uruguayan towns bordering Brazil. They need very few quick words to tell you everything about the characters they represent.
In spite of all their problems it still sends a very positive message about the efforts of this family to stay together. They are really concerned about the future of their daughter. Both parents go to extremes for the well being of their small family.
The expressions of the silent face of the daughter tell you everything in her mind.
It is a very sad subject but very well treated with delicate touches of humor.
A bit too slow for today's viewer accustomed to fast action but, still an excellent movie.
Maybe not as good as "Whisky" but in the same league of the several Uruguayan movies we have seen lately. Quite different but as good as "El viaje hacia el Mar".
It is a film that leaves the viewer looking for hidden and not so hidden messages from its creators.
It shows very clearly and graphically the contrast between the opulence of the trip of the Pope and his multiple assistants and the local poverty.
The close-ups of the pope mobile stress the two different worlds; the Pope's and the people's.
Is that a message to the church asking for a modernization of their public relations strategy?
The TV reporter has no problem broadcasting news he has not confirmed. He talks about a long line of buses waiting to cross the borderline from Brazil, filled with visitors raising the expectations of the viewers.
The many interviews with people who are planning to profit from the Pope's visit feed the hopes of many others without any real basis.
Is that a message to the media, asking for more ethical reporting?
In spite of all their problems it still sends a very positive message about the efforts of this family to stay together. They are really concerned about the future of their daughter. Both parents go to extremes for the well being of their small family.
The expressions of the silent face of the daughter tell you everything in her mind.
It is a very sad subject but very well treated with delicate touches of humor.
A bit too slow for today's viewer accustomed to fast action but, still an excellent movie.
Maybe not as good as "Whisky" but in the same league of the several Uruguayan movies we have seen lately. Quite different but as good as "El viaje hacia el Mar".
It is a film that leaves the viewer looking for hidden and not so hidden messages from its creators.
It shows very clearly and graphically the contrast between the opulence of the trip of the Pope and his multiple assistants and the local poverty.
The close-ups of the pope mobile stress the two different worlds; the Pope's and the people's.
Is that a message to the church asking for a modernization of their public relations strategy?
The TV reporter has no problem broadcasting news he has not confirmed. He talks about a long line of buses waiting to cross the borderline from Brazil, filled with visitors raising the expectations of the viewers.
The many interviews with people who are planning to profit from the Pope's visit feed the hopes of many others without any real basis.
Is that a message to the media, asking for more ethical reporting?
This was one of the main films I wanted to see this year at the Toronto Film Festival due to the rave reviews on this site. I am glad I did but in my estimation did not deserve a 9 or 10 rating.
It's 1988 and a small very poor Uruguayan town is in a papal frenzy, Pope John Paul II is coming! The citizens are concerned with what will be needed to accommodate over 50,000+ visitors and be pleasing to his holiness. Food and drink is on most of their minds, but Beto, has the after effects fully in his mind but just needs the money to build a toilet without going into debt like most of the other villagers.
One of the main theme which runs through this movie is that most of the village men are smugglers, that is their lively hood. The border between Uruguay and Brazil is right there, supplies are available in Brazil which are not in Uruguay. There is also a cat and mouse game with the head honcho of the border patrol who also wants his cut along with everyone else.
I think the story could have moved a lot faster in the first 40 minutes but they were getting us acquainted to the characters, village and how things work (smuggling) in their neck of the woods so to speak. The use of the hand held cameras was awkward at times (assuming this due to the jumpiness) but sort of reminiscent of how the TV series "Homicide: Life on the Street" was filmed. This movie was very well done, you bond with the characters fairly fast. Very few of the principal actors were real professionals, many were villagers of the area they were filming in. I doubt this film will be in my top pick of this years films, BUT, it did have a very charming quality, beautiful scenery and totally worth seeing.
It's 1988 and a small very poor Uruguayan town is in a papal frenzy, Pope John Paul II is coming! The citizens are concerned with what will be needed to accommodate over 50,000+ visitors and be pleasing to his holiness. Food and drink is on most of their minds, but Beto, has the after effects fully in his mind but just needs the money to build a toilet without going into debt like most of the other villagers.
One of the main theme which runs through this movie is that most of the village men are smugglers, that is their lively hood. The border between Uruguay and Brazil is right there, supplies are available in Brazil which are not in Uruguay. There is also a cat and mouse game with the head honcho of the border patrol who also wants his cut along with everyone else.
I think the story could have moved a lot faster in the first 40 minutes but they were getting us acquainted to the characters, village and how things work (smuggling) in their neck of the woods so to speak. The use of the hand held cameras was awkward at times (assuming this due to the jumpiness) but sort of reminiscent of how the TV series "Homicide: Life on the Street" was filmed. This movie was very well done, you bond with the characters fairly fast. Very few of the principal actors were real professionals, many were villagers of the area they were filming in. I doubt this film will be in my top pick of this years films, BUT, it did have a very charming quality, beautiful scenery and totally worth seeing.
