London Dreams

I've got to admit though my interest in the film is none other than to follow up on Asin's phenomenal Hindi movie debut with the blockbuster hit movie Ghajini last year, and while it took almost 12 months for the release of her latest Bollywood movie (her first real one since she starred in an earlier, original version of the same role), she's one of the many stars I'm following as my introduction to the current wave of Hindi films, from Deepika Padukone to Ranbir Kapoor, and of course the established ones, which includes Salman Khan in this same film.

While one may not see Asin being featured too much on the promotions and the trailers, I suppose there's a valid reason for that. In fact, she probably got relegated, in my opinion, from leading lady in Ghajini, to supporting role in London Dreams, so much so that her character Priya becomes just one of the many background dancers in the Indian pop group band of the titular name, which is naturally a pity as the camera doesn't even linger too long to show us some of the moves learnt.

However, the good thing here was that she's the token love interest in a triangle between the two leading male characters, and in pure Asin style, took advantage of whatever limited time she has to flesh out Priya as best as she could, a woman caught in between fulfilling her traditional roles in her father's household, yet caught up by the bright lights that the city has to offer, together with a totally different, perhaps more attractive pop culture to want to become a dancer. And fate would lead her to Ajay Devgn's Arjun busking at Trafalgar Square with a makeshift band made up of two brothers of Pakistani descent.

If I could read this on another level going by how the plot developed, it's akin to a warning of sorts against consorting with foreign elements to harm one's own countryman, which should be an absolute no-no at any costs, because it will only open up such bonds to utter destruction. Surely the greed and jealousy of man may frustrate from time to time, but to lead to betrayal would be asking for a downfall.

London Dreams plays out like a classical Cain and Abel type story, where two brothers, one jealous of the other for his talent and recognition, plots the downfall against the other behind his back in betrayal most foul. Arjun has a dream, and that is to take his music to London, and play at the renowned Wembley stadium, where his grandfather had failed in his time and returned to India a broken man. He spends his early teenage life honing his musical skills, and ever ready to sniff out any opportunity to scale the music ladder until his goal is reached. His is a singular mind obsessed with the single goal, so much so that he's willing to self-flagellate (!) himself when his mind gets swayed by Priya and the chance for romance, or any other distractions that crosses his path that day actually.

Ajay Devgn plays Arjun with enough menace and envy to make him believable as a man who would go to great lengths and at any costs to ensure his road to glory is not jeopardized. Salman Khan's Mannu on the other hand, is blessed with great musical talent without even trying, and while Arjun sees this as an advantage to be gained should he bring Mannu back to London and join his band, little did he realize that Mannu's country boy demeanour would start to win the fans over, as well as Priya. There are plenty of scenes which set up this innocent usurping of another's thunder, and the decisions that come to spark off the entire turn of events just after the intermission.

As a musical film, somehow the songs and dance sequences didn't really stand out, although in general they weren't that bad, but not too memorable as well, other than the pulsating number first performed at Trafalgar Square. Salman Khan proves why he's one of the three King Khans of Bollywood through his rendition of a simple boy with simple pleasures, with plenty of cheekiness combined with great comic timing to bring in some laughs. That airplane scene was a classic light hearted touch in what was a dark tale about bringing down a best friend using the cruelest of methods and exploiting the weakness of another for no good benefit.

The ending too was too clean and too quick, where a pep talk magically puts one into empathy mode with perfect hindsight. I had expected a lot more from London Dreams with its premise and its cast, but what came across was something still palatable and won't get you all riled up like the audience in the film, but with potential as a successful box office dream likely going unfulfilled.

A rags-to-riches cautionary tale straight off the Bollywood assembly-line, "London Dreams" is a lengthy, superficial account of an orphaned Indian émigré who finds that life as a rising British pop star isn't all it's cracked up to be.

This cliché-ridden film pads out its interminable two-and-a-half-hours-plus running time with overheated melodrama, soul-searing angst, bloated musical numbers, and cutesy slapstick routines. And, of course, it's overflowing with that kind of self-congratulatory smugness that seems to be the hallmark of so many of the commercial films coming out of India these days.

The movie does take us to many colorful London locales – befitting a wide-eyed tourist from abroad - but one could get pretty much the same effect using Google street view and not have to put up with all the drama.

Whilst the film has an interesting enough premise the execution is pretty much diabolical.

With the film being effectively developed over a ten year period, you would have thought that for a start the screenplay would have been a lot better. It really is weak with some barely creditable plot developments, which at times do chronically insult the viewer. I mean were they really serious about the last twenty minutes of the film? Atrocious!

