Fragmentos del destino

The Air I Breathe is stunning in many ways. It should be established right from the start that this is not a movie which allows you to check your brain at the door. It demands attention and thought. Director Jieho Lee and co-writer Bob DeRosa have crafted an intriguing work which leaves more questions than answers. And, after all, that is what art should aspire to do.

The film is based on a Chinese proverb which says that life consists of four emotions: Happiness, Pleasure, Sorrow, and Love. To be whole one must experience each emotion, and by doing so we are interconnected with all other human beings. The film itself is structured in the same fashion, with each of four segments focusing on those ideas. The lead actors portray those emotions one by one. Forest Whitaker is Happiness, Brendan Fraser is Pleasure, Sarah Michelle Gellar is Sorrow, and Kevin Bacon is Love. They anchor the four segments of the film, while the rest of the magnificent ensemble cast weaves in and out of the narrative.

The idea is somewhat fuzzy at first. This is an unconventional story with a similarly unique style. Unlike most films, the major characters don't really have major arcs in story line or performance. While some may find a couple of the actors a bit deadpan, they pretty much are solid throughout while consistent in their characterizations. Whitaker and Fraser especially fit that description. Both are quite stoic in their roles, but that's what the story demands. Sarah Michelle Gellar may be the exception. She is the one who has to display a wide range of emotions, more than the others. Her character is quite tortured and goes through a lot emotionally and physically. Gellar is a very brave actress who took risks and put her heart and soul into it. She is sure to surprise many people. Bacon is a delight and is perfectly cast as a would-be hero. Andy Garcia is a chilling and devilish nemesis throughout, while Emile Hirsch provides some comic relief in his brief appearance.

The script is filled with poetic statements, hearkening back to the Chinese proverb on which the story is based. Each segment's main character provides voice-over. And while the language is somewhat oblique, the dialogue is quite blunt and to the point.

Visually it is breathtaking, with broad sweeping images interspersed with numerous gritty close-ups of tragedy. The Air I Breathe has the look of a big budget film, although it is not. Watch for some fascinating visual effects. Hand-held with close-ups is used for some of the more chilling parts and creates tension. Hitchcock would be proud.

Surprises occur at every step of the way. One of the most startling aspects of this film is that there are moments when one may think, "No, that won't happen." And then it does. It's hard to watch at times and quite violent. There's sadness and tension. But there is also an amazingly clever use of humor in the film, and that is perhaps what is most surprising. But that's what life is. The soundtrack plays a major role in this movie, as if another character. It has an Asian feel, not just because of the filmmaker's background but because the film is based on that Chinese proverb. It was quite haunting.

The Air I Breathe is, at its heart, a character piece which follows a general theme. Seems simple. On the face of it, it plays out like a crime drama. But there's more to it, and it takes patience and thought to get to the point of it. Not everyone will be able to do that. But it is definitely worth the effort.

First-time director Jieho Lee has brought us the next installment of the multiple stories genre threaded together as though fate and coincidence are the name of the game. This type of narrative has been around for a long time, most definitely before Robert Altman's Short Cuts, but at least there is an example from 15 years ago, and I can't rack the brains for an earlier one at this time. The most well known to those out there today is of course Oscar-winner Crash. Lee's The Air I Breathe, based on an ancient Chinese proverb that life can be broken down into the four emotional cornerstones of Happiness, Pleasure, Sorrow, and Love, is not as good as Haggis' film, and I think even that one is overrated. It's not that I disliked this one, I actually found a lot that I really loved, unfortunately, there's more that feels overdone, overwritten, and absolutely unrealistic. One thing you can't fault it for, however, is the superb cast and acting.

Some of the dialogue is almost too obvious, at times having answers repeat all the words in the question…just a bad redundancy as though the audience might not comprehend a short answer. These characters are so important in the scheme of each other's lives that everything out of their mouths needs to be so well crafted that it becomes stiff. The delivery, though, is almost consistently superb. Brendan Fraser is great in a rare serious role, the kind of stuff that began his career. Very stoic and deliberate in all he does, you begin to feel for him as the stone façade starts to falter. Due to the story-structure going out of order, we see some of this emotional evolution before the catalyst for it, but once that event occurs, it makes everything before it make more sense and I actually think it was handled well as a result. Even his ability to see the future was utilized in a realistic way that it never felt like a gimmick, just a skill he had and used. The best actor, again as almost always, is Forest Whitaker as a by-the-books successful man who has finally realized that his pristine life is devoid of true happiness. No material needs can fill the void of actually living, whether living wealthy or poorly, it is the act of adventure and excitement that is necessary to enjoy. His final reaction of pure adulation is the best part of the film and it happens about twenty minutes in.

