James Dean: Forever Young

(*James Dean quote*) - "Dream as if you'll live forever. Live as if you'll die today."

"Forever Young" is something of a "mixed-bag" celebrity-documentary, in that it is either gonna please you to pieces or else piss you right off - Depending, of course, on your overall opinion of late actor, James Dean.

This 90-minute presentation (of both colour and b&w images) completely glosses over Dean's decidedly quirky, emotionally-explosive character. In order to divert and compensate for this omission - It pays full attention to James' brief professional acting career in both the medium of television and in Hollywood feature films.

Through 100s of vintage stills and archival footage (some images rarely seen before) - "Forever Young" pays respectful tribute to James Dean who (at the age of 24) died in a brutal car crash

I love James Dean, so it's disappointing that I've yet to find a truly great documentary about the man. On the plus side, this documentary has lots of rare footage, especially of his lesser known film and television appearances. I saw a lot of stuff I hadn't seen before. Unfortunately, this is a very basic documentary, the kind of thing you'd expect to get free, tacked on somewhere as a DVD extra. In fact, I'd initially heard this was to be included with the recent James Dean DVD box that came out. It probably would have played better there, but on its own it seems weak. First off, it actually opens with a montage set to Rod Stewart's song "Forever Young". Not only does the song seem terribly out of place, but it also seems like the kind of thing Dean himself would have disliked. We're also subjected to Jim Croce's "I Got A Name" as Jimmy drives to his death. You know the one, where he sings "movin' me down the highway" repeatedly in overly earnest seventies singer songwriter style. And why do we hear Paul McCartney's "Mull Of Kintyre" over the closing credits? All this, plus no interviews, just Martin Sheen narrating in a "then Jimmy acted in this" mode. As a collection of rare clips, this is intriguing for Dean fans. Other than that, it offers little insight into a fascinating life.

I saw this film at it's American premiere at the James Dean festival in Marion, Indiana. I feel in love immediately and somehow all over again with James Dean. I think that my favorite aspect of the film was how it revealed the "real" Dean, the artist, not James Dean the rebel, because there's so much more to him than that stereotype. The film chronicles a fearless boy ready to tackle the world, not afraid to take chances and step on some toes, but not in a maniacal fashion, which is what I loved. I appreciated how I was able to watch much of the television work of Dean, as well as some of his screen tests, most notably for "East of Eden" in which he tests with a young Paul Newman. This is one of the most wonderful documentaries I've ever seen, and it's because it's made out of love for Dean, and love of art and film-making, not for the almighty dollar, and that alone makes it something very special.

During the mid-50s, everybody was fascinated with James Dean, including, obviously, Paul Newman. I have never seen such blatant flirting between two men on the screen.

Paul wanted this role as Dean's brother in "East of Eden," and it showed. The "test" was nothing more than Dean and Newman standing side by side taking direction from an off-screen voice. "Now, turn and look at one another," the director orders. Dean, whom we know was gay, was smitten with the ultra-handsome Paul. When their eyes met, Newman could certainly sense Dean's "interest" in him. Isn't it always IN THE EYES? Newman boldly flirted back (oh, those blue eyes!) But then, Dean was equally as handsome. I tell you - those eyes were COMMUNICATING!!!

At one point, while staring into one another's eyes, Dean says to Newman, "kiss me." Newman smiles and whispers, "can't here." They both laugh. Several homo-erotic moves and comments follow, something about "I can't let this guy (Newman) get behind me!".

When I showed this to a female friend, she was floored. "I can't BELIEVE they did that," she quipped. Now, I saw Paul Newman in person coming out of Sardi's in New York one evening. You just wouldn't believe how handsome he was and how mesmerizing his blue eyes were. And, going back to 1953, he was at his zenith in good looks. I suppose Jimmy had good taste. Wait 'till you see this screen test! Paul didn't get the part, but did show up the next year in "The Silver Chalice," his first film, co-starring with the gorgeous, Virginia Mayo, who was top-billed. Newman was "introduced."

If you're a James Dean fan and only really know him from the three films that brought him fame, you'll be interested in seeing how he kept busy before that big break in EAST OF EDEN ('55).

As interesting as these early TV clips are, none of them are set up in a way that helps us follow what is going on. Seen out of context it's difficult to assess just how well Dean is doing in his various roles, but it does appear that he had already adopted all of the quirky mannerisms he displayed in his major films. His method acting is on full display in all of the '50s TV work he did, including episodes with Ronald Reagan and Geraldine Page. It would have been interesting to know why Louis Jourdan had little to do with him during their Broadway appearance in "The Immoralist." It's a fact that is quickly mentioned and then dropped by narrator Martin Sheen.

His test with Paul Newman for EAST OF EDEN to see whether they could play brothers in the John Steinbeck drama is one of the more interesting highlights. And ironically, his willingness to appear with Gig Young in a short about driver safety shortly before Dean's death in an auto accident leaves an indelible impression.

For fans of the actor, an interesting glimpse of his personality before and during the height of stardom, but not an incisive full-bodied portrait of the actor at work.