Una joven pareja en una remota casa de vacaciones es aterrorizada por tres asaltantes.Una joven pareja en una remota casa de vacaciones es aterrorizada por tres asaltantes.Una joven pareja en una remota casa de vacaciones es aterrorizada por tres asaltantes.
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- Elenco
- Premios
- 1 premio ganado y 15 nominaciones en total
Nick Barghini
- Joe - Lumberjack
- (sin créditos)
Shawn McClellan
- Shawn the Bartender
- (sin créditos)
Jordan Orr
- Jordan - 911 caller
- (voz)
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
First off, let's start with a note. It was 'inspired' not 'based' off true events. People need to learn the difference between the two. The Texas Chainsaw Massacre is 'inspired' by true events, but still people believe it really happened. It never happened... it was inspired by the story of the serial killer Ed Gein who would take body parts off of women and make furniture out of them, and other forms of cruelty.The Strangers was 'inspired' by true events which means they probably took similarities from stories of The Manson killings and other killings of the same sort. So really the director had free range to do whatever the hell he wanted at the end, and I believe he failed.
I heard about this movie a long time ago and was so excited that it was finally being released that I saw it at the first midnight showing. At first, I was enjoying the set, costumes, and I believe the acting was pretty well done. I believe the director achieved a very creepy feeling, but too many times did he use to obvious cop-out of making loud noises to 'startle' the viewer instead of genuinely 'scaring' them. The site bloody-disgusting.com made an excellent article describing the differences between these.
In the end, I remember about two scenes and the rest is a vague blur. The scene with Glenn Howerton (of It's Always Sunny in Philadelphia! fame. Woot!) was probably one of the most tense and unsettling scenes of the film. The other being the portion where the record is skipping.
This movie is a strong example of anti-climactic. The ending was a cliché. I won't give it away but I will say that it did not leave me feeling disturbed nor did it leave me with a sense of accomplishment. Two things I look for in an ending to the flood of "home-invasion" horror flicks. I believe two recent films do a great job of accomplishing these factors. The recent VACANCY and FUNNY GAMES are leaps and bounds greater than this film. They do a much greater job of making the protagonists feel helpless and I strongly suggest both of them.
Hopefully, I could help some. I know many will disagree with me, but quite honestly that's fine. Many of today's moviegoers enjoy paying $10 to jump out of their seat because someone's face appears in a window or a sound guy hits a wall really loud. It's the sad truth and Hollywood banks on crap like that. So it isn't going to end anytime soon.
Thanks, Alex
I heard about this movie a long time ago and was so excited that it was finally being released that I saw it at the first midnight showing. At first, I was enjoying the set, costumes, and I believe the acting was pretty well done. I believe the director achieved a very creepy feeling, but too many times did he use to obvious cop-out of making loud noises to 'startle' the viewer instead of genuinely 'scaring' them. The site bloody-disgusting.com made an excellent article describing the differences between these.
In the end, I remember about two scenes and the rest is a vague blur. The scene with Glenn Howerton (of It's Always Sunny in Philadelphia! fame. Woot!) was probably one of the most tense and unsettling scenes of the film. The other being the portion where the record is skipping.
This movie is a strong example of anti-climactic. The ending was a cliché. I won't give it away but I will say that it did not leave me feeling disturbed nor did it leave me with a sense of accomplishment. Two things I look for in an ending to the flood of "home-invasion" horror flicks. I believe two recent films do a great job of accomplishing these factors. The recent VACANCY and FUNNY GAMES are leaps and bounds greater than this film. They do a much greater job of making the protagonists feel helpless and I strongly suggest both of them.
Hopefully, I could help some. I know many will disagree with me, but quite honestly that's fine. Many of today's moviegoers enjoy paying $10 to jump out of their seat because someone's face appears in a window or a sound guy hits a wall really loud. It's the sad truth and Hollywood banks on crap like that. So it isn't going to end anytime soon.
