Un muñeco de trapo que se despierta en un futuro post-apocalíptico tiene la clave para salvar a la humanidad.Un muñeco de trapo que se despierta en un futuro post-apocalíptico tiene la clave para salvar a la humanidad.Un muñeco de trapo que se despierta en un futuro post-apocalíptico tiene la clave para salvar a la humanidad.
- Dirección
- Guionistas
- Elenco
- Premios
- 9 nominaciones en total
Elijah Wood
- #9
- (voz)
Jennifer Connelly
- #7
- (voz)
Crispin Glover
- #6
- (voz)
Martin Landau
- #2
- (voz)
John C. Reilly
- #5
- (voz)
Fred Tatasciore
- #8
- (voz)
- …
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I was quite taken with '9', a movie I saw without reading the reviews here (which is not the usual sequence of things for me). I'm glad I didn't read the reviews this time, though, because too many of them seemed to me to be off point.
This is quite a didactic film with a decided moral and spiritual flavor from the opening scene to the beautifully crafted ending. It uses archetypes and plot lines that are more or less predictable and common. But it combines those elements with -- as most of the reviewers here have agreed -- wonderful visuals to create a sweeping story that is at least wonderful and borders on the magnificent. I was enchanted with the rag-doll characters from very early on and frankly don't get it when reviewers here say they couldn't identify with these touchingly and endearingly humanoid creatures. So much more empathetic than, say, Wall-E, of which it is only vaguely reminiscent.
The spiritual message in this movie is deeply interwoven and -- perhaps because it resonates with my own spiritual path -- I found it quite well done and sufficiently subtle that remarks to the contrary here seemed to me to derive more from disagreement with the spiritual philosophy than with its presence as a major component of the story.
I highly recommend this movie. It is entertaining and enlightening. The only thing that kept it from earning a very-hard-to-garner 10 from me was the overuse of violence in the late-middle portion when the denouement should be closer to the surface.
This is quite a didactic film with a decided moral and spiritual flavor from the opening scene to the beautifully crafted ending. It uses archetypes and plot lines that are more or less predictable and common. But it combines those elements with -- as most of the reviewers here have agreed -- wonderful visuals to create a sweeping story that is at least wonderful and borders on the magnificent. I was enchanted with the rag-doll characters from very early on and frankly don't get it when reviewers here say they couldn't identify with these touchingly and endearingly humanoid creatures. So much more empathetic than, say, Wall-E, of which it is only vaguely reminiscent.
The spiritual message in this movie is deeply interwoven and -- perhaps because it resonates with my own spiritual path -- I found it quite well done and sufficiently subtle that remarks to the contrary here seemed to me to derive more from disagreement with the spiritual philosophy than with its presence as a major component of the story.
I highly recommend this movie. It is entertaining and enlightening. The only thing that kept it from earning a very-hard-to-garner 10 from me was the overuse of violence in the late-middle portion when the denouement should be closer to the surface.
This film at it's core explores the idea of humanity and what it means to be human. It does this by exploring themes such as friendship, curiosity and discovery, family and the fundamental question we all ask "why am I here and what is my purpose?" What makes the film so unique is that it projects these onto the main characters which are small ragdoll like automatons who have been set with the task of undoing the wrongdoings of their creator. This film has heart and on a first viewing the core themes and story may be lost by the stunning visuals of the characters and the environment they interact within. So I recommend at least watching this film twice to really appreciate all it has to offer. This film is set In a post apocalyptic setting yet it still manages to feel so unique. The closest I can think as far as cinematography is The Book of Eli, yet this is much more menacing and darker. Although wrapped up like a children's film with the animation, it definitely is for a more mature audience.
The first time I heard about 9 and found out that Tim Burton and Timur Bekmambetov were co-producing it, I was absolutely on board to see it. Anything that the guy who directed such quirky masterpieces as Beetlejuice, Batman, Mars Attacks!, Ed Wood, and Sleepy Hollow got behind had to be worthy of my time. And then you add the genius of Russian director Timur Bekmambetov to the mix and to me it was a no brainer. I was going to see this movie. Burton AND the guy that has brought us such visually complex and action-packed fare as Wanted, Night Watch, and Day Watch supporting a movie? It had to be good.
