Tus santos y tus demonios

What I enjoyed most about the movie was the interesting ways in which the director edited the film. It seemed that every 10 minutes or so, the viewer was treated to yet another new way to tell a story. The result was an often choppy pace, but it was done in a way that was very engaging and was easy to follow.

The acting was superb by all, and you felt genuine bonds between the unique characters. My only complaint here was that Robert Downey Jr. didn't seem to fit his part, though he acted well. It was a relatively minor role so didn't have an overall impact on the film.

I have never been to New York, but the movie was very insightful as to what it was like growing up there, both on the streets and at home.

An enjoyable movie that is fun to watch.

I recently saw a screening of "A Guide to Recognizing Your Saints" without any prior knowledge of the subject matter or cast, which I am beginning to believe might be the best idea before seeing many of the smaller films out there. Reminiscent of "Goodfellas" and "Kids," a gritty coming-of-age story that packs a powerful punch with star Shia LaBeouf delivering a heart- breaking performance. This film is not to be missed and should be a strong contender come awards season. Director and writer Dito Montiel obviously draws from the likes of Martin Scorsese as he paints Queens, New York in a light only familiar to those who grew up deep in the heart of it. "Saints" elicits both tears and laughter, often within moments of each other while keeping the audience on the edge of their seats the entire time. Topping off this walk down memory lane, Montiel incorporates a stellar soundtrack mostly from the 70's, which feels right even though most of the story takes place in the mid 80's.

In this autobiographical coming-of-age piece, director Dito Montiel confronts his gritty past in Astoria, Queens. He tells the doomed story of a teenage boy who spends his days in the seedy hot crime-infested backstreets of 1980's New York City to the day when he leaves for California and does not return until twenty years later, when his father (Chazz Palminteri) is sick. The retelling is impressive and absorbing.

A Guide to Recognizing Your Saints is bursting with the flair of a debut director, who is eager to employ a wide variety of techniques – steadicams, punctured narrative, flashbacks, script interjections, dreamlike non-chronological editing and an uneven pace. The good news is that it channels Spike Lee's criminal Queens street style with fast-paced local jargon that recycles 'fuck' in every sentence and snaps and crackles like kindling in a fireplace between its many thug-like characters. Owing to its coming-of-age format, the story often stays wildly unfocused and you get the feeling many scenes do not serve a purpose other than to get us a feel for the venality with which things were run.

Nevertheless, the characters are all absorbing, especially the young versions of Robert Downey Jr, Eric Roberts and Rosario Dawson. One of these is Antonio – a childhood friend of Dito's and local bully – who does wonderful improvisation-like raw lines. The vast contingent of American preeteen fangirls who were lusting after Channing Tatum after his cheesy teen movies had put me off this actor at first, but it cannot be denied that he gives one of the most intense performances in the film as Antonio – he is hard-edged, testosterone-fuelled and doomed. Robert Downey Jr. is remarkably toned down as the grown-up Dito, delivering sparse lines and abandoning his usual colourful style of acting.

Together the four Queens teens harass girls, beat up rival gangs, shoplift and give attitude to on-lookers and this is undoubtedly when it feels the most like Spike Lee Lite. Saints patiently crafts tension at several points in the story, and it prefers climaxes to continuity as bad events snowball into criminal messes, deaths and the final abandonment by Dito. A Guide to Recognizing Your Saints is an interesting and compelling story, recreated with deft strokes by local Dito Montiel.

Sting and Trudi Styler loved the script so much they went to great lengths to support the production, and Chazz Palminteri delayed the shooting of another film of his with money out of his own pocket just to be able to play the bruised father in the film. These should serve as marks of its success and most of all the commitment with which its cast approached the film.

7.5 out of 10

This film is about the turbulent childhood of a writer who published his memoir of his days in a rough neighbourhood.

"A Guide to Recognizing Your Saints" tells a depressing story where life is very tough for the residents of the neighbourhood. It is plagued by violence as the residents seem to have poor impulse control. Even though I like Channing Tatum and Shia LeBeouf, their characters (and all other characters) seem to wander around the neighbourhood looking for fights, making them rather unlikable characters.

With so much swearing and violence, it would be easy to think it is a gangster film. Of course, it is a personal film for the writer and director, hence the pacing is slow. Events in the film are bad, but they are not particularly cinematic, and not interesting for the big screen. I find the film boring and not engaging. The thing that bug me the most is that the film doesn't make any mention of any types of saints, either directly or metaphorically. I am disappointed by "A Guide to Recognizing Your Saints", as it could have been an engaging and emotional drama with a very strong cast.

First time director Dito Montiel's "A Guide To Recognizing Your Saints" is a harsh autobiographical look back at his youth on the mean streets of Astoria, Queens in the mid 1980's. From the film's opening moments, Montiel introduces us to an intimate world of family and friendship that totally blindsided me by its greatness. There are moments in "A Guide To Recognizing Your Saints" that roll along with such force and emotion, that Montiel feels like a natural born filmmaker, infusing his personal heartache into strong characters breathing within a vivid time and place. Montiel's handling of edits, sound, and music are also powerful, such as a scene in Dito's kitchen between his father and group of friends that explodes into stark images and quick cuts to black. Montiel also handles the return home of Downey Jr. with care and vulnerability, searching for small answers that come in revelatory conversations with his mother (Dianne Weist) and grown up girlfriend Dianne (played by Rosario Dawson). And while such personal material can be hard to translate without lapsing into melancholy, Montiel finds a way to craft a clear eyed version of his life, allowing strong acting and electric film-making to take over the balance of the experience. I love finding unheralded gems such as this. The name of Robert Downey Jr. brought me to the theater and I discovered a true talent in Dito Montiel who has crafted one of the finest directing debuts in several years