No robarás en domingo

Let me start off with the downsides of this movie. There was a lot of unbelievable material, and it got so out of hand at times that I really couldn't enjoy it for how ridiculous it was being. Some of the acting was poor, and I felt the actors and actresses really didn't care how they portrayed their characters, except maybe a few, and therefore they ended up being unlikable and ultimately forgettable. Most of the funny material wasn't funny at all, and I got super tired super fast with all of the lame jokes and mundane, black comedy antics. Not to mention it was predictable to the point where I wasn't enjoying any surprises.

Now, the actual upsides. I did laugh a few times, and it was because the material was actually humorous. No, it wasn't hysterically rolling on the floor laughing, but it got smiles and chuckles nonetheless. It managed to keep me entertained, and I was actually sucked into the story plot a little. I became interested because even though most every attribute about this film is average or poor, the plot truthfully seemed endearing to me, for some odd reason, and overall, while the movie is mediocre, and I certainly wouldn't watch it again, it's not terrible. I wouldn't recommend it, but you don't have to completely avoid it, per say. It was nothing special, but if you feel like watching it, be my guest.

I'm baffled by the anger in some reviewer's critiques. Sure, this movie is hardy Citizen Kane or even up to the level of the Barbershop movies, but it's not terrible. It's main issue is its inability to sustain a tone. Instead, it varies between pathos, light comedy and (of all things) hostage drama.

As with the Barbershop movies, the persistent theme is community and family. The central characters are two petty criminals who remain criminals because of previous convictions. This isn't a laughable theme. A felon has a very difficult time making a living. When's the last time you saw a job application which didn't ask about previous criminal record? Anyway, in an effort to both pay off scary people and maintain family cohesiveness, two of society's losers decide on one more crime.

The subsequent series of events combine serious situations with interesting characterizations and then throws in some scenes of such silliness that they tend to stomp a bit on the rest of the movie. Approach with an open mind and you'll be for a light, decent movie with some interesting character sketches.

I really enjoyed this film for a number of reasons. I think Katt Williams is hilarious all by himself and was a great person to cast as choir director. I thought the plot was not as generic as most theft-based plots that hit Hollywood. I thought the transitions that happened as the film developed were fun to watch. Overall I thought the movie was really good.

If you are trying to decide whether or not you want to go see this movie, consider this as you make your decision. First, the film is stereotypical. The main characters live in and attend church in a run down community exposed to crime, drugs, and other stereotypical things you expect to find in a stereotypical community overrun with stereotypical people who are stereotypically Black or Hispanic. Second, the film is funny. Things that are funny to people who understand the complexities and realities of being Black will realize this; people who do not understand will find it challenging to find the comedy. Third, the film will not be an Oscar nominee. The movie was not so well shot, scripted, edited, or presented that you will see it up for major awards. That being said, a number of movies come out every day that are entertaining but are not award-winning and we watch them because we want to be entertained. This is another one of those films. So, if you want to be entertained, you understand the positive and negative inner workings of Black society, and you do not mind viewing a film that displays both stereotypes and truths about the way Black people live, move, and have their being, this movie is for you.

So, it turns out "blaxploitation" films are still alive and well, and these days cast Ice Cube, Katt Williams and Tracy Morgan in the leading roles.

This offensive film parades just about every stereotype about African Americans that you can get away with while still maintaining a PG-13 rating. That translates into a ghetto setting curiously devoid of drug dealers and crack whores. There is one character who dresses like a pimp, but I'm convinced that was because of a mix-up in wardrobe, rather than a deliberate attempt at authenticity.

What is inexcusably absent though is a discernible plot. The screenplay seems to be a weak attempt to re-purpose the flimsy dramatic premise that powers "Die Hard", but relocating it in a church and mashing some Agatha Christie mystery elements for good measure.

What emerges then, in place of a plot, is a severely frayed thread, ambitiously intended to link together a series of set pieces where the various performers deliver signature material - kind of like what you'd find at a school concert, only less coherent.

"First Sunday" does have some funny moments and to be fair, the family did chuckle about the movie for a couple of days after watching it. So think of this movie as a set of toppings in search of a (first) sundae.

It was supposed to be entertaining. I doubt Ice Cube is crossing all fingers and toes that he'll get an Oscar nod. Lighten up! Big deal.

Not every movie has to be a groundbreaking blockbuster hit. The inspirational messages (considered silly by some) might hit certain people that didn't anticipate getting a message from the movie. Momma T talking to Ice Cube at the end was a great message and the teens that might see this movie need to hear it.

Lots of teens will see this movie I'm sure and they will walk away with a positive message, who knows. If you saw this movie and were disappointed in it, you must have had sky high hopes and it was CLEAR AS DAY what the movie was going to be like in the commercials. If you think you wasted your time, you need to pay more attention to commercials before going out to the theater. Come on man!

But to me, Katt Williams made it worth while, he never fails me.