Stardust: El misterio de la estrella

Stardust Another Guarded Review (originally written June 15, 2007)

The marketing machine has only just begun for this one (no site yet? wth?), so I doubt most of you have heard about it. In truth, I hadn't either (sort of). When I got the posting, I thought it was another code name and was actually worried it was Transformers, one of the movies I wanted to see when not working so I can enjoy it 100% as a mere mortal movie-goer. Turns out, it wasn't Transformers and I had been aware of this movie way back when as 'that Neil Gaiman movie'.

What is it about? Well, in short, it's a Gaiman fairy tale about a boy and a fallen star. Any more than that and I'd be giving away plot info which is (a) a breach of contract, and (b) spoiling your fun. If you really want to know what it's about, go buy the book. Rumour has it, Gaiman might be something of a writer.

Not knowing what to expect in a movie can be so pleasant if the surprise is worthwhile. And for this one, it certainly was. This screening was 'special' in that it included not just film critics, but also exhibitors (they rarely have a mixed screening) and local sci-fi/fantasy folks. So, you know the expected audience, right? I mean, with this crowd and the title of Stardust, I knew what to expect.

Oh how sweetly wrong I was.

Yes, it is a fairy tale written by an author famed in comic bookdom (and even books without pictures, if those truly exist). But it was not Lord of Rings. It was not even another Lord of the Rings wannabe (ahem, Eragon). It was much more intimate than all that.

But, like Lord of the Rings, it was the, well, humanism of the film which sells the fantastical qualities. It's surely a romantic tale, but with generous splashes of humour. Not slapstick Shrekian humour. It's more along the lines of dramedy than comedy. Before I go on, let's do this movie review thing.

Acting is, in the very least, good. It's always hard to say more than that for fantasy films but I do believe there were significant superbly acted roles. Michelle Pfieffer is not, sadly, one of those. She plays a villain, and she does the job. Nothing special. Rupert Everett, though, he was a real jerk. That is, a great villain. Peter O'Toole is, well, Peter frickin' O'Toole -- which is marvellous. Ricky Gervais is perfectly cast and shows why. Robert De Niro seemed to be having too much fun for the most part. When he wanted to deliver the goods, though, he did. And Charlie Cox (who?) as the lead character was fine surprise from a guy I ain't never heard of.

Claire Danes. Claire Danes. Claire Danes. I've always been of mixed opinion with her. She can be great, and then she can seem to miss the mark. In this, she's the former. And she is, quite literally, the star of this film. Sure, her accent stumbles here and there. And, yes, she's not as good as she can be when Cox isn't in the scene. However ... well, see for yourself.

Special effects are muted yet accomplished, and only significant where they should be. Best flying ship yet -- sorry Potter. Direction is light-hearted and flows nicely. Cinematography could have been better but not everyone films in New Zealand. All else is top bracket.

And now that that's done...

...the writing. Oh, the writing! Neil, you devil. It's hard in today's climate to do anything original and, at first, you begin to wonder. A kingdom, a dying King, a boy out to prove his own worth, witches, ghosts, a quest (or three) -- what's new? But Gaiman's story draws you in with its surface familiarity only to subvert it all into a sweetly original tale of a boy and his heart. And, though you suspect how it's all going to turn out, you begin to wonder in the third act and -- if you're me -- find yourself pulled into the rousing climactic confrontation and hoping for the best. In the end, you'll find this story, this movie, is what all fairy tales should be but all too often are not. Fantastical and real.

(I wish I could talk about Septimus vs Tristan but I won't ruin it for you. For those who read the book, rest assured, it's done properly.)

Those I spoke to afterwards had the same impression I did. A great film for all ages to enjoy, and the new {WITHHELD} for this generation. The blank gets filled-in only after the movie is in wide release because, well, you might be expecting it. You'll know when you walk out, anyway. I sincerely hope Stardust doesn't get lost among the tentpoles. Even if it does, it'll be my pleasure to push into the hands of everyone I know.

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Forgot to add the {WITHHELD} reveal. I'm a few years late, but ... "A great film for all ages to enjoy, and the new THE PRINCESS BRIDE for this generation."

Perhaps a bit lofty an assessment but I'm still confident that years from now, there will be the same "Oh, I love that movie," response to this as there is now for The Princess Bride.

(Edited for grammar and stuff. Still rather spastic in tone and flow. I am not Gaiman. Duh.)

I went to a small advance screening of this movie on July 19th, knowing no more than the names of a few of the actors and that it was a fantasy/adventure quest of some sort.

The plot line really is nothing like I have seen, and a unique story is certainly appreciated with everything else that is currently in or coming soon to theaters. In spite of what first impressions may give, it isn't cheesy, corny, tacky, or ridiculous, and is actually highly entertaining and funny. The flow is quite well done, nothing seems rushed or dragged out. The soundtrack, for lack of better words, is magical and adds much to the film, as opposed to simply filling the silence as often happens in movies or TV. And even though I might have known what was coming at points, I still couldn't bear to stop watching the screen; to my knowledge, not a single person left the theater during the entire movie.