The film is horribly miscast. Ajay Devgan as a young man trying to get a break in the music business? Okay he tries, but really this needed one of the up and comers or a completely new face. Salman Khan is at his usual overacting worst here and fails to convince at any level. Poor Asin gets stuck with in a "leading" role with basically nothing to do other than being the token shatteringly gorgeous love interest which for all the limited time on screen could have been competently handled by any number of Bollywood supporting actresses.

On a technical level there is not much horrendously wrong here, but it could and should have been so much better. The cinematography is good although the editing could have perhaps been a little tighter. Music was okay but not as good as it needed to be since it was the whole point of the film. Choreography was very average: I am still in two minds as to whether it should have been stripped out of the film completely or whether it needed to be more dazzling to support the music.

Overall London Dreams is a very large disappointment as it could and should have been so much better than what it ended up being. A hugely wasted opportunity.

Story: Ajay Devgan, a man with a big dream, is joined by three people who become his band members. His best friend, Salman Khan, enters, threatening to destroy Ajay's biggest achievement. How Ajay handles this challenge forms the rest of the story.

Analysis:

Characters:

Ajay Devgan, as the main protagonist, seems a bit old for this role but nevertheless does justice. He is neither portrayed as a hero nor villain but as an ordinary man who believes in hard work and dedication to work his way up the ladder. His character represents the motto: "You can achieve anything if you put your mind to it".

Salman Khan, as the friend, is jovially and carefree. He represents the minority of people who have talent without effort. His soft nature is contrasted with Ajay's hard one, giving a ying-yang feel. As a actor, Salman was amazing, easily stealing Ajay's thunder.

Asin plays a girl from a strict Iyer family, who loves dancing. Her character was unnecessary as it was not properly etched out. As a backup dancer, she easily could have just been a random person getting some camera attention. Her presence was overshadowed by both Ajay's and Salman's relationship, making her forgettable.

Rannvijay Singh Singha & Aditya Roy Kapur are brothers in the movie who parallel Ajay and Salman's relationship. Their characters reinforce the struggle between Ajay and Salman. Both were good, with one sharing the same dreams as Ajay and the other trying to hold the band together. Like Asin, they were not necessary to the script. They did not add any substance.

Om Puri plays Ajay's uncle, is also seen as the man with wisdom. He is a voice that guides Ajay throughout his journey. He does not add anything to the film.

Storyline/Screenplay: The concept was good. It was something different and the emotions raw. There were some scenes that showed what humans, in order to remove perceived obstacles, are capable of.

Songs: The songs by Shankar-Ehsaan-Loy were another highlight of the film. Soft rock mixed with different styles of music really showcased the talent of the trio. It proves that not every song has to be romantic to be a hit. A couple of minor nuance was that sometimes Salman and Ajay were not in sync when singing at the concerts (maybe it was the copy) and sometimes the voices between the two would change even though the background singer was the same.

Other Technical Aspects: The direction was done beautifully, the editing good. Cinematography was amazing. All three aspects really captured the emotions that were portrayed. The movie was fast-paced and cleanly portrayed the struggles, both emotionally and physically, between all the actors.

Final Product: This movie was good but has a selective audience.

London Dreams plays out like a classical Cain and Abel type story, where two brothers, one jealous of the other for his talent and recognition, plots the downfall against the other behind his back in betrayal most foul. Arjun has a dream, and that is to take his music to London, and play at the renowned Wembley stadium, where his grandfather had failed in his time and returned to India a broken man. He spends his early teenage life honing his musical skills, and ever ready to sniff out any opportunity to scale the music ladder until his goal is reached. His is a singular mind obsessed with the single goal, so much so that he's willing to self-flagellate (!) himself when his mind gets swayed by Priya and the chance for romance, or any other distractions that crosses his path that day actually.

Ajay Devgn plays Arjun with enough menace and envy to make him believable as a man who would go to great lengths and at any costs to ensure his road to glory is not jeopardized. Salman Khan's Mannu on the other hand, is blessed with great musical talent without even trying, and while Arjun sees this as an advantage to be gained should he bring Mannu back to London and join his band, little did he realize that Mannu's country boy demeanour would start to win the fans over, as well as Priya. There are plenty of scenes which set up this innocent usurping of another's thunder, and the decisions that come to spark off the entire turn of events just after the intermission.

As a musical film, somehow the songs and dance sequences didn't really stand out, although in general they weren't that bad, but not too memorable as well, other than the pulsating number first performed at Trafalgar Square. Salman Khan proves why he's one of the three King Khans of Bollywood through his rendition of a simple boy with simple pleasures, with plenty of cheekiness combined with great comic timing to bring in some laughs. That airplane scene was a classic light hearted touch in what was a dark tale about bringing down a best friend using the cruelest of methods and exploiting the weakness of another for no good benefit.