Un joven programador es seleccionado para participar en un experimento de inteligencia sintética mediante la evaluación de las cualidades humanas de un humanoide altamente avanzado.Un joven programador es seleccionado para participar en un experimento de inteligencia sintética mediante la evaluación de las cualidades humanas de un humanoide altamente avanzado.Un joven programador es seleccionado para participar en un experimento de inteligencia sintética mediante la evaluación de las cualidades humanas de un humanoide altamente avanzado.
- Dirección
- Guionista
- Elenco
- Ganó 1 premio Óscar
- 74 premios ganados y 162 nominaciones en total
- Jasmine
- (as Symara Templeman)
- Amber
- (as Lina Alminas)
- Office Worker
- (sin créditos)
- Office Worker
- (sin créditos)
- Office Manager
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Opiniones destacadas
Ex Machina is a thoughtful science fiction about Artificial Intelligence, whereby, to no fan's surprise, the current female robot, Ava (Alicia Vikander), has human qualities that cause trouble for inventor, Nathan (Oscar Isaac), and visitor, young Caleb. If you know anything about these stories, you could write the screenplay, but you'd need these actors to make it the impressive sci-fi it is.
Poets and philosophers have been intrigued by just this story about AI gone astray after interacting with humans. The Frankenstein motif is alive and dangerous, and the spirit of Spike Jonze's Her, with the seductive operating system, is very much a part of Ava's approach to Caleb. The destructive force of Nathan's creation is more subtle than in Dr. Frankenstein's creation, but menacing nevertheless: "Isn't it strange, to create something that hates you?" Ava to Nathan
Brainy Nathan has a compound somewhere in an Alaskan refuge as modern as could be with ID cards and glass walls and doors to give the impression of peace and transparency. Caleb is chosen to help Nathan use the Turing Test to judge the quality of the AI-human experience.
As in real life, nothing is as it appears because neither Nathan nor Ava can refrain from lying. Yet, even Caleb is drawn into lies as he gets closer, even romantically, yikes! to Ava. Once again for science fiction, as soon as the robot gets to enjoy being like a human, trouble ensues. However, even if this film seems like a retread, say, of Never Let Me Go, very few filmmakers could match the ultra modern, yet still sexy, set design. And Isaac's character is so mercurial, at once comforting then tyrannical, that the film could be remembered if only for his star turn as the mad but charming scientist.
After all, Ex Machina is as much about a scientist playing God as it is about the bridge between robot and man. Each topic could, and has been, treated on its own. Here it is an exciting return to modern man as god and monster:
"I am God." Nathan
¿Sabías que…?
- TriviaThe location of the house in the movie is the Juvet Landscape Hotel in Norway.
- ErroresWhen Ava and Kyoko meet in the corridor, there are masks on the wall. At the end of the scene, the masks are gone. Correction: The camera angle is not a reverse shot along the same corridor with the masks. The camera has moved to where Kyoto is standing, turned 90 degrees right and is looking down the corridor she came from. When Nathan finds them, he is looking from the other end of the corridor where Kyoto came from.
- Citas
Nathan: One day the AIs are going to look back on us the same way we look at fossil skeletons on the plains of Africa. An upright ape living in dust with crude language and tools, all set for extinction.
Caleb: I am become Death, the destroyer of worlds.
Nathan: There you go again, Mr. Quotable.
Caleb: There you go again. It's not my quote. It's what Oppenheimer said after he made...
Nathan, Caleb: ...the atomic bomb.
Nathan: Yeah, I know what it is, dude.
- Créditos curiososThe end credits starts with a single dot in the background which then grows and various patterns emerge from it.
- Versiones alternativasThe alternatively censored cut released in China featured frequent blurs of nudity and, on occasion, violence. One scene towards the end also seemed to be zoomed for no apparent reason.
- ConexionesFeatured in Film '72: Episode #44.2 (2015)
- Bandas sonorasSchubert Piano Sonata No.21 in B Flat Major, D.960
Composed by Franz Schubert
Performed by Alfred Brendel
Courtesy of Decca
Under license from Universal Music Operations Limited
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Ex Machina
- Locaciones de filmación
- Juvet Landscape Hotel, Alstad, Valldal, Noruega(Nathan's mountain retreat)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 25,442,958
- Fin de semana de estreno en EE. UU. y Canadá
- USD 237,264
- 12 abr 2015
- Total a nivel mundial
- USD 37,394,629
- Tiempo de ejecución
- 1h 48min(108 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1