Agrega una trama en tu idiomaThe five members of the 1980s boy band Boytown reunite in 2005, years after their heyday. Uncertainties loom as they strive to reconnect with audiences and rediscover the magic that initiall... Leer todoThe five members of the 1980s boy band Boytown reunite in 2005, years after their heyday. Uncertainties loom as they strive to reconnect with audiences and rediscover the magic that initially propelled their stardom.The five members of the 1980s boy band Boytown reunite in 2005, years after their heyday. Uncertainties loom as they strive to reconnect with audiences and rediscover the magic that initially propelled their stardom.
- Premios
- 1 nominación en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Back in the late eighties, before New Kids on the Block graced our ears, there was the boy band that started it all; BoyTown. Their stardom didn't last long, but paved way for every other boy band that follow. Since then, each member; Benny G, Tommy Boy, Bobby Mac, Carl and Corey split ways, with many stuck in ruts and jobs they loath. Benny G though has been stuck in the past, constantly thinking of his fame he once had. To relive these days, Benny wants to regroup the band to reclaim their title of the best boy band.
Australia has been expanding it's range of films being produced the past few years. Hard hitting dramas and stepping into the horror/thriller genre, yet a corner stone of the Australian film industry has been the under dog tale; the little guy taking on the big man. The Castle is a great example of this, but this constant retelling grew very thin. While time has past since a good under dog tale, does BoyTown turn the tide; no.
Mick Molloy struck a vein of freshness with Crackerjack; an under dog tale itself, yet mixed great comedy while nicely taking a stab at lawn bowls. Molloy slipped slightly with Bad Eggs, but slips even further here. That freshness he brought too Crackerjack has gone stale. Molloy, and his brother Richard, bring nothing new to the proceedings for a formulaic film; much too how they say boy bands are tired and repetitive.
BoyTown taps into the sexual innuendo created in mock-doc This is Spinal Tap. Dancing around singing about women's "Special time of the month" and "Pussywhipped" lack the laughs it aims. Spinal Tap had a knowing naivety, pelting out "Big Bottom", but McKean and Guest brought an innocence of 'we're just making music'. BoyTown miss the mirth and zeal, with songs that sound so meticulously made, just for a cheap laugh; manufactured to the last note.
The Molloy brothers don't delve deep into to bring some true great satire. The material was all there, boy bands are such easy targets, ripping out song after song of lost love and crooning over some woman, but drop the ball early on. Wayne Hope's play on the 'gay is he straight' member is boring for the get go, he should have injected more play and taken a cue from Bruce James's steward in Snakes on a Plane.
There is heart and a sweetness to BoyTown, but with every sentimental moment wrung to its extreme and nothing new brought, BoyTown will fade away like so many boy bands.
Australia has been expanding it's range of films being produced the past few years. Hard hitting dramas and stepping into the horror/thriller genre, yet a corner stone of the Australian film industry has been the under dog tale; the little guy taking on the big man. The Castle is a great example of this, but this constant retelling grew very thin. While time has past since a good under dog tale, does BoyTown turn the tide; no.
Mick Molloy struck a vein of freshness with Crackerjack; an under dog tale itself, yet mixed great comedy while nicely taking a stab at lawn bowls. Molloy slipped slightly with Bad Eggs, but slips even further here. That freshness he brought too Crackerjack has gone stale. Molloy, and his brother Richard, bring nothing new to the proceedings for a formulaic film; much too how they say boy bands are tired and repetitive.
BoyTown taps into the sexual innuendo created in mock-doc This is Spinal Tap. Dancing around singing about women's "Special time of the month" and "Pussywhipped" lack the laughs it aims. Spinal Tap had a knowing naivety, pelting out "Big Bottom", but McKean and Guest brought an innocence of 'we're just making music'. BoyTown miss the mirth and zeal, with songs that sound so meticulously made, just for a cheap laugh; manufactured to the last note.
The Molloy brothers don't delve deep into to bring some true great satire. The material was all there, boy bands are such easy targets, ripping out song after song of lost love and crooning over some woman, but drop the ball early on. Wayne Hope's play on the 'gay is he straight' member is boring for the get go, he should have injected more play and taken a cue from Bruce James's steward in Snakes on a Plane.
There is heart and a sweetness to BoyTown, but with every sentimental moment wrung to its extreme and nothing new brought, BoyTown will fade away like so many boy bands.
