Très bien, merci

This movie is quite disturbing, in different ways. First its story. Far from the rest of movies that can be seen, it is a simple story, that could happen to anyone, and of an injustice that nobody's doing about. The system shows no mercy and the people behing follows the procedures. In that, we have a political thriller very contemporary, very realistic of the way a lot people are reacting in their jobs (It isn't at the same scale but I guess anyone had already felt that feeling with administration, companies in charge of parking fines, etc.).

It is also disturbing because no answer is made whatsoever to this injustice. Nobody's trying to understand, trusting fully that the system is right and that if something happens, it is truly deserved. No need to even meet the man you're going to commit, by instance. And, contrary to the madhouse of The twelve tasks of Asterix, that madness is hidden, even the reactions of our main character stays confined. This absence of anger, of outburst was quite harsh on me, as this isn't a situation you can be ok for.

Finally, the movie shows in a second part, the effects it has on the main character and the path he has to take to overcome it. If I understand the aim in that, I think this was almost like another movie and did not display the same power. I was also wondering if the first part would not have been more impacting if we didn't see the start of the action in the movie beginning, letting doubt about legitimacy during a while.

You'll maybe ask why I didn't give it a better rating with all what I have said before, but I think that outside the story, this movie is less amazing. Acting is ok, no more. Directing is nothing special and I was definitely expecting more on that part. We even have some scenes that doesn't bring anything in my opinion.

French film "Très Bien, Merci" discusses issues related to a family whose protagonists happen to lead a life without adventures. It is a frank yet brutal portrayal of hardships faced by an ordinary couple who decide not to buckle under pressure. Actors Gilbert Melki and Sandrine Kiberlain are doing good in their respective jobs. However, a minor incident on one Parisian metro changes their life forever. This is the beginning of a tough battle for individual rights involving an ordinary citizen and an arrogant French police. Emmanuelle Cuau questions the role of individual in a society which has decided to authorize extreme powers to some bodies which are governed by the state. Her film is instrumental in suggesting that there are times when the temptation to transform oneself from good to bad is very high. It is at that moment that many mistakes are made and failures observed. French director Emmanuelle Cuau specializes in making films about ordinary families and their extraordinary inner turmoil. In 1995, she made her feature film début with "Circuit Carole", a brilliant family story involving an oddball pair of a mother and her daughter. She made her loyal fans wait for eleven more years as "Tres Bien,Merci" got made in 2006.

My good friend Writer's Reign, a true connoisseur of the French cinema ,wrote the first review ,and as usual,I second all that he said.It's incredible that ,in 7 years ,no French user felt like sending a comment .

Writer's insists on what I would call a "prologue" ,taking place in the subway:this incident is the straw that breaks the camel's back for the hero is already paranoiac ,depressive and terribly stressed.

For a while I feared the incident on the street with the cops could lead the movie into the clichéd post -68 cinema territory:"cops are b.......";these policemen on the street have really a hard work to do ,they get stressed too,and the fact is that Alex is really a pain in the neck that night.The suicide rate is high in French police ,certainly higher than among accountants in suits.

But fortunately ,Emmanuelle Cuau put the whole French society on trial.In her movie,her characters belong to middle class,no wealth ,but no poverty either.In the hospital ,a woman asks Béatrice if she looks haunted ,then if she is red in the face ;in her taxi ,another one begins to talk about her shrink ,which infuriates her .

It goes to show that in-communicability is in the center of the movie;wherever it takes place,be it in the precinct ,in the mental hospital or during the job interviews ,it's like talking to a brick wall,in a Kafkaesque -as Leon wrote- world.

Reductio ad absurdum:it is when he cheats (the Mickey Mouse degrees which he got on his computer) that Alex learns the rules of the game ,that he becomes part of the "normal" society.It should be pointed out that the ending remains very ambiguous :is Alex in through the out door? Very well acted by the two principals ,and the secondary characters are extremely true to life.