CALIFICACIÓN DE IMDb
7.0/10
47 k
TU CALIFICACIÓN
Durante la dinastía Tang de China, el emperador tomó por esposa a la princesa de una provincia vecina. Ella le dio dos hijos y crio al mayor. Ahora el control sobre su dominio es completo, i... Leer todoDurante la dinastía Tang de China, el emperador tomó por esposa a la princesa de una provincia vecina. Ella le dio dos hijos y crio al mayor. Ahora el control sobre su dominio es completo, incluida la propia familia real.Durante la dinastía Tang de China, el emperador tomó por esposa a la princesa de una provincia vecina. Ella le dio dos hijos y crio al mayor. Ahora el control sobre su dominio es completo, incluida la propia familia real.
- Nominado a 1 premio Óscar
- 19 premios ganados y 35 nominaciones en total
Aaron C. Shang
- Liang
- (as Aaron Shang)
- …
Liam O'Brien
- Prince Jai
- (English version)
- (voz)
Yuri Lowenthal
- Prince Yu
- (English version)
- (voz)
Opiniones destacadas
Zhang Yimou was a very highly regarded filmmaker 5 years ago, before I had ever heard of him. Then he earned a place in my heart by directing both Hero and House of Flying Daggers. With those last two I felt like I was in martial arts movie heaven, so I would instantly be interested in any other future films that could approach those two in scope, talent, and action. Curse of the Golden Flower focuses mostly on the first two of those three traits, but besides, anything starring Chow Yun-Fat will earn my attention like a bullet to the head. I do own The Corrupter after all.
This is a film about a royal family, rather dysfunctional at that, in the 928 AD Tang Dynasty. Chow Yun-Fat is Emperor Ping, who from the way he handles his family and can anticipate any kind of attack or counterattack seems like quite the ruthless warlord. He has three sons: one is a teenager, who isn't given much regard but knows more than others think. The eldest of the three is the current crown prince, but doesn't seem to have any special talents, other than drawing the affections of the wrong women. The middle son is a great warrior and, of course, is now the favorite of the father. But these characters may be just pawns to Empress Phoenix (Gong Li), who is mother to the younger two brothers and step-mother to the eldest. Under normal circumstances she might be a great mother, wife, and Empress, but current circumstances, including a mystery illness, have forced her to take actions involving a secret plot to remove her husband from the throne.
This is not the action movie some might expect, though there is enough near the end to earn the R rating. It's basically a family drama, though in a rather fascinating and different setting for such a story. As you'd expect with a royal family, appearances are everything. Anything out of the ordinary has to happen in secret. All the normal everyday stuff is almost mechanical in nature. Whether you see dozens of servants getting up in the morning, or preparing food, or planting flowers, it all occurs in such a fiercely coordinated fashion. It would have been such a hard life, either being a royal or supporting one, but it would be a miserable life if one couldn't take any pride in what they did.
The filmmakers who designed and implemented all the sets and costumes should take a hell of a lot of pride in what they do. The family of this story, even while destroying themselves (and therefore their empire) from within, are living in the most lavish accommodations and outfits I've ever seen. I usually don't think much of costuming or set design, but I must say that after seeing Chow Yun-Fat's golden suit of armor, or anything Gong Li was in, or the design of their personal quarters, I really hope for some Oscar recognition. Perhaps the best I've ever seen in those areas.
Overall though, a good film, and a definite must for any Chow Yun-Fat fan to seem him play such a great villain, as with Sammo Hung in Sha Po Lang. It kept me interested throughout, but nothing too surprising happened in regards to story. It basically all went how I imagined it would.
This is a film about a royal family, rather dysfunctional at that, in the 928 AD Tang Dynasty. Chow Yun-Fat is Emperor Ping, who from the way he handles his family and can anticipate any kind of attack or counterattack seems like quite the ruthless warlord. He has three sons: one is a teenager, who isn't given much regard but knows more than others think. The eldest of the three is the current crown prince, but doesn't seem to have any special talents, other than drawing the affections of the wrong women. The middle son is a great warrior and, of course, is now the favorite of the father. But these characters may be just pawns to Empress Phoenix (Gong Li), who is mother to the younger two brothers and step-mother to the eldest. Under normal circumstances she might be a great mother, wife, and Empress, but current circumstances, including a mystery illness, have forced her to take actions involving a secret plot to remove her husband from the throne.