Reading the seven reviews about this movie broke my heart. How is it possible that we have only seven reviews of such a good movie when we see some dribbling silly Hollywood comedies with hundreds of reviews??
Well, that tells us about the sad state of the world. "El baño del Papa", ("The Pope's toilet"), has received, from seven reviewers, very well appointed comments, so I won't go much further into that; just from my point of view, I can add that I don't remember having seen a film as dark as this one with that sort of a downhearted feeling at the very end.
It reminds one of the 1940's Italian neorealist cinema. Or the Brazilian films about poor people. The contrast between the Pope, wrapped within yards and yards of excellent quality clothes, clean, perfectly shaved, probably exquisitely perfumed and made up, enclosed in his armor-plated Papa mobile, unreachable, aloof, always surrounded by dozens of bodyguards, delivering his totally unrealistic talk and obviously ready to leave that miserable place as soon as polite etiquette will allow him to, and the stark poverty of these suffering and hungry strata of humanity, full of aborted expectations and barely covered in rags in that very cold morning, reminded me of another excellent film, the Italian: "Brutti, Sporchi e Cattivi" ("Ugly, Filthy and Bad"), filmed with the same kind of marginal people and showing their fight for survival at any cost.
*SPOILERS AHEAD*
But the glory of this film comes with the final scene, the one around which the whole movie was constructed. We are given the same expectations of sudden riches that these villagers have had throughout the whole movie, from the very beginning, when they learn by watching the news on TV that the Pope will make a stop at Merlo, their forgotten little place in Uruguay, borderline with Brazil, to be cruelly taken away with a sudden crush from cold reality in no more than 10 minutes at the end, after a whole month of expensive preparations for the event, all villagers hoping to make some money from the tourists coming from Brazil to see the Pope in person. Tourists that will be hungry and thirsty and will buy all the food prepared during that month of high expectations. Only 400 hundred tourist came for the event, and the locals have had almost 400 hundred tents collapsing with food!! (they were told by irresponsible TV people that 50.000 visitors where expected!!)
Practically none of the tourists bought anything, in total indifference to the many offerings, and they left as they came, on their buses.
Totally heartbreaking. These villagers invested every little cent they had (some of them taking a mortgage on their sordid homes!!). It leaves you breathless. What a lay down!! Probably, as I said before, one of the most overpowering endings of any movie I had ever seen.
This devastating event really took place in Uruguay in 1988.
*END OF SPOILERS*
"The Pope's toilet", another foreign film (for the USA) that Hollywood will never dream of touching, not even with a ten foot pole, to make an American remake of it. But this one YOU MUST SEE!!
Well, that tells us about the sad state of the world. "El baño del Papa", ("The Pope's toilet"), has received, from seven reviewers, very well appointed comments, so I won't go much further into that; just from my point of view, I can add that I don't remember having seen a film as dark as this one with that sort of a downhearted feeling at the very end.
It reminds one of the 1940's Italian neorealist cinema. Or the Brazilian films about poor people. The contrast between the Pope, wrapped within yards and yards of excellent quality clothes, clean, perfectly shaved, probably exquisitely perfumed and made up, enclosed in his armor-plated Papa mobile, unreachable, aloof, always surrounded by dozens of bodyguards, delivering his totally unrealistic talk and obviously ready to leave that miserable place as soon as polite etiquette will allow him to, and the stark poverty of these suffering and hungry strata of humanity, full of aborted expectations and barely covered in rags in that very cold morning, reminded me of another excellent film, the Italian: "Brutti, Sporchi e Cattivi" ("Ugly, Filthy and Bad"), filmed with the same kind of marginal people and showing their fight for survival at any cost.
*SPOILERS AHEAD*
But the glory of this film comes with the final scene, the one around which the whole movie was constructed. We are given the same expectations of sudden riches that these villagers have had throughout the whole movie, from the very beginning, when they learn by watching the news on TV that the Pope will make a stop at Merlo, their forgotten little place in Uruguay, borderline with Brazil, to be cruelly taken away with a sudden crush from cold reality in no more than 10 minutes at the end, after a whole month of expensive preparations for the event, all villagers hoping to make some money from the tourists coming from Brazil to see the Pope in person. Tourists that will be hungry and thirsty and will buy all the food prepared during that month of high expectations. Only 400 hundred tourist came for the event, and the locals have had almost 400 hundred tents collapsing with food!! (they were told by irresponsible TV people that 50.000 visitors where expected!!)
Practically none of the tourists bought anything, in total indifference to the many offerings, and they left as they came, on their buses.
Totally heartbreaking. These villagers invested every little cent they had (some of them taking a mortgage on their sordid homes!!). It leaves you breathless. What a lay down!! Probably, as I said before, one of the most overpowering endings of any movie I had ever seen.
This devastating event really took place in Uruguay in 1988.