My one gripe is that there seems to be almost no marketing for this film, and as brilliant as it is I can't figure out why.

Surprised at how much I enjoyed this. The characters were really well developed, the world building was fantastic and the action was really enjoyable. Mark Strong is great as ever as the villain, but it has to be Robert DeNiro who just steals the film in the weirdest role I could think of for him. The story is genuinely intriguing, but it's the world building that really did it for me. I really felt immersed in this fantasy world, and the exposition was delivered really naturally. As much as I have gripes with some of Matthew Vaughn's films, the actual direction is never the issue, and it's quite good here too. Now my main issue is that the film is trying to juggle quite a lot of storylines, and it feels a bit rushed as a result. You could probably cut Michelle Pfieffer's plotline down quite a bit in order to concentrate on the main storyline more. But overall, this is a surprisingly fun film that I would definitely recommend

The power to dream is a wonderful thing. There's a saying, "Not all dreamers achieve, but all achievers dream." By exploring our imagination we shape our own futures. Or build empires. Perhaps overcome our fears, limitations and obstacles. Gain wisdom and benefit mankind. Or (put simply) just find our way to true love and happiness. Freud might express such things in symbols. The language of fantasy.

Tristan ventures out of a rather twee English village called Wall. He goes through a break in the wall. A portal. In search of something that will prove his love to Victoria (Sienna Miller). Victoria doesn't take him very seriously. So he pledges to bring back a falling star.

Stormhold is the world outside the wall. He discovers the fallen star has taken the form of a beautiful girl, Yvaine (Claire Danes). To complicate matters, three evil witches want to get hold of Yvaine. If they can eat her heart, it will replenish their youth. (One of the witches is played by Michelle Pfeiffer, who does fabulous young-old transformations of looks and manner.) The 'good guy' they meet on their way is Captain Shakespeare (Robert de Niro). He has a fierce, swashbuckling pirate exterior but is a sweetie closet queen underneath. Heirs of Stormhold meanwhile are engaged in a pitched battle over inheriting the Kingdom. Ricky Gervais is an added extras. A buffoon trader throwing in standard Gervais-type gags well. Tristan's purity of spirit arouses the love of Yvaine, so there is a nice little triangle going. Till he achieves the maturity to discern pedestal divas from real women.

Stardust is a full-on, large scale fantasy that does credit to its myriad stars. Wholly positive, and written with a clarity that makes it more worthy of psychoanalysis that a coven full of Harry Potter romps. Production values rival Hollywood, and the storyline is free of the racial stereotyping, misogyny, religious or class agendas than shape and pervert so many large scale fantasies.

That is not to say that Stardust is without its faults. Plot and dialogue have many predictable elements, and the fairytale quality may be too saccharine for some audiences. But if you want an excuse to let your heart fly, this film may well provide it.

As a boy, I remember listening in wonder to albums by the Moody Blues (who practiced in a house not far from where I lived). They made records with names like "In Search of the Lost Chord," and wrote lyrics like, "Thinking is the best way to travel." I would fill my head with books on magic and mystery, from Timothy Leary to Aleister Crowley. Shaping dreams. Learning to make them real. Nowadays people might talk of NLP or positive thinking. Adults that remember how to dream with the force of youth but with the vision and application of maturity. Do you still enjoy that feeling?

You are advised not to wait for Stardust on DVD. See it on the biggest cinema screen you can find. And Dolby Digital Surround Sound if you can get it. The actors look like they had a ball. Maybe you will too.

I went into this film with modest hopes, the director had pedigree, I had seen Charlie Cox in Casanova and was impressed, and literally EVERYONE had been raving about it. As the story started to unfold I was introduced to Victorian England on one side of a mysterious Wall, and on the other a magical land, Stormhold. The actual plot weaves together many strands and I don't want to ruin the surprises for anyone, but at the barest it is the simple tale of a young man (Charlie Cox) in love with the village beauty (Sienna Miller). To win her love he tells her he will fetch back a fallen star from the other side of the Wall. Howver when he arrives at the star he finds not a lump of astral metal as he expected but a beautiful woman (Claire Danes). As the two journey back to the wall they find themselves in the adventure of a lifetime. The visuals are brilliant, England looks stunning, in a similar fashion to New Zealand in LOTR, and it s full of wonderful little flourishes, such as the way that the star shines when she is happy, a very simple effect, but one that looks radiant. As well as this the acting good, especially from the leads and Robert DeNiro, whose turn as the captain of an airship is incredibly memorable. This film is THE perfect date movie, it is romantic without being a "chick flick", funny and full of wonderful action pieces that will satisfy any action film fan. All in all it is a truly magical experience from beginning to end, and I now Im raving about it to EVERYONE!