Bosque de sombras

Exciting film set at the end of the 1970s , about four tourists threatened by hooligans locals , as there are hunters and prey . When they return to an ancestral village tensions build between them , a brewing conflict with locals becomes a threat to them . As two couples's holiday called Paul (Gary Oldman) , Lucy (Virginie Ledoyen) , Norman (Paddy Considine) , Isabel (Aitana Sánchez-Gijón) in Spain are interrupted when they discover a girl imprisoned in a cabin . Ledoyen and Considine play a young married couple who are going through a difficult patch in their relationship and come to visit a friend Paul (Oldman) who now lives in the Basque region because he has married a woman from there (Aitiana Sánchez-Gijón) . It escalates quickly into a bloody battle between Brits and Spanish rednecks (Kandido Uranga , Patxi Bisquert , Lluis Homar) . Paul whose pacifism is put to supreme test attempts to protect a dim-witted little girl who they have found locked . They try to help her by taking her away from a dark house , but the local villagers, who have to protect the girl and seem determined to keep her in atrocious conditions, start a pursuit in the forest they know much better than the visitors . As the jealous as well as resentful locals and desirous of women assault their house , as they are viciously attacked . Their house is put under siege by the incensed villagers , but they defend the mansion with ferocity . Later on , they flee seeking security , but their attempts to help the little girl are hampered by the denseness of the forest and a relentless pursuit by the nasty rednecks .

Violent film contains thrills , chills , suspense , twists , and results to be quite entertaining . A controversial violence-themed picture ; dealing with a known plot , as a group of British people go to a rural little village and face increasingly vicious local harassment . As their tranquil summer turns to horror when they discover a girl with horribly mutilated hands in the forest . We are facing a tense film , hard , tough , brilliant in many moments, with some aspect of western , with a grand and impressive ending . The picture packs intrigue , action , intense drama and lots of violence . The story takes parts , here and there , from famous films such as ¨Deliverance", ¨Wild bunch¨ , ¨Next of kin¨ and especially "Straw Dogs" . The main cast is frankly excellent with players of several nationalities as the British Gary Oldman and Paddy Considine ; French Virginie Ledoyen and Spanish Aitiana Sanchez Gijon . Support cast is mostly Spaniard such as Jon Ariño , Lluís Homar who excels in his acting , Kandido Uranga and special appearance of Álex Angulo , ¨Dia De La Bestia¨'s starring . Gary Oldman, Paddy Considine and Virginie Ledoyen were dubbed for the Spanish version of the film. The scenes where the characters had whole scenes with English dialog were all dubbed ; only when the characters spoke in English with the Spanish characters, the dubbing actors said their lines in English ; 'Aitana Sánchez-Gijon' dubbed herself .

Unax Mendia cinematography is excellent creating a rainy and cold atmosphere , he's expert on sombre photography , being stunningly shot on location in Navarra woods . Thrilling and moving musical score by Fernando Velazquez who subsequently would make a notorious career with successful films as ¨Orphanage¨ , ¨Devil¨ , ¨Mama¨ and ¨The impossible¨ . The flick was finely produced by the chairman of Filmax Productions , Julio Fernandez along with his brother Carlos Fernandez as executive producer , they're two successful producers and experts on terror genre , producing a lot of hits , such as ¨The machinist¨, ¨Rec ¨1¨, 2¨ and ¨3¨ , ¨Fragiles¨, ¨Darkness¨, ¨El perfume¨ , ¨The nun¨ , ¨Transsiberian¨ and many others . The flick was professionally directed by Koldo Serra in his only film and obtained moderated success . Serra uses many long shots, showing a leisurely narrative pace . Definitely a big "debut" of director Koldo Serra who promises to be a great filmmaker .

I'm seriously confused about how to properly write a critique on "The Backwoods" without being either overly negative or positive, but nevertheless express my respect to the cast and crew for the film they intended to make. This is a genuine throwback to the era of 70's exploitation film-making, with a truly grim atmosphere and uncompromising violence, but at the same time it's completely unoriginal and derivative. I've read an extended interview with writer/director Koldo Serra, in which he declares that he doesn't understand why so many horror movies are being remade nowadays even though the originals aren't open for any kind of improvement. That might very well be true, and Lord knows I wholeheartedly agree with such a statement, but Serra goes so far in 'bringing homage' to the original classics that he practically copies them as well. "The Backwoods" isn't a remake of any existing 70's flick, but it easily could have been, since it bluntly borrows elements from "Deliverance", "Straw Dogs" and "The Wild Bunch".