Thanks, Alex
Here we have a horror movie which sadly is much more laughable than scary. The characters are stupid. The story, not that there actually is much of a story, is stupid. There are no big scares to jolt you out of your seat. Really there's nothing to prevent you from yawning or flat-out dozing off. When the movie ended I was stunned to find out it was less than 90 minutes long. It seemed much longer. It honestly feels interminable. Please just let the killers put their victims out of their misery. Then we who have the misfortune to be watching can be put out of our misery as well.
So the setup is that a young couple, played by Scott Speedman and Liv Tyler, are spending the night in some house out in the middle of nowhere. There's a knock on the door. A really, really loud knock. That's about the most chilling thing the movie has to offer, a loud knock on the door. Anyhow our young couple ends up being terrorized by three people in goofy masks. Everyone involved, goofy mask people and their potential victims, acts very stupidly. Our victims have apparently never seen any horror movies as, rather than wait in the house with the freaking shotgun they have, they decide to go running around outside in the dark. Because running around in the dark always ends well in these situations, no? Our silly mask people are very lucky that their prey are so stupid because they are quite stupid themselves. If anyone involved in this story had any working brain cells the whole thing would've been over in five minutes. And what a blessed relief that would have been. Instead it goes on and on, Liv Tyler just keeps screaming and the would-be killers just keep, well, standing there. They never really do anything. Ooh, look a guy with a bag on his face is standing in the corner! Scary, right? Nope, not really. There is no action, no drama, no tension. It's all very predictable right from the beginning, probably not helped by the fact the movie basically gives away its ending right at the start. We go through all the horror movie clichés as the movie limps meekly towards a thoroughly unsatisfying end. Boring, unoriginal, quite stupid. That's The Strangers in a nutshell.
So the setup is that a young couple, played by Scott Speedman and Liv Tyler, are spending the night in some house out in the middle of nowhere. There's a knock on the door. A really, really loud knock. That's about the most chilling thing the movie has to offer, a loud knock on the door. Anyhow our young couple ends up being terrorized by three people in goofy masks. Everyone involved, goofy mask people and their potential victims, acts very stupidly. Our victims have apparently never seen any horror movies as, rather than wait in the house with the freaking shotgun they have, they decide to go running around outside in the dark. Because running around in the dark always ends well in these situations, no? Our silly mask people are very lucky that their prey are so stupid because they are quite stupid themselves. If anyone involved in this story had any working brain cells the whole thing would've been over in five minutes. And what a blessed relief that would have been. Instead it goes on and on, Liv Tyler just keeps screaming and the would-be killers just keep, well, standing there. They never really do anything. Ooh, look a guy with a bag on his face is standing in the corner! Scary, right? Nope, not really. There is no action, no drama, no tension. It's all very predictable right from the beginning, probably not helped by the fact the movie basically gives away its ending right at the start. We go through all the horror movie clichés as the movie limps meekly towards a thoroughly unsatisfying end. Boring, unoriginal, quite stupid. That's The Strangers in a nutshell.
Not sure why it has,numerous negative reviews?
Was enjoyable,suspenseful in places & of course typical clichés.
You can't help but feel uneasy,because this could happen..
A stranger pulls into your drive or knocks on your door,what's their motive?
When October comes around,it's always one that gets played.
We all know the plot: young couple, isolated vacation home, people in masks. Yet from the start of 'The Strangers' it's clear that this film is a different. In today's bloodthirsty society, horror films are often reduced to nothing more than gore-filled gross-out fests. While many young teens may rejoice at such films, many of us still long for original, suspenseful, and, yes, terrifying horror movies. 'The Strangers' came so close.
