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Angel-A

  • 2005
  • R
  • 1h 31min
CALIFICACIÓN DE IMDb
7.0/10
37 k
TU CALIFICACIÓN
Angel-A (2005)
Home Video Trailer from Sony Pictures Home Entertainment
Reproducir trailer1:47
1 video
82 fotos
ComedyDramaFantasyRomance

Una bella mujer ayuda a un estafador un poco inepto a tener éxito.Una bella mujer ayuda a un estafador un poco inepto a tener éxito.Una bella mujer ayuda a un estafador un poco inepto a tener éxito.

  • Dirección
    • Luc Besson
  • Guionista
    • Luc Besson
  • Elenco
    • Rie Rasmussen
    • Jamel Debbouze
    • Gilbert Melki
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    37 k
    TU CALIFICACIÓN
    • Dirección
      • Luc Besson
    • Guionista
      • Luc Besson
    • Elenco
      • Rie Rasmussen
      • Jamel Debbouze
      • Gilbert Melki
    • 104Opiniones de los usuarios
    • 108Opiniones de los críticos
    • 48Metascore
  • Ver la información de producción en IMDbPro
  • Videos1

    Angel-A
    Trailer 1:47
    Angel-A

    Fotos82

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    Elenco principal23

    Editar
    Rie Rasmussen
    Rie Rasmussen
    • Angel-A
    Jamel Debbouze
    Jamel Debbouze
    • André Moussah
    Gilbert Melki
    Gilbert Melki
    • Franck
    Serge Riaboukine
    Serge Riaboukine
    • Pedro
    Eric Balliet
    • Garde du corps Franck
    Michel Bellot
    • Le planton US
    Venus Boone
    • La mère d'Angela
    Franck-Olivier Bonnet
    Franck-Olivier Bonnet
    • Le dernier client
    • (as Franck Olivier Bonnet)
    Michel Chesneau
    Michel Chesneau
    • Le flic commissariat
    Olivier Claverie
    • Le sécrétaire US
    Akim Colour
    • Le chef des malfrats
    Tonio Descanvelle
    Tonio Descanvelle
    • Client Angela 2
    Jérôme Guesdon
    • Le malfrat #3
    Laurent Jumeaucourt
    • Le dragueur
    Grigori Manoukov
    • Le serveur roumain
    Jil Milan
    • Client Angela 1
    Solange Milhaud
    • La femme de Saint-Lazare
    Jean-Marc Montalto
    • Le réceptionniste
    • (as Jean-Marco Montalto)
    • Dirección
      • Luc Besson
    • Guionista
      • Luc Besson
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios104

    7.036.7K
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    Opiniones destacadas

    8blott2319-1

    Powerful film built on 2 amazing performances

    I think the first thing that must be discussed about Angel-A is the casting. I'd never heard of either of these actors before watching the movie but they were so perfect for the roles. Having a short hairy Jamel Debbouze as the insecure liar who keeps getting himself into trouble works great, but even better is when he is contrasted with the tall and beautifully statuesque Rie Rasmussen. They are such an odd and unlikely pair that it works for this story. I love their interactions, and the contrast between the two of them. Perhaps even more remarkable is how they show the change in each of them as they spend more time together and start to rub off on one another. The emotional impact of the climax at the end of this film hit me like a ton of bricks, and a lot of that is because Rasmussen and Debbouze play out all that emotion so powerfully. There was also another intense moment earlier in the movie that made me tear up, because of what was happening and how well the actors performed the scene.

    There are definitely some fuzzy plot points in this movie, and I was at times a bit confused at how Angela was influencing the people they came in contact with, to do things that are totally out of character. It feels like there would be a lot of people still ready to seek retribution on André, but there are several unexplained magical things going on, so I guess we're just supposed to let that go and assume everything will be fine. I wasn't interested in nitpicking the film too much after I was done watching because it made me feel so good. There is a surprising amount of heart in this story, and I love some of the messages that it teaches. It focuses a great deal on the value of truth, and the power of self-confidence. I'm not sure the ending was perfect, even if it felt good, it didn't play quite right. The conclusion threatened to undermine some of the messaging up to that point. However, when I watch this again, I might appreciate the finale more and see how it ties into the overall themes. And that's the most important point, no matter what flaws I might have seen in the movie, I didn't say "IF I watch this again, " I said "WHEN" because Angel-A is a solid movie that I expect to watch multiple times in the future.
    10fizzylizzy44

    A touching and funny in parts film about learning to love yourself

    This film made me shed a tear or two (but then I am an emotional soul!). The comedic aspects, such as the total physical difference between the leads and the strength of the Angela were well placed. The reason for Angela coming into the life of Andre and her true identity could have been very tactlessly handled and cheesy in a Disney kind of way, but Besson made it seem as natural as catching a bus. Subtitles normally irritate me, but I didn't seem to notice them in this film. Paris in black and white is also very evocative and the filming was great in my opinion. I would recommend this film to anyone who fancies a fairly short film that makes you think about whether you appreciate your inner beauty and qualities.
    9barry_mooney

    Respire - Regarde - Voilà!

