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"Mulberry Street" is basically just another forgettable and mediocre creature-feature flick, but I'm rewarding it with at least two extra points because director Jim Mickle and his enthusiast cast & crew clearly went through several harsh ordeals before they could finish their ambitious project. Mickle came to introduce his film at the Belgian Horror & Fantasy Festival and explained how they had to shoot essential footage in the middle of the crowded streets of Manhattan without any official permission to film there, and how all the actors in this film are friends or in some way related to the director, so none of them received any payments. Bearing all this in mind, plus the fact that "Mulberry Street" actually shows the courage and ambition to be a different and largely atmosphere-driven new horror film, I'd say it at least deserves the respect and appreciation of avid horror fanatics and amateur filmmakers all over the world. And the film itself really isn't that bad, neither. A handful of likable characters, all recently evicted tenants of a ramshackle apartment building in Mulberry Str; Manhattan, join together in order to survive a deadly virus that broke out in the city overnight. As a result of constant urban decay, pollution and unbearable heat, the sewer rats of Manhattan are quickly spreading a horrible disease that causes its victims to mutate into a ravenous and bloodthirsty rat-creatures. Once bitten, people rapidly turn into a zombies with the appearance and eating habits of rats, and they only look at their former friends and neighbors as rich sources of food. Clutch, a retired boxer, nervously awaits the homecoming of his soldier daughter, but first he has to protect the other tenants as the rat-zombies are quickly infesting the entire neighborhood. The engaging depiction of the inhabitants of 51, Mulberry Street unquestionably is the biggest advantage of this film. The characters admirably aren't empty-headed junkies or filthy scum, but a close community of hard working and respectable people that are prepared to sacrifice themselves in order to save the others. This is honestly the only film I remember portraying the typical New Yorkers as unsung heroes. Even though the script reveals very few details regarding the lethal rat-virus, the chaotic situation in downtown Manhattan is eerily plausible and the overall atmosphere of "Mulberry Street" is tremendously menacing. Jim Mickle and writer/lead star Nick Damici simultaneously grab the opportunity to process a whole cargo-load of social and political criticism into the screenplay, particularly emphasizing the the war in Iraq and the problematic housing accommodation in big cities. Despite of budgetary restrictions, "Mulberry Street" also features a satisfying amount of blood and gruesome images. The make-up effects on the victims of the rat-virus are quite nasty and the zombie-attacks are uncompromising. Unfortunately the pacing slows down a bit during the second half of the film and the dialogs begin to sound repetitive. But by then, personally, I was already too impressed to allow the minor & understandable flaws to spoil my viewing experience. I really liked this film, as it has real characters and displays a righteously unhappy world-perspective. I doubt "Mulberry Street" will become a film that is easily available, so if you have the opportunity to watch it some time, do not hesitate.

Life in the Big Apple is "as usual" on a day like any other day, when out of the sewers emerges a massive viral contagion...rats are aggressively attacking people who, in turn, become infected and undergo a grotesque metamorphosis. They become, quite literally, rodent-people, and as such scuttle in shadows, gnaw through walls, and greedily consume human flesh. Holed-up in a low-income apartment building are a variety of characters(all of them better written and portrayed than usual for a film of meager origins). They fight for their lives as radio and TV broadcasts denote the epic scale of this grim and rapidly mounting situation.

MULBERRY STREET is a great example of the way younger film industry hopefuls are taking old ideas and throwing them back at you as something entirely original...in truth, we've seen all this before, but the presentation is so different that it rarely feels like the same old 'sturm und drang'. It's surprisingly character-driven for a contemporary horror film, and the ending which seems rather unresolved actually makes sense as this is the story of the film's primary characters facing a situation, rather than being about the situation itself. Imaginative, creepy, and in a few spots even emotionally affecting, this is one which is likely to please horror hounds and might even recruit a few(it's also one of the most "New York" movies to pop up in quite awhile).

I enjoyed this film, and I suspect it will be a springboard for many of the talented members of the cast and crew...I, for one, will be eager to see what they can do with some legitimate financial resources.

7.5/10

This is a low budget movie. Now there are low-budget and low-budget. This is very well made out of "only" 60K (apparently) USD. If you can stand the idea of people turning into murderous rat-beings, then you would probably like this flick. It has a quite realistic feel to it, and the fact that everything is shot using a hand camera makes it quite documentary in style. The fact that a large part of the film follows the tenants of a NY building surrounded by these "rat-beings" makes it also quite claustrophobic. Good acting as well, all around - where the actors really build a relationship to each other and the audience.

A very well used 60K and if you like horror movies, the chance is that you'll not want to miss this one.

In Mulberry Street rats in the subway system begin biting people causing them to turn into wererats. The story follows a group of apartment dwellers who try their best to survive. What I really liked about this movie is the way the characters all seem like real people instead of the bland teens we are usually supposed to care about in horror.

The effects aren't great but the monsters do look more or less like humanoid rats and the action zips along and you barely notice. What you do notice though is some nice camera-work that really puts you in the middle of the action. You'll probably also appreciate the clever use of television and radio to fill in the story, this isn't a new idea but it's done pretty well.

Overall I really enjoyed this movie. I noticed in a couple of other reviews people mentioned that they felt something when a character died, that's so rare in horror these days and is the sign of a well made horror movie!

After having seen a few low budget zombie movies a while back, my love for the genre faded and nowadays knowing that a film is both low budget and a zombie movie is liable to put me off seeing it; the reason being that while these films often show great enthusiasm, they can be seriously lacking in creativity. Well you could of course argue that this is not a zombie film as the central monsters are strange rat creatures rather than the classic zombie monsters...but it's basically just the same difference, and arguing that this film is not a zombie film would be as futile as saying the 2002 zombie film '28 Days Later' is not a zombie film. Anyway, what we basically have here is just your average zombie outbreak idea and we focus on an apartment block on 'Mulberry Street'. It turns out that there's something funny going on with the rats under the apartment block and all hell breaks lose when a man is bitten and starts showing signs of...turning into a giant rat. The infection quickly spreads, leading to a fight for life for the survivors.

The film is very short at only eighty minutes and was obviously set on a limited budget; thus meaning that it doesn't have a great deal of scope and we basically just focus on the central characters. This makes for decent enough entertainment, but the film is lacking in several areas and a lot of it feels rather thin. We don't get any details about the actual virus; which isn't that disappointing when you consider the usual reasons behind a zombie outbreak (a virus, radiation from space etc), but since this film has dared to change the formula a little in having people turn into rats; it would be nice to have some sort of reasoning behind it. The film has plenty of action, gore and horror images; but the problem is how it's portrayed. Director Jim Mickle has unfortunately opted to go down the flashy MTv-style photography route, and the result is that it's very difficult to see what is going on, and this kind of kills the film in terms of entertainment value. However, Mulberry Street does at least have enough good points to make it a worthwhile viewing and zombie fans should find something to like.