There is plenty here to recommend: Director Bryan Bertino shows himself to be a patient and smart director. Rather than going for just cheap thrills, he wisely builds tension up to near-breaking point. The feeling of suspense and dread that covers the whole film is classic. Both Liv Tyler and Scott Speedman do well in their leading roles, and the strangers themselves are things of pure terror... yet that's where the film loses some of its commendation. The strangers at times seem that they can't possibly be human because they are made to be almost supernatural in their abilities. They appear and disappear seemingly at will and instantly- a power the young couple probably wished they had but don't because they are, after all, HUMANS. It's a simple mistake used to give the audience one of those cheap thrills that were otherwise so wisely avoided. What makes it sad is that in every other aspect, 'The Strangers' is chillingly realistic and terrifyingly possible. Every time those strangers come and go like ghosts of some kind, it makes the audience sit back once more and say, 'Ah, well, it's just a movie." That's too bad.
Still, 'The Strangers' is much better than your average horror fare. It's at last a new movie that realizes what you don't show can be even more scary than what you do. Still, one hopes that Mr. Bertino can touch up the mistakes from this film and , and deliver a really great horror movie next time around. 7/10 stars! Jay Addison
There is plenty here to recommend: Director Bryan Bertino shows himself to be a patient and smart director. Rather than going for just cheap thrills, he wisely builds tension up to near-breaking point. The feeling of suspense and dread that covers the whole film is classic. Both Liv Tyler and Scott Speedman do well in their leading roles, and the strangers themselves are things of pure terror... yet that's where the film loses some of its commendation. The strangers at times seem that they can't possibly be human because they are made to be almost supernatural in their abilities. They appear and disappear seemingly at will and instantly- a power the young couple probably wished they had but don't because they are, after all, HUMANS. It's a simple mistake used to give the audience one of those cheap thrills that were otherwise so wisely avoided. What makes it sad is that in every other aspect, 'The Strangers' is chillingly realistic and terrifyingly possible. Every time those strangers come and go like ghosts of some kind, it makes the audience sit back once more and say, 'Ah, well, it's just a movie." That's too bad.
Still, 'The Strangers' is much better than your average horror fare. It's at last a new movie that realizes what you don't show can be even more scary than what you do. Still, one hopes that Mr. Bertino can touch up the mistakes from this film and , and deliver a really great horror movie next time around. 7/10 stars! Jay Addison
It would be so easy to dismiss the very deliberate pacing of this film as pedestrian, but in this day and age of gratuitous violence and constant gore, this film relies on the ability to slowly torment you, as toy watch the hideous way in which the young couple are subjected to the night from Hell.
At the time I genuinely did find this a very unsettling, unnerving watch, going home to an empty house after this was unsettling.
Ignore those that call it boring, trust me, it isn't, it's paced in a way that throws you off guard.
No clear begining, or end, just a series of random events. It's a grim movie. 7/10
At the time I genuinely did find this a very unsettling, unnerving watch, going home to an empty house after this was unsettling.
Ignore those that call it boring, trust me, it isn't, it's paced in a way that throws you off guard.
No clear begining, or end, just a series of random events. It's a grim movie. 7/10
¿Sabías que…?
- TriviaThe film was shot entirely with hand-held cameras or steady cams. Every shot has some camera movement.
- ErroresKristen trips over some chairs, but in a later scene they are up again. The strangers move objects around to confuse victims, so the chairs may have been intentional.
- Versiones alternativasThe unrated version is over two minutes longer than the theatrical version which includes one additional scene of Kristen, after being stabbed and left for dead, is crawling on the floor of the house to reach Mike's ringing cell phone, only to have it ring off before she can answer it. Then the Man in the Mask appears again, takes the phone away from her, and walks out the front door with it, leaving Kristen dying on the floor.
- Bandas sonorasSprout and The Bean
Written by Joanna Newsom
Performed by Joanna Newsom
Courtesy of Drag City Records
By Arrangement with Bank Robber Music
Selecciones populares
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- What is "The Strangers" about?
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- The Strangers
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 9,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 52,597,610
- Fin de semana de estreno en EE. UU. y Canadá
- USD 20,997,985
- 1 jun 2008
- Total a nivel mundial
- USD 82,410,456
- Tiempo de ejecución1 hora 26 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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