La serpiente

I had read a brief review of this film and it was intriguing enough to get me to the cinema. There were only 3 of us in there and I felt people are missing out by missing this film. It was superbly acted. Maybe not enough people go to see subtitled films, hopefully that won't put people off this. There's parts they're not essential as the acting and shots are good enough to carry you through. I can see a Hollywood remake on the horizon which in a way is a big shame, but it would make a fantastic box office smash. Glad it was shown at my cinema on its own merits though. It's a great thriller and even if you feel there's no surprises (each to their own) it doesn't detract from a good tale well told. The only thing with the subtitles was a couple of spelling mistakes, one particularly made a totally different meaning.... apparently one character served in the 'Golf' War!

This film is truly excellent - This is one of the best films I've seen in a long while. Both the plot and acting are absolutely first rate. OK so it's in French with subtitles however within just a minutes you feel like your actually in there with them. Anyway it's set in France and should be in French. The sad thing is that there were only three of us watching it which seems to be a pattern with subtitled films these days. No doubt Hollywood will jump on it so you'll be able to see it in a form of English one day - but it won't be the same. All I can say is if you didn't go because you couldn't be 'arsed to read the subtitles you missed something really really special.

Mainly shot in "La Defense" area of the French capital city, which looks like US cities with its high towers, this movie has been written to be adapted in Hollywood. However, it is not a fake adaptation in French. Barbier did well as he focuses on the deeper feelings of the main 2 characters (may be a more independent movies' style)while opposing them in a face to face combat (just as any good blockbuster). It is a clever movie, very close to psycho-thrillers from Hollywood, starring Michael Douglas or Harisson ford, where the family of the looser-hero is threatened, his life beginning to become in jeopardy thanks to a cold manipulator who is his best nemesis. It is definitely not the same quality as Cape Fear, but contains some of its main elements. Actors Yvan Attal and Pierre Richard fit well the Douglas'suit of this movie, and Cornillac is a quite good Jeroen Krabbe French copy. Do not forget the other actors who perfectly play the "character" type whose purpose is to fulfill their mission, no more no less. Do not forget the pop corn!!

I bought this film at a cheap price at a drugstore because I found the story intriguing enough. I haven't heard about the movie or the book before and didn't even know the main actor Yvan Attal. Now, I will never forget him or this movie because I found a true and unexpected masterpiece by chance. This movie is dark, absorbing and intense and sends shivers down my spine by delivering everything a great psycho thriller should show us. This movie is a disturbing vengeance movie and those who always thought that the French were only able to do emotional and intellectual dramas and comedy movies should now be convinced that they can also create some heavier stuff. The great acting and the intense atmosphere are outstanding and even not comparable to other psycho thrillers so that the French have once again created something unique with this movie.

The storyline is slow paced and mysterious and becomes heavier and more and more disturbing. The characters are extremely interesting. The main actor Yvan Attal does an incredible job as a photographer that is going to get divorced soon that finds himself suddenly in the middle of a creepy nightmare that becomes reality without really knowing why. Clovis Cornillac plays the bad guy in a very mysterious, silent and creepy way that is chasing Yvan Attal and trying to destroy his life for a reason that is only revealed in a dramatical final showdown. It is hard to believe that this actor that plays a dangerous maniac and killer in this intense flick has already played Asterix and convinces in both styles. Those two actors are strong enough to carry the whole movie and we can add to them Olga Kurylenko that has a short role as a mysterious and beautiful femme fatale. The movie has a few action, gore and sex scenes but they are only some entertaining gimmicks as the whole movie is underlined by a very depressive atmosphere. The violence of this movie has a mental and not a physical touch. The whole scenery and style of directing is very photographic, very aesthetic and detailed so that a brilliant job by the director, screenwriter and cameramen are added to the perfect executions of the two main actors. Even Alfred Hitchcock or David Lynch could not have created a darker movie and only beat this movie in terms of weirdness and originality or pioneer's work. That's why "Le serpent" is maybe not properly innovating its genre but in my opinion by far the best of its kind in the last decade, maybe together with the epic vengeance movie "Oldboy" and the heavily disturbing instant Quebec classic "5150 rue des Ormes". It's a sad thing that this movie didn't get the attention it would have deserved so I would ask anyone that saw this movie to spread the word about it. I'm close to give a ten point rating to this flick which is a thing that I rarely consider. I just give nine points to this little gem because I haven't seen it often enough and because I don't know if this movie will still feel that intense in a decade or so.

All in all, I highly recommend this movie to anyone that likes disturbing and intriguing psycho thriller or simply the film noir genre. This is truly a rare masterpiece and a must see!

'Le Serpent' certainly starts well: a smart, stylish thriller with an intriguing set up and a skillful use of changes of pace. The cast are all excellent; and the cinematography captures a picture of modern, commercial Paris, not exactly run down but cold and devoid of charm. But for all its promise, it can't escape its generic (and essentially uninteresting) premise: that of one man pitted against an all-powerful psychopath, who cares about nothing except ruining the hero (but who eventually, to his own cost, prefers talking about his crimes to finishing them off). There are some similarities to 'Tell No One', another classy but ultimately implausible story.