I waited a long time to watch this film. I did sit though it in one go without losing interest, but it wasn't nearly as enjoyable as I had hoped. Here in the UK I've have been hearing Molloy, Robbins & co on streamed radio for years. They are grossly funny, but this film didn't match up to that level. The funniest part was Molloy's real-life banter with his young 'double' in the extras. And what a waste of Tony Martin. On the other hand, the songs were clever and memorable, Sally Phillips is always super, and I was impressed with Mick's penduluming.
I'm not going to say anything much about plot and content - You should see it and I don't want to spoil a minute of it for you.
It's not often you see a movie you can't fault, but "Boytown" is one of them. Great premise, top writing and directing, well acted with the perfect comedy timing you'd expect from this group of Australian (OK, and British ex-pat) veterans. The songs for women of "their generation" had my wife and I rolling in the aisles.
It's a masterpiece of stereotype satire, and an interesting comment on what happens to rockers when they're closer to the rocking chair than the rocking cradle.
The ending was a surprise (although I had been warned by my son), but somehow it seemed like the best way to end and it neatly eliminated any prospect of the pathetic sequel so many American films seem to spawn. Go and see it, and don't listen to the negative reviews - they must have been watching some other movie of the same name.
It's not often you see a movie you can't fault, but "Boytown" is one of them. Great premise, top writing and directing, well acted with the perfect comedy timing you'd expect from this group of Australian (OK, and British ex-pat) veterans. The songs for women of "their generation" had my wife and I rolling in the aisles.
It's a masterpiece of stereotype satire, and an interesting comment on what happens to rockers when they're closer to the rocking chair than the rocking cradle.
The ending was a surprise (although I had been warned by my son), but somehow it seemed like the best way to end and it neatly eliminated any prospect of the pathetic sequel so many American films seem to spawn. Go and see it, and don't listen to the negative reviews - they must have been watching some other movie of the same name.
Fun movie with great lines. My boyfriend and I quite enjoyed it. It was really all one joke, but they didn't flog the horse too much.
Nice, light, fluffy stuff. Loved the songs and the fashion. Don't know what movie other people who've commented were watching. Did they expect Shakespeare? It probably could have been a neater plot/script, but we knew what kinda humour we were gonna get when we walked in the door. Maybe it was too subtle for some.
I thought the dry humour people were dropping on the sly was great. Australian comedies do have a particular style about them. Go Aussie cinema!
Nice, light, fluffy stuff. Loved the songs and the fashion. Don't know what movie other people who've commented were watching. Did they expect Shakespeare? It probably could have been a neater plot/script, but we knew what kinda humour we were gonna get when we walked in the door. Maybe it was too subtle for some.
I thought the dry humour people were dropping on the sly was great. Australian comedies do have a particular style about them. Go Aussie cinema!
I got along to a sneak "mystery" preview screening at Village in Sth Yarra, and almost contemplated leaving when I found out it was a Mick Molloy Australian comedy movie. Boy, was I pleasantly surprised though! If you like The Castle, The Dish or any American MTV rockumentary/music based movies, I'd think you'll enjoy this. Glenn Robbins was great in the lead I thought, in fact all 5 of the boy band were very good. Three bad bits- I thought the closing 3 minutes were among the worst ever seen in Cinema, and really destroyed the enjoyment of the rest of the flick. It was Aussie commercial-TV sketch show bad. (and THAT'S BAD!). The same goes for the ridiculous scene of one of the guys dancing in his underwear... BAD! And one of the songs they sing will probably be offensive to some people.
So, those 3 cringe-worthy moments aside, I think these guys have done a fantastic job.
I left the cinema laughing and enjoyed telling others about the movie, something I haven't done for an Aussie movie in many years (since The Castle, probably!).
When it comes out, check it out and hopefully these flicks will keep improving :)
So, those 3 cringe-worthy moments aside, I think these guys have done a fantastic job.
I left the cinema laughing and enjoyed telling others about the movie, something I haven't done for an Aussie movie in many years (since The Castle, probably!).
When it comes out, check it out and hopefully these flicks will keep improving :)
¿Sabías que…?
- TriviaTony Martins character Kenny Larkin is named after Russell Crowe's character in neighbours.
- ConexionesReferences Apocalipsis (1979)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
Taquilla
- Total a nivel mundial
- USD 2,351,515
- Tiempo de ejecución
- 1h 28min(88 min)
- Color
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta