Kautokeino-opprøret

Why 9? Well it takes a lot to watch a film spoken in Sammi with Norwegian subtitles - when you don't speak either language - and come out of the cinema saying "Now that was a good film".

It's based on a true story set in the North of Norway 143 years ago of a Swedish store owner and his desire to supply alcohol to a growing number of Sammi men versus a Sammi wife and her desire to keep the men off the liquor.

It is a great tale and the acting is top drawer. The final scenes are especially poignant.

The irony of a Govt, Church and Business community intent on ensuring the supply of alcohol to a Sammi tribe struggling to cope with the concept of capitalism in a country that today preaches the exact opposite will not be lost on you.

Watch it. You will not regret it.

The Samis aren't often portrayed in films. Not even in the Nordic countries, although their history has some similarities with that of the Native Americans.

Here it's Norway in the early 1850s. The church and the tradesmen sell booze to the Sami men, but unofficial ways of Christianity saves them. This is a threat towards the destructive order and there are counterattacks, which leads to the rebellion.

The script is a little naive and Swedish actor Mikael Persbrandt's overacting doesn't make it better. But the historical environment is well painted and conflicts like this one are very rare in movies.

I'm not a critic and I do not write reviews to be 'helpful' for others. "It's important that I'm sayin' the right sayin'. It's less important that you hear." Words taken from the character "Nell" in "Idioglossia", a stage play that later was adapted by Alicia Christian "Jodie" Foster, as producer and as actress.

So here are some glimpses, I hope they will be not very 'off topic' Addiction, social rules, the Word of the Lord and the ones who have to decide either to deliver it as a gift or to promulgate it as a verdict, the different quadrants of law and emotions - this film deals with a lot of things that often seem to be mostly clarified in our world. I think they aren't. So this movie is not only a view to history.

I was very surprised by the bishop. A tall, beautiful, young man, Nikolaj Coaster-Waldau. I would give an extra star for casting him.

When there is a border in a nation, when two or more ethnicities live there then life seems to become more demure, rough, brittle. Anni-Kristiina Juuso (Elen Skum) had played Anni in "Kukushka" some years ago, a movie that shows how difference makes us rich and gives power and health. But for this we need to have individual contact. We're simply lost without this.

I'm an European, I've been to Sápmi and to Kosovo. I can feel how fragile we are. I'm happy that there is peace in the north, and share this world with the Sami people who live in four countries.

At the end you can hear Mari Boine: "And so the spring river opened up again / And so we let ourselves drift with the flood..." Have I went too far away from the movie?

In 1852, Sami reindeer herders in the Arctic region of Norway were fed up with the Norwegian liquor industry exploiting their tendency to alcoholism, local government officials seizing parts of their herds, and a corrupt state church ignoring it all. They rioted, beating the local priest and killing a merchant and government official. The two men considered ringleaders, Aslak Haetta and Mons Somby, were tried and executed. This incidence is little-known in most of Europe, but in the history of the Sami people it is one of the few tales of resistance to pressure from their southern neighbors and has gained a sort of epic status. Nils Gaups' 2008 film KAUTOKEINO-OPPRORET (The Kautokeino Uprising) depicts this event. The main character of the film is Ellen Aslaksdatter Skum, who with her husband Mathis Haetta, was sentenced to long imprisonment. Ellen is played by Anni-Kristiina Juuso, a Sami actress best known for her role in Aleksandr Rogozhkin's 2001 film KUKUSHKA. The film is multilingual, with the Sami speaking their own language, Swedish used as a lingua franca, and Norwegian heard from a few outsiders. Mid-19th century Norway is depicted in absorbing detail, and watching the film I felt to some degree that I was sharing the challenges of the characters in the frozen north.

The film takes a few liberties with history (the whipping of the priest isn't portrayed, and the rioters are stopped by what seem to be Norwegians instead of their own other Sami neighbors. Still, it's generally factual and really inspires the viewer to go out and learn more about the event. What I really admire about the film is that it doesn't try to portray the murderers as bold defenders of national consciousness: their uprising was something of an act of blind rage and they were betraying their own Christian ideals. Other depictions of the riots, such as Launis' godawful opera "Aslak Hetta", give in to hyperbolic National Romantic feelings, but Gaups' film keeps it on the level.

I wont even try to remember all the names here. But it's set in Lappland about 1850, and the lapps is spending they're cash drinking... litterarly breaking apart families. And one man makes a lot of money. Sounds familiar? Yup, it's close to another native tribe far west. Oh, how I learn to despise Bjørn Sundquists priest when he arrives to learn these primitive lapps the respect of Christianity. It's so close to how the Indians were treathed at the same time. And sad. It's a true story, and not shocking. The big authorithies can do anything they want, including taking "tax" on reindeers, meaningless arrests and brutal force against "unchristian meetings". The actors are top notch, including Jamie Lannister as a... bishop! But the important thing is how thing can and will escallate when you take away peoples hope and reason to live. It's not an excuse, but sometimes... wrong is right.