*END OF SPOILERS*
"The Pope's toilet", another foreign film (for the USA) that Hollywood will never dream of touching, not even with a ten foot pole, to make an American remake of it. But this one YOU MUST SEE!!
Just loved this flick, though the poverty scenario portrayed is as absent nowadays as ragged children are to Naples. But a very compelling reflection of the Past. Never got to see Jean-Paul in the flesh, but was very lucky to see his successor, so very connected with that aura of Christ's Catholic representative on Earth - which is the basis of this film. Loved the crude bicycles, the foolishness and the running from border guards. A lot of Beto's eccentricity (played by Cesar Troncoso) has echos in Zorba, the Greek. He is a Tragic Hero.
I recently was browsing the foreign movie section of my local library and stumbled upon this particular DVD. I didn't pay much attention to it, other than it was released by Film Movement, which has an amazing library of indie and foreign films, and so I went ahead and picked it up.
"The Pope's Toilet" (2007 release from Uruguay; 97 min.) brings the story of Beto and his family and friend in the Melo community in Uruguay, not far from the border from Brazil. As the movie opens, we see Beto and several others biking back into Uruguay, heavily loaded with packages of all kinds. It's not long before we understand that Beto and his friends make a living smuggling everyday goods from southern Brazil into Melo. Meanwhile, Melo is getting excited about the upcoming visit of Pope John Paul II, and Beto and many others are thinking of a way to take advantage of this unexpected economic opportunity. To tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: first, it wasn't until I was about to start watching this that I noticed this movie originally came out in 2007, so almost 10 years ago. It is amazing then to notice that the movie has a certain timelessness about it, as I found this movie utterly fresh and mesmerizing. I was at first a little put off by the movie's opening disclaimer that the events portrayed in the movie are "in essence true and it's only by chance they didn't occur the way they're told here", whatever that is supposed to mean. But the Pope did in fact visit Melo (in May, 1988). Second, the movie's director pays close attention to the economic struggles of the Melo community, synthesized here by Beto and his wife and daughter. His wife has accepted her fate, while his daughter has big dreams of becoming a radio announcer and going to study in Uruguay's far-away capital Montevideo. In that sense, this is a rather depressing movie, as life is hard for this remote community. It's all the more exciting then when the preparations for the Pope's visit begin (signs emphasize the blue collar aspects of Melo), and people in Melo are wondering/contemplating how many Brazilians will cross the border for this historic moment (and spend money in the Melo community): 2,000? 20,000? 200,000?
Per the usual, the Film Movement DVD comes with a bonus shortie, this time the excellent "Video 3000" (5 min.) from Germany, an animated shortie about a person who has just received his new DVD player, and is trying to figure out the remote control. Just watch! Meanwhile, "The Pope's Toilet" is an excellent example of Film Movement's rich library of foreign and indie movies. "The Pope's Toilet" is HIGHLY RECOMMEDED!
"The Pope's Toilet" (2007 release from Uruguay; 97 min.) brings the story of Beto and his family and friend in the Melo community in Uruguay, not far from the border from Brazil. As the movie opens, we see Beto and several others biking back into Uruguay, heavily loaded with packages of all kinds. It's not long before we understand that Beto and his friends make a living smuggling everyday goods from southern Brazil into Melo. Meanwhile, Melo is getting excited about the upcoming visit of Pope John Paul II, and Beto and many others are thinking of a way to take advantage of this unexpected economic opportunity. To tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: first, it wasn't until I was about to start watching this that I noticed this movie originally came out in 2007, so almost 10 years ago. It is amazing then to notice that the movie has a certain timelessness about it, as I found this movie utterly fresh and mesmerizing. I was at first a little put off by the movie's opening disclaimer that the events portrayed in the movie are "in essence true and it's only by chance they didn't occur the way they're told here", whatever that is supposed to mean. But the Pope did in fact visit Melo (in May, 1988). Second, the movie's director pays close attention to the economic struggles of the Melo community, synthesized here by Beto and his wife and daughter. His wife has accepted her fate, while his daughter has big dreams of becoming a radio announcer and going to study in Uruguay's far-away capital Montevideo. In that sense, this is a rather depressing movie, as life is hard for this remote community. It's all the more exciting then when the preparations for the Pope's visit begin (signs emphasize the blue collar aspects of Melo), and people in Melo are wondering/contemplating how many Brazilians will cross the border for this historic moment (and spend money in the Melo community): 2,000? 20,000? 200,000?
Per the usual, the Film Movement DVD comes with a bonus shortie, this time the excellent "Video 3000" (5 min.) from Germany, an animated shortie about a person who has just received his new DVD player, and is trying to figure out the remote control. Just watch! Meanwhile, "The Pope's Toilet" is an excellent example of Film Movement's rich library of foreign and indie movies. "The Pope's Toilet" is HIGHLY RECOMMEDED!
¿Sabías que…?
- TriviaUruguay's Official Submission to the Best Foreign Language Film Category of the 80th Annual Academy Awards (2008).
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