This is not the action movie some might expect, though there is enough near the end to earn the R rating. It's basically a family drama, though in a rather fascinating and different setting for such a story. As you'd expect with a royal family, appearances are everything. Anything out of the ordinary has to happen in secret. All the normal everyday stuff is almost mechanical in nature. Whether you see dozens of servants getting up in the morning, or preparing food, or planting flowers, it all occurs in such a fiercely coordinated fashion. It would have been such a hard life, either being a royal or supporting one, but it would be a miserable life if one couldn't take any pride in what they did.
The filmmakers who designed and implemented all the sets and costumes should take a hell of a lot of pride in what they do. The family of this story, even while destroying themselves (and therefore their empire) from within, are living in the most lavish accommodations and outfits I've ever seen. I usually don't think much of costuming or set design, but I must say that after seeing Chow Yun-Fat's golden suit of armor, or anything Gong Li was in, or the design of their personal quarters, I really hope for some Oscar recognition. Perhaps the best I've ever seen in those areas.
Overall though, a good film, and a definite must for any Chow Yun-Fat fan to seem him play such a great villain, as with Sammo Hung in Sha Po Lang. It kept me interested throughout, but nothing too surprising happened in regards to story. It basically all went how I imagined it would.
10anniefox
I had the pleasure of seeing this film with special personal appearances by Zhang Yimou and Gong Li... I have to say I was blown away by it! I was not expecting a story with such depth...The cinematography, the art direction, and the sheer enormity of the visuals were staggering. Great sword work... exquisite wire sequences... and HUGE battles - but all done with an intensity that's stunning. And even more, the acting was superb - Chow Yung Fat is a master, and his scenes together with Gong Li are beautifully emotional. Gong Li is more beautiful than ever in a role that demands huge range from the first scene and never lets up... She does her best work ever! I have nothing but praise for this film. I can't wait to see it again.
Despite the millions of chrysanthemum flowers, ten thousand soldiers and three prominent male cast (Chow Yun Fatt, Jay Chou and Liu Ye), one thing will capture your attention. Make that two.
Gong Li and her titillating assets have almost overshadowed everything else in the movie. While it may not be historically accurate for 10th Century Tang Dynasty palace females to dress so scantily, director Zhang Yimou obviously wants to make a stylistic statement right from the opening scene.
His play with colours was apparent from Hero. Curse of the Golden Flowers presents a kaleidoscope in its grandeur palace setting and elaborate costumes. The final fighting scene lead by Prince Jai (Jay Chou playing Jay?) the prince with golden armored warriors trampling over chrysanthemum is nothing short of impressive.
Jay Chou had a difficult time playing Prince Jai, which required more complexity than a cool rider in Initial D. While emotional scenes with Gong Li drew some laughter from the audience, his final scene was noteworthy and articulation has improved.
Kudos goes to Chow Yun Fatt and Gong Li. Chow has improved on his accent tremendously (which was very strange in Crouching Tiger) and portrayed the Emperor with magnitude and hysterical outrage. Look out for the scene as the usually mild mannered Chow punishes his son with both rising temper and hair.
While the film obviously banks on Gong Li's bosoms, they shouldn't distract audience from her exceptional acting. It may be over-the-top at times, but she shows that nobody else can play this vengeful and solitary empress better than her. At this moment, she is the queen of the Chinese cinema.
The story of betrayal, illicit affairs, chilled relations and dysfunctional families may be run on the mill and overdone. Drawing parallels with The Banquet by Zhang Ziyi is inevitable. Both are about an obsessed empress who craves for a relationship with the prince (Interestingly, both well-known for playing gay roles) and demands for more power from the emperor.
