Un paranoico funcionario de departamento de seguridad pública investiga la desaparición de una chica, que cree conectada a un violador en libertad provisional.Un paranoico funcionario de departamento de seguridad pública investiga la desaparición de una chica, que cree conectada a un violador en libertad provisional.Un paranoico funcionario de departamento de seguridad pública investiga la desaparición de una chica, que cree conectada a un violador en libertad provisional.
- Dirección
- Guionistas
- Elenco
- Harriet Wells
- (as Kristina Sisco)
- Errol's Colleague #1
- (as Victoria Gale)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Most of the viewers complain the movie had a very bad pace, to few twist turns. I both agreed and disagreed here, yes when watching the movie you know who's 'dunnit' way to early but I loved the pace. In my eyes they really made time to make you loath the bad guys and feel repulsed by the idea what they did to those poor girls.
Richard gere was holding back like always, but I often find he's perfect for these roles. Maybe he did not put of a good performance, but he was just made for these roles. Claire Danes didn't impress me in this movie, quite a shame cause i normally really love claire danes ;). You kind of get the idea they used her for eye candy above everything else.
The first 80 minutes of the movie were quite decent in my eyes but the last 20 minutes were a bit of a disappointment. They seemed to be a bit over the top.
All in all a decent movie. 6 out of 10
Well, I did. I usually tolerate Gere for his looks and his charm, and even though I did not consider him a great actor, I know he can do crazy pretty well (I liked his Mr Jones). But this performance is all different. He is not pretty in this one, and he is not charming. His character is completely different from anything I had seen from him up to that point---old, ugly, broken, determined. And Gere, in what to me is so far his best performance ever, pulls it off beautifully. I guess it is a sign of how well an actor does his job if you cannot imagine anyone else doing it instead---think Hopkins as Hannibal Lecter, or Washington as Alonzo in Training Day. That is how good Gere was here.
The rest of the cast were fine by me, too. I guess I would not have cast Danes in this role, mostly because I think she is too good-looking for it. But she actually does an excellent job, holding her own with a Gere in top form, which is no small feat. Strickland easily delivers the best supporting act, in a part that requires a considerable range from her. I actually think she owns the key scene with Gere and Danes, and that is quite an achievement.
So what about the rest of the movie, apart from some excellent acting? The story is perhaps not hugely surprising, some 8mm-ish aspects to it, but adding the "veteran breaks in rookie" storyline to the who-dunnit, and also (like Silence of the Lambs) adding a sense of urgency through trying to save the girl and the impending retirement of Gere's character. All that is a backdrop to the development of the two main characters, as they help each other settle into their respective new stations in life. That's a lot to accomplish in a 100 minutes, but it is done well, and we end up caring for the characters and what happens to them.
Direction and photography were adequate. I could have done without the modern music-video camera movements and cutting, but then I am an old curmudgeon, and it really wasn't all that bad, in fact I think it did help with the atmosphere of the movie, which as you might have guessed, by and large isn't a happy one.
Worth seeing.
But all things considered it's a pretty good film. The investigation angle makes for a very tense thriller, but where the film really shines is in the depiction of Richard Gere's characters, as well as the villain's, which I won't reveal.
Gere is really all stops go here, it's easily his most intense role since "Internal Affairs". Even if you are not Gere fans, you're gonna love him in this.
On the minus side, I didn't like the way the film is edited. It's full of flashes, freeze frames and all those "arty" stuff they cram into your TV series and direct-to-DVD movies. I understand they wanted to give the movie a hard edge, but it's often too distracting. The film is already dark and gritty enough as it is, and this bells and whistles don't add a damn thing.
And then there's Claire Danes. look, she's an OK actress, but she was like a fish out of water here. They give her character some interesting background, but she's constantly out off key. She looks like a raving lunatic when she tries to act quirky or vulnerable, and not very convincing when the script calls for her character to toughen up a little.
So, it's an interesting movie if you can go beyond the surface of its visual trickery, but not as good as it could be. I would say it earns a 6'5 - 7 in my scale.
¿Sabías que…?
- TriviaPrologue: "There are over half a million registered sex offenders in the United States. For every 1000 offenders, there is only one caseworker that monitors them. Every two minutes a woman or child is sexually assaulted in America."
- ErroresAs Gere's and Dane's characters are in the car chasing after Custis, Custis hurls a garbage can at the windshield. We see from the inside as the windshield becomes a spiderweb of cracks, thus causing Gere to careen into the conveniently located pile of soft garbage nearby. The pair leaps out of the car and the windshield is suddenly repaired.
- Citas
Erroll Babbage: People like Paul and Viola Gerard don't just tell lies, they *are* lies. In public they're decent, socially-responsible folk who look you in the eye, but never long enough to make you uncomfortable. They shake your hand, pat you on the back, but never overdo it. They're Christian if you are, they swear if you do, and they do this because people like you wrongly believe that public presentation tell us all about private lives.
- Versiones alternativasAfter the film was released in European and Asian markets, several portions of the film were reshot and the entire film was basically reedited. The result is that the tone of the US version is less bleak and grim.
- Bandas sonorasKnocking on Old Doors
Written by Tracy Hall
Performed by Tracy Adams
Selecciones populares
Detalles
Taquilla
- Presupuesto
- USD 35,000,000 (estimado)
- Total a nivel mundial
- USD 7,155,358
- Tiempo de ejecución1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1