Los realizadores

This film was really poor. I went with two friends and they both really hated the film. People started walking out of the cinema halfway through. Essentially the film is so condescending and self indulgent. I have no doubt that the movie luvvies who are parodied in the film love it. However for the general public it is a real bore. The over loud gun reports. Bruce Willis wants to keep his beard, big deal.Robert De Niro is late for meetings, that's drama.The moments in the film that appear that are meant to be subtle are laided on with a trowel. Big cast real letdown. Still I am sure everyone involved was well paid. And movie critics will over praise the film to feel like they are part of this oh so wacky world.

The film is certainly enjoyable, and has several laugh-out-loud moments. However, like the film within the film, What Just Happened? feels too long. As a filmmaker myself, I really enjoyed this film, but I am afraid that much of the appeal will be missing in a general audience. A producer trying to change Bruce Willis' mind is pretty funny, but how funny is it to a non-producer or a non-Bruce-Willis? The performances, are, of course, outstanding. The entire cast is composed of nearly uncriticizable actors who are superb in any role they attempt. If you have an interest in how films come to be, this is a fun little flick. If you don't care about the behind-the-scenes, you may want to sit this one out.

I just got back from an AFI screening of Barry Levinson's satirical comedy, "What Just Happened?", an inside look into the movie business and big studio politics. Robert De Niro was in attendance along with director Barry Levinson and screenwriter Art Linson. Although I tried to get a photo of De Niro, sadly, I was never close enough to get a good shot.

Based on producer Art Linson's book, "What Just Happened? Bitter Hollywood Tales from the Front Line", the film version tells the story of a successful Hollywood producer, Ben, played by Robert Deniro, as he juggles his personal and professional crises. This film has an impressive cast including Robin Wright Penn as Ben's second wife, Kelly; John Turturro as Dick, the stereotypical shifty agent; Stanley Tucci as Scott, the blocked screenplay writer; Michael Wincott as Jeremy, the temperamental director; Catherine Keener, as Lou, the hardcore studio exec; Bruce Willis as the demanding movie star; and Sean Penn as himself.

This mildly funny expose of modern-day Hollywood, was entertaining, but a little disappointing. The message is supposed to shock and outrage the viewer about how the film industry ruins art by turning it into pure commerce. But there have been plenty of Hollywood satires like "The Player" that have done this genre better. Although the source of the material is authentic and despite an outstanding cast (who all give great performances), "What Just Happened?" ultimately has nothing new to say besides the fact that Hollywood is a devious place to work. As a gimmicky farce, it works, but as a satire it was a limp and familiar insider's movie that lacked sharp irony, humor and novel characters.

This film won't appeal to everyone, but it does have some good one liners and funny moments. However, the combination of these actors working together in a comedy may be worth the cost of admission alone.

Art Linson's memoirs are a reminder of what a sad place Hollywood really is. We got closer and more original glimpses in films that go from Wilder's "Sunset Boulevard" to Altman's "The Player". Bernard Rose's "Ivansextc" also comes to mind not to mention Blake Edwards's SOB. Here the prototypes are well known even by people who have nothing to do with the film industry so one gets a bit impatient waiting for this fresh look from a prominent, still active, Hollywood producer. No such luck but there are other elements that make the film fun to watch if nothing else. To see Robert De Niro play "a character" that it's not in any way a semi parody of the films that made him famous is a welcome surprise in itself. Barry Levinson shows that he's as sharp as ever and the rhythms that he finds to tell the story keeps the tired tale not only alive but almost gripping.

Misgivings aside, it has to be said: What Just Happened is Robert De Niro's glorious return to form. Though his performance isn't particularly classic, it's the back-to-basics effortless brilliance of Bobby that we've been recently starved of. The role of producer Ben is perfect for him, mixing hot-headed comedy with grouchy but nonetheless heart-warming sentimentality.

The film itself, however, is not quite as worthy a comeback we would have expected, but still garners some witty laughs and a realistically melancholy view of the bittersweet world of Hollywood. The opening scene is playfully familiar to cinema, particularly the eponymous taboo that horrifies the audience. It's a great scene, mainly because of De Niro's deadpan but wise monologue, which is the first thing to certify this as his return to form.

But despite an effective beginning, the rest of the movie seems scattershot; the narrative tries to skim its way through all the familiar faces of film making (director, studio exec, agent, screenwriter, pompous actor, etc.), while simultaneously trying to prominently develop the long-existing love-hate between Ben and his wife (an acceptable but grounded Robin Wright Penn). Turtorro and Wincott's performances are actually quite hilarious (each idiosyncratic moan delivered at perfect and rib-tickling time by Turtorro, and the outburst and subsequent fall from grace of Keith Richard-esquire Wincott is brilliant).

Even De Niro suffers sometimes; some of the foul-mouthed wit sounds odd and outlandish in the mouth of his reasonably straight-laced character, so some of the gags are lost, but this is more the fault of ill-conceived writing. The Bruce Willis subplot loses interest after Willis' only amusing scene; his enraged breakdown after being told to shave his beard, which, in itself, is helped by Ben's sarcastic but regretful outburst. There are some touching scenes that show Ben's tendency as a reactionary: the chair in his ex-wife's house, and his increasing annoyance at Willis, particularly his comments at a funeral.

The film works best on the good sportsmanship of the cast and their willingness to laugh at themselves, which, as the film tellingly shows, is universal in the cutthroat world of Hollywood.