Curse of the Golden Flower is not just soap drama but a period epic to impress with colours, opulence and sheer indulgence.
http://themovieclub.blogspot.com
Gong Li and her titillating assets have almost overshadowed everything else in the movie. While it may not be historically accurate for 10th Century Tang Dynasty palace females to dress so scantily, director Zhang Yimou obviously wants to make a stylistic statement right from the opening scene.
His play with colours was apparent from Hero. Curse of the Golden Flowers presents a kaleidoscope in its grandeur palace setting and elaborate costumes. The final fighting scene lead by Prince Jai (Jay Chou playing Jay?) the prince with golden armored warriors trampling over chrysanthemum is nothing short of impressive.
Jay Chou had a difficult time playing Prince Jai, which required more complexity than a cool rider in Initial D. While emotional scenes with Gong Li drew some laughter from the audience, his final scene was noteworthy and articulation has improved.
Kudos goes to Chow Yun Fatt and Gong Li. Chow has improved on his accent tremendously (which was very strange in Crouching Tiger) and portrayed the Emperor with magnitude and hysterical outrage. Look out for the scene as the usually mild mannered Chow punishes his son with both rising temper and hair.
While the film obviously banks on Gong Li's bosoms, they shouldn't distract audience from her exceptional acting. It may be over-the-top at times, but she shows that nobody else can play this vengeful and solitary empress better than her. At this moment, she is the queen of the Chinese cinema.
The story of betrayal, illicit affairs, chilled relations and dysfunctional families may be run on the mill and overdone. Drawing parallels with The Banquet by Zhang Ziyi is inevitable. Both are about an obsessed empress who craves for a relationship with the prince (Interestingly, both well-known for playing gay roles) and demands for more power from the emperor.
Curse of the Golden Flower is not just soap drama but a period epic to impress with colours, opulence and sheer indulgence.
http://themovieclub.blogspot.com
Me and my girlfriend watched this in Guangzhou, China. It isn't exactly a feel-good movie..
It's hard to describe what this film does, without spoiling the movie. And that structure is it's strength. Suffice to say, this is a very strongly woven movie, a movie where direction and production are the stars.
And that is also "Curse of the golden flower"'s weakness. This is, after all, a movie. Moviegoers are used to seeing the full spectrum of a movie; varied scenery and ambiance, multiple stories, realistic characters, a realistic society portrait, and so on. Certainly, this movie has strong characters, but like the imperial court setting, they are puppets. They never change their directions, they are forced to play the drama. Most of the action happens on the same 3-4 scenes, with the same characters. Like an opera; stereotypic, but intensely dramatic and glorious.
That said, this movie had an effect on me, and as mentioned, it is very well crafted. Without a doubt, it shows Yimou Zhang's skills in his profession, and I do recommend it. But don't expect a "movie" in the classical sense, expect Greek tragedy or opera-style drama.
It's hard to describe what this film does, without spoiling the movie. And that structure is it's strength. Suffice to say, this is a very strongly woven movie, a movie where direction and production are the stars.
And that is also "Curse of the golden flower"'s weakness. This is, after all, a movie. Moviegoers are used to seeing the full spectrum of a movie; varied scenery and ambiance, multiple stories, realistic characters, a realistic society portrait, and so on. Certainly, this movie has strong characters, but like the imperial court setting, they are puppets. They never change their directions, they are forced to play the drama. Most of the action happens on the same 3-4 scenes, with the same characters. Like an opera; stereotypic, but intensely dramatic and glorious.
That said, this movie had an effect on me, and as mentioned, it is very well crafted. Without a doubt, it shows Yimou Zhang's skills in his profession, and I do recommend it. But don't expect a "movie" in the classical sense, expect Greek tragedy or opera-style drama.
I just got back from watching the 8.30 pm show at Vivo City Gold Class and I must say I was pleasantly surprised at how enjoyable the movie was.
I guess it could have been the bad press with the movie but I was really very impressed with Gong Li and Chow Yun Fat. They are true virtuosos, masters of their fields. Very impressed with the both of them.