And it was. Director Shane Acker borrows maybe a little more than he should have visually from other such apocalyptic films like Terminator and even Wall-E, but it doesn't end up hurting the film by any means. The scenery and landscapes of the film are beautifully crafted and set everything up for a certain feeling of loneliness and hopelessness. It's more graphic and suspenseful than any children's or youth feature you would take your kids to, so definitely don't let the fact that this is animated fool you. This is not for the little ones.
The voice actors all put their best foot forward and deliver. You've got Elijah Wood as 9, once again convincingly leading a group of survivors in what seems to be an unwinnable war against a much larger foe than they could be expected to defeat. You've got Christopher Plummer playing 1 as an interesting paranoid "keeper of the secrets" which reminded me of the Dr. Zaius character in the original Planet of the Apes films, if you've seen any of those. Legendary actor Martin Landau plays 2, who is a scientist and fixes 9. Then there's Jennifer Connelly, who plays the strong-willed and rebellious 7 who has left the core group of "stitchpunks" to get away from under all of 1's rules. Last but not least, you've got Crispin Glover playing the slightly obsessed and seemingly crazy 6 who has been drawing strange symbols since the big war between the humans and machines.
The film had an interesting plot that got a bit more complex in the end. Part of the complexity had a spiritual vibe to it that I didn't necessarily care for. It just seemed almost out of place and like the director was stretching for something that would make the film more "sophisticated." I was not disappointed in the movie by any means. It was a visually striking piece of film. It was action-packed and fun without dumbing down the story or sacrificing it. If you're into sci-fi, apocalyptic thrillers, and animation I would highly recommend this.
And it was. Director Shane Acker borrows maybe a little more than he should have visually from other such apocalyptic films like Terminator and even Wall-E, but it doesn't end up hurting the film by any means. The scenery and landscapes of the film are beautifully crafted and set everything up for a certain feeling of loneliness and hopelessness. It's more graphic and suspenseful than any children's or youth feature you would take your kids to, so definitely don't let the fact that this is animated fool you. This is not for the little ones.
The voice actors all put their best foot forward and deliver. You've got Elijah Wood as 9, once again convincingly leading a group of survivors in what seems to be an unwinnable war against a much larger foe than they could be expected to defeat. You've got Christopher Plummer playing 1 as an interesting paranoid "keeper of the secrets" which reminded me of the Dr. Zaius character in the original Planet of the Apes films, if you've seen any of those. Legendary actor Martin Landau plays 2, who is a scientist and fixes 9. Then there's Jennifer Connelly, who plays the strong-willed and rebellious 7 who has left the core group of "stitchpunks" to get away from under all of 1's rules. Last but not least, you've got Crispin Glover playing the slightly obsessed and seemingly crazy 6 who has been drawing strange symbols since the big war between the humans and machines.
The film had an interesting plot that got a bit more complex in the end. Part of the complexity had a spiritual vibe to it that I didn't necessarily care for. It just seemed almost out of place and like the director was stretching for something that would make the film more "sophisticated." I was not disappointed in the movie by any means. It was a visually striking piece of film. It was action-packed and fun without dumbing down the story or sacrificing it. If you're into sci-fi, apocalyptic thrillers, and animation I would highly recommend this.
I don't know how much of a market there is for animated films like this but as someone who appreciates good artwork and computer animation, I enjoyed it. Yeah, the story is only so-so but the characters keep your attention - both good and bad guys, and it is deceptively involving.
The "good guys" in here are burlap-looking sewn puppets. Why they are who they are is explained near the end of the movie. The "bad guys" are the machines. Yes, this is familiar "Terminator" country, theme-wise, but the machines in this movie are brutal and scary. This movie is definitely not for little kids!
If you keep your expectations in the "fair" range, and watch it on Blu-Ray, you should enjoy it. As mentioned, the story draws you in. On the other hand, if you are looking for something fantastic, you might be disappointed.