    Angel-A is an easy film to knock. Superficially, there isn't a great deal to endear it to any particular type of audience. For example, there's barely any action, no sex or nudity, there are no big Hollywood stars, it's not sufficiently intellectual to be an 'art-house movie' (despite being black & white!) and, although it has amusing moments, it's hardly a comedy. In addition, the film is only focused on the two main characters and, even then, it's only really about one of them. The remaining participants are (quite deliberately it appears) straightforward stereotypes who allow the simple story to progress. The quality of acting from Rie Rasmussen seems far from impressive but, to be fair, she's not speaking in her native language. Mind you, her awkward portrayal of the titular character seems to work well and she certainly stands out as a 'fish out of water'.

    But despite the film's potential short-comings, there are three saving graces that transform Angel-A from a rather average 7 to a brilliant 9 in my eyes: the breathtaking cinematography (thank you Luc Besson), the magnificent casting (Jamel Debbouze is perfect as André) and the heart- warming gentle story (which stayed with me long after the film had finished). In fact, I would go so far as to say that Angel-A could leave you examining your own life and wondering when was the last time you stopped to 'respire and regard' the beautiful world around you and consider how the way you feel about yourself might well have a direct impact on how others treat you.

    However, Angel-A is one of those films that you have to be in the right mood to watch. If you don't allow yourself to relax and be drawn into the fairytale, the story can easily fall flat. You also have to give it a chance to get started; the fast-paced dialogue at the beginning makes it hard to watch the pictures at the same time as reading the words (unless you're French of course!). But once Angela enters the frame, the story takes off on a stunningly gorgeous wander around Paris and the way that the tale gently unfolds in the second half of the film is wonderfully touching. There are many moments of outstanding beauty and even the superficially simplistic long-shots of Angela & André crossing the Seine have a mysterious magical quality about them. Actually, the whole film feels slightly unreal; this is partly down to the subject matter but also to the way it was filmed in an almost-empty Paris at odd times of the day.

    So, in summary, I love Angel-A. It's one of those films you can watch again and again quite happily and find new insights from each viewing. There are so many scenes that quickly become favourite moments as you watch it multiple times. The contrast between the giant Nordic goddess and the shifty little North-African seems to work brilliantly and the backdrop of a beautiful black & white Paris with incredible lighting more than makes up for a few minor flaws. 9/10
    6MadamWarden

    HEAVENLY BESSON

    A sweet and unusual love story. Impossibly mismatched couple that work really well. Beautifully filmed and directed as one would expect from Besson. Definitely a piece of retro noir art but with style over substance.

    Well worth the watch for a movie with a difference.
    9spacegirlg

    breathtaking

    A beautiful, breathtakingly shot movie with a touching storyline. Besson often talks about his feminine side, and he is in full touch with it here. Those expecting another Nikita with lots of guns and car chases should look elsewhere. I'm sure they will find at least 10 other movies like that now in the multiplex, but nothing like this. Serious Besson fans will not be disappointed. Besson has filmed a Paris that is at the same time both beautiful and real. We see the beauty of Notre Dame, Parisian cafés, the city's bridges, but we also see its ugliness and the difficulty faced by those who do not fit the stereotype of what it means to be French. Anyone who has ever felt like a stranger in their own home will find a kindred spirit in Andre. It is a struggle to fit into a culture and a struggle to value one's self as a part of it.

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      In real life, Jamel Debbouze lost the use of his right arm in an accident in 1990. This is why his character in the film keeps his hand in his pocket throughout.
    • Errores
      When Andre climbs over the railing of the bridge, he's coat is fastened by a single button. Suddenly, when he watches the outgoing police car, there are more buttons fastened.
    • Citas

      André: Who'd be dead if I hadn't saved you?

      Angel-A: Who'd be dead if there wasn't anyone to save?

    • Créditos curiosos
      The EuropaCorp logo is in black-and-white, fitting the film.
    • Conexiones
      Featured in The Films of Luc Besson (2016)
    • Bandas sonoras
      Crossroads
      Performed by Eat

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    Preguntas Frecuentes

    • How long is Angel-A?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de diciembre de 2005 (Francia)
    • País de origen
      • Francia
    • Sitios oficiales
      • Official site
      • Official site (France)
    • Idiomas
      • Francés
      • Español
    • También se conoce como
      • Thiên Thần A
    • Locaciones de filmación
      • Montmartre, Paris 18, París, Francia
    • Productoras
      • EuropaCorp
      • TF1 Films Production
      • Apipoulaï
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • EUR 15,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 202,647
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 29,727
      • 27 may 2007
    • Total a nivel mundial
      • USD 9,995,168
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 31 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Dolby Digital EX
      • DTS-ES
    • Relación de aspecto
      • 2.35 : 1

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