Cleverly set in the year 1978, so that the script at least didn't had to take into account malfunctioning mobile phones and navigation systems losing their signal, "The Backwoods" revolves on two couples spending a little vacation deep in nearly impenetrable woods of the Spanish Basque region. Paul, the oldest and wisest of the four, bought the old house of his grandmother there and wants to show the beautiful region to his wife and friends. After some very unfriendly welcoming vibes in the local bar already, the quartet faces the ultimate confrontation with the primitive backwoods community when Paul and Norman discover a neglected young girl chained up in a hidden cabin. The girl is the outgrowth of a humiliating family scandal, and the local patriarch Paco so desperately want to keep her existence secret that he mobilizes the rest of the locals for an old-fashioned manhunt. "The Backwoods" is an uneven mishmash of a film in which downright powerful sequences are altered with dreadful clichés and predictable plot twists. The gritty and relentless atmosphere of 70's survival flicks is marvelously re-created, but the script doesn't have the courage to genuinely shock the audience with twisted little details or perverted undertones like they did in the old days. The filming locations are stupendous and the producers managed to attract a fantastic cast (including the brilliant Gary Oldman and Virginie Ledoyen). It's really a shame this film doesn't feature anything truly unique, because I really wanted to like and recommend it.

If you've ever been in the middle of taking an exam which requires you to write an essay of which you're fully prepared for but test time runs out before you can complete your thoughts and put them down on paper, that's how you'll feel when this movie ends. I just wanted that little extra something that was missing. It had tension that felt very real and fine acting, especially oldman, and had a constant upbeat pulse throughout the film that kept me interested. But it was a mad dash towards what I hoped would've been an incredible ending but leaves me "out in the rain". Definitely worth a look-see though. Not nearly as bad as what I've been reading.

Atmospheric non-thriller. It has a strong cast but the script seems uncertain of what it wants to be and it requires a strong suspension of disbelief.

One must believe that men will resort to rape and murder with little provocation and that women will cower and cringe in all situations. I won't even go into the litany of other trite stereotypes but will summarize by saying that there are no surprises in the movie.

It's sad to see such a waste of potential here as the film could have been so much better if it had been willing to go in a new direction at any point, instead of strictly rehashing the well-worn back roads in these backwoods.

Ah, well...

I saw the director's short film which was not good but at least interesting and much better than this full-length movie "Bosque de sombras". Gary Oldman is obviously the only star in this movie but contrary to what the other reviewer said, I believed the Spanish cast was good. It was interesting to hear Gary Oldman speak some Spanish and I give this movie 3 stars because of Aitana Sanchez-Gijon and him.

Aitana Sanchez-Gijon, who is an excellent Spanish actress that I last watched in "The Machinist" with Christian Bale and was also in other English language movies like "A Walk in the clouds" plays Gary Oldman's wife. She can express mystery and emotion without saying any dialogue. I think she is one of the best but underrated Spanish actresses today. Lluís Homar was brilliant, in my opinion, and also the little girl.

I was mixed about Paddy Considine. I think he is a good actor but next to Gary Oldman, he was less interesting. In "Cinderella man" with Russel Crowe, he was excellent and also in "In America," but in this movie, he was only interesting when he was not in a scene with Gary Oldman but in scenes with the other actors, he steals every scene. I think that shows how strong Gary Oldman is that brilliant actors like Considine seem to fade next to him.

This movie is the first English language movie for Virginie Ledoyen since "The Beach" and I think it is fair to say that she will always be known as the girl from "The Beach" because she is a bland and boring actress. Even in french films she is dull because she lacks the range that other actresses her age have. In this movie, she is not at all convincing as her character. She "acts" better in her 30-second adverts for L'Oréal.

The biggest problem of this movie is the writing and the directing. Serra and his co-writer lack the skill in writing a coherent and original scénario. Stealing from other movies was a bad idea. There should have been more development in this to make it a real movie. Also, Serra uses the camera techniques of 70's directors which is OK at first but when he does this all the time it is distracting and does not serve any purpose except style. We all know it is set in the 70's but the directing should always be related to the story because style is cheap and easy and anyone who works only on style with no script should just direct commercials and music videos. Skip this movie and rent "Straw dogs" instead.