One would think that a story as involving as this would have pretty equal billing for all roles, but that is not true. Whitaker and Kevin Bacon are underused while Fraser is involved at almost every turn. Andy Garcia, however, is the one that stays the most constant throughout. As a hardnosed bookie/gangster, nicknamed "Fingers," Garcia shines, something that usually doesn't occur with him of late. He is good at this type of role and it was nice to see him sink his teeth into it. Even Sarah Michelle Gellar had her moments, although few, to show that maybe she can do more than Scooby-Doo and every year's Japanese horror remake. Mention also needs to go to Clark Gregg in a small, but funny role, and Emile Hirsch as Garcia's nephew, appearing to be a pawn to the plot, but in actuality becomes a role with payoff.

As far as the style went, I can't complain too much. The correlations between each thread is well conceived if not totally contrived to benefit the story. I enjoyed the transitions, especially at the start with multiple layers and progressions. I can't quite recall if that is the only part in which it was used, though. The music was also a help; very Explosions in the Sky-like, the score enhanced each moment it was used. In the end, the film just couldn't keep its bloated, heavy-handed script up. Even utilizing the four emotions as vignette titles (something used similarly in the superior The Dead Girl) was so obvious that it became laughable. Each instance made you know first thing that they will be the exact opposite of that title despite the lead thinking they were—happiness was really depression, pleasure was really regret, sorrow was really vanity, and love was desperation. Every emotion is more of a backhanded overview that is manipulated in order to serve the tale, rather than allowing the tale to serve the emotions that are supposed to be back-boning it.

To begin with, there were times when people didn't care about the money, didn't cry about work, popularity or power.. However, those lovely times are way back in ancient civilizations, while nowadays the religion, the bank and pure emotions steal the scene. These are the subjects I were thinking about a lot lately and probably some of you did too. Therefore, this movie probably was the best movie I could have watched at this part of my life. I did, and now I am happy.

The story of this movie could be easily summarized by one exact quote of just a random-looking worker from the movie: "I need a way out". I couldn't agree more - in todays universe, even more in my country, there are people who live to work. They live to eat, they live to buy some goods and sometimes, they just live to give their problems away to other people... This is actually all covered in this movie by a director that I have never heard of, but it might be a time for me to start learning his name. I began loving this movie from very first fifth minute- to the very end.

The cast is amazing - both main and supporting actors gave me their best. Bacon, Whitaker, Gellar, Fraser, Garsia, Hirch - what a nice choice for this movie! However, if you are not really open minded, you may not like their characters, you may not like the plot, but still, you will love the acting. Persuasive, smart and well done. That's how I would rate the crew members of this movie.

This leads to n awfully understandable conclusion - "The Air I Breathe" is actually one of the best movies I have seen this year, only "25 Hour" moved me more.. Even after seeing Ed's "25 Hour" i was quick to state that crime/drama is from now on my most favorite genre of the movie. Didn't take long to prove that it actually is - thanks to the amazing "The Air I Breathe"

I just watched The Air I Breathe on one of those "cheesey" cable channels. It showed 2 out of 4 stars but it sounded interesting. I looked it up on here and thank goodness I did. I watched it and I liked it for a multitude of reasons.

I have to say IMHO this is probably the best "serious" ~ non comedic performance I have seen from Brendan Fraser. AlI the way around good acting. Sarah Michelle Gellar's performance is stellar and Kevin Bacon's performance in this movie is terrific.

So thank you to everyone who wrote the good reviews. They steered me in the right direction and I'm glad I watched this movie.

overall it's not bad. you could come away with the impression it was a good film but along the way it employs various means in the script that detract significantly from it. in order to further a story line set forth the characters are at times made artificially stupid or forced to make choices that doesn't seem credible. it's always a shame when that's done because it pulls you out of the suspended disbelief somewhat and let's you see it as construct rather than experience it. apropos :). the acting is not a problem and it's a long list of celebs in the cast but it isn't always believable. it's OK but tarnished a bit by those faux pas.