The "good guys" in here are burlap-looking sewn puppets. Why they are who they are is explained near the end of the movie. The "bad guys" are the machines. Yes, this is familiar "Terminator" country, theme-wise, but the machines in this movie are brutal and scary. This movie is definitely not for little kids!
If you keep your expectations in the "fair" range, and watch it on Blu-Ray, you should enjoy it. As mentioned, the story draws you in. On the other hand, if you are looking for something fantastic, you might be disappointed.
Much like Shane Acker's short (of the same name), this movie almost REQUIRES multiple viewings for the viewer to really soak everything in.
The first time I watched the film, my initial criticisms were "That was too short" and "There wasn't not enough emphasis on characters/story". However, after watching the movie a second time, I realized that I had missed a TON of information on my first round. Upon asking other friends what they thought about the movie the second time around, I discovered that they felt the same way.
The first time I watched the film, I felt like everything flew by. It was visual overload, and it just had bad pacing overall. However, on my second viewing of the movie, I noticed that things seemed to go by much, much slower. The pacing seemed better. I noticed character and plot subtleties that I simply did not catch the first time I watched it. I connected more with the stitchpunks, and I understood the story better. The visuals weren't just "Ohhh, pretty!" anymore, they had greater symbolism, and depth.
The movie is, indeed, about 20 minutes too short. Certain characters needed more screen time, and certain points in the plot needed more emphasis. HOWEVER, I found that I enjoyed the movie drastically more when I saw it a second time. I plan on seeing it a third time later this week.
This movie reveals new surprises every time you watch it. If you have seen it once already, and didn't think it was that great, I strongly suggest dropping the $8 and giving this movie a second chance. You may be surprised how much your opinion changes.
The first time I watched the film, my initial criticisms were "That was too short" and "There wasn't not enough emphasis on characters/story". However, after watching the movie a second time, I realized that I had missed a TON of information on my first round. Upon asking other friends what they thought about the movie the second time around, I discovered that they felt the same way.
The first time I watched the film, I felt like everything flew by. It was visual overload, and it just had bad pacing overall. However, on my second viewing of the movie, I noticed that things seemed to go by much, much slower. The pacing seemed better. I noticed character and plot subtleties that I simply did not catch the first time I watched it. I connected more with the stitchpunks, and I understood the story better. The visuals weren't just "Ohhh, pretty!" anymore, they had greater symbolism, and depth.
The movie is, indeed, about 20 minutes too short. Certain characters needed more screen time, and certain points in the plot needed more emphasis. HOWEVER, I found that I enjoyed the movie drastically more when I saw it a second time. I plan on seeing it a third time later this week.
This movie reveals new surprises every time you watch it. If you have seen it once already, and didn't think it was that great, I strongly suggest dropping the $8 and giving this movie a second chance. You may be surprised how much your opinion changes.
¿Sabías que…?
- TriviaShane Acker first made Nueve (2009) as a ten minute short film while he was still at UCLA. It was nominated for Best Animated Short at the Oscars, and although it didn't win, Acker was offered the chance to expand it into a feature film. It follows the same basic plot, but more characters have been added, they have the ability to talk now, and the reason for the world's destruction is explained in more detail.
- ErroresOnce 2 places the voice box into 9, the zipper remains open. However, in the next shot, 9's zipper is closed. The following shot has the zipper open again. 9 is later shown zipping his zipper closed.
- Créditos curiososSome of the end credits emerge from 9's talisman.
- Versiones alternativasIn the Russian dubbed version, the dolls represent the people in the Scientist's life instead of the American version where they represent his personality. 1 being the dictator, 2 being his lab assistant, 3 and 4 being the Scientist's twin children, 5 being the field doctor who saved the Scientist's life during the rise of the robots, 6 being the engineer who activated the robot, 7 being the Scientist's wife, 8 being the Chancellor's bodyguard, and 9 representing the Scientist himself.
- Bandas sonorasOver the Rainbow
Written by Harold Arlen and E.Y. Harburg
Performed by Judy Garland
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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- How long is 9?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 31,749,894
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,740,446
- 13 sep 2009
- Total a nivel mundial
- USD 48,428,063
- Tiempo de ejecución1 hora 19 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What was the official certification given to Nueve (2009) in India?
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