Even that Jay Chou wasn't that bad although, although to be honest, he is just too green and inexperienced. He was miscast as the 2nd Prince because of his lack of good looks, but I can see that he tried his best.
But Gong Li, who acted opposite Jay as his mother was superb. Her convulsions (because of a long time illness no spoilers) were realistic.
Her varied range of emotions were a joy to watch. I didn't feel she was acting; you don't see the wheels moving. Chow Yun Fat's Mandarin wasn't that bad too. Not at all. He exudes the strength and power of the ruthless Emperor.
The only person whom I thought over acted was the actor, Ye Liu, who played the Crown Prince. I was not used to his acting. Now with him, you could see him acting.
The action scenes were not a lot since this is more of a political intrigue film BUT the two major action scenes were very impressive.
One happened at a small villa amidst the mountains.
The other is the one at the end which occurred at the Imperial Palace.
The only gripe I have with this film is the set decoration. It is quite garish.
The colors on the pillar walls were like these tie dye t-shirts which Rupert of Survivor wore. Really odd.
The costumes were not too bad. Even with my Chinese background, it was all alien to me.
I am not sure it's authentic but I will give the costumers the benefit of the doubt. They must have done they research to stand by the deep cleavage of the actresses.
Now I know where all the money went to. Though the set decoration can be a bit rainbow-brite for me, it certainly was opulent.
Go watch this film. It is a must see.
I guess it could have been the bad press with the movie but I was really very impressed with Gong Li and Chow Yun Fat. They are true virtuosos, masters of their fields. Very impressed with the both of them.
Even that Jay Chou wasn't that bad although, although to be honest, he is just too green and inexperienced. He was miscast as the 2nd Prince because of his lack of good looks, but I can see that he tried his best.
But Gong Li, who acted opposite Jay as his mother was superb. Her convulsions (because of a long time illness no spoilers) were realistic.
Her varied range of emotions were a joy to watch. I didn't feel she was acting; you don't see the wheels moving. Chow Yun Fat's Mandarin wasn't that bad too. Not at all. He exudes the strength and power of the ruthless Emperor.
The only person whom I thought over acted was the actor, Ye Liu, who played the Crown Prince. I was not used to his acting. Now with him, you could see him acting.
The action scenes were not a lot since this is more of a political intrigue film BUT the two major action scenes were very impressive.
One happened at a small villa amidst the mountains.
The other is the one at the end which occurred at the Imperial Palace.
The only gripe I have with this film is the set decoration. It is quite garish.
The colors on the pillar walls were like these tie dye t-shirts which Rupert of Survivor wore. Really odd.
The costumes were not too bad. Even with my Chinese background, it was all alien to me.
I am not sure it's authentic but I will give the costumers the benefit of the doubt. They must have done they research to stand by the deep cleavage of the actresses.
Now I know where all the money went to. Though the set decoration can be a bit rainbow-brite for me, it certainly was opulent.
Go watch this film. It is a must see.
¿Sabías que…?
- TriviaThe Dragon Robe and Phoenix Gown, worn by the Emperor and Empress during the festival, were handcrafted by 40 people who took over two months to create it.
- ErroresGiven Chan leaves the inn almost immediately after Wan does, why does it take so long for her to reach the palace? (Consider everything that happens to Wan after he arrives back but before Chan arrives.)
- Citas
Emperor Ping: What I do not give, you must never take by force.
- Versiones alternativasThe UK release was cut, compulsory cuts required to remove sight of real animal cruelty, in this instance horse falls, in line with the requirements of the Cinematograph Films (Animals) Act 1937, in order to obtain a 15 classification. An uncut classification was not available.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Curse of the Golden Flower
- Locaciones de filmación
- Three Natural Bridges, Wulong, Chongqing, China(remote palace)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 45,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 6,566,773
- Fin de semana de estreno en EE. UU. y Canadá
- USD 184,000
- 24 dic 2006
- Total a nivel mundial
- USD 78,568,977
- Tiempo de ejecución
- 1h 54min(114 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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