Duelo De Asesinos

SERAPHIM FALLS boasts outstanding cinematography from the very beginning, with scenery ranging from snowy mountainous locales to sun-scorched deserts. The landscapes look and feel beautiful and the characters all have that weathered look, particularly Pierce Brosnan who's almost unrecognisable in the leading role.

It kicks off with action at the outset and remains a chase film throughout. The storyline is slender and the back story annoyingly ambiguous, at least until a late-on flashback that solves that particular mystery. The chase stuff is done well, with tension, drama and violence. I always enjoy these survival-style stories so this is a bit of a no-brainer for me.

Another highlight is the film's cast. Brosnan is on good form (I've always liked this actor, just not when he played Bond) and Neeson his match, but it's the supporting cast who interest me the most. Michael Wincott (ROBIN HOOD: PRINCE OF THIEVES) had me thinking of a young Fred Ward throughout, Xander Berkeley gets to be gruff, scary Tom Noonan (THE MONSTER SQUAD) shows up as a preacher and Ed Lauter appears just as I was thinking of this film's similarity to the Charlie Bronson flick DEATH HUNT (in which Lauter also starred in virtually the same part).

The ending is a little weird, moving on from the action-adventure format and becoming almost mystical and allegorical, featuring late-on cameos from Anjelica Huston and Wes Studi. It's not the most entirely satisfying ending I'd have considered, as it goes against the heartfelt vengeance focused upon for the rest of the movie, but at least it's different. A good, if not great, little movie.

Seraphim Falls is directed by David Von Ancken who also co-writes with Abby Everett Jaques. It stars Liam Neeson, Pierce Brosnan, Michael Wincott, Xander Berkeley, Tom Noonan, Kevin J. O'Connor, John Robinson, Ed Lauter, Wes Studi and Anjelica Huston. Music is by Harry Gregson-Williams and cinematography by John Toll.

It's post American Civil War, 1868, the Rocky Mountains, and Gideon (Brosnan) is being hunted by Colonel Morsman Carver (Neeson) and his hired killers. The reason why is not yet known, but it's the beginning of a relentless pursuit that's propelled by rage and hatred, a pursuit that will force both men to the day of reckoning.

The premise is as simple as it gets and on the surface the film holds no surprises until the divisive ending. However, before taking in the thematics of the story, it's refreshing to find a film of this genre type utilising the scenery to the max, whilst simultaneously playing out with sparse dialogue as two grizzled actors tell the story. An obvious forebear to "The Outlaw Josey Wales", Seraphim Falls is ultimately a meditation on revenge and remorse. Moments of violence flit in and out of proceedings, these moments cloaked magnificently by natural surroundings, where the expansive wilderness plays host to the intimate human drama unfolding. It's also a film that pulses with mythical atmosphere, where Carver's pursuit of Gideon plays out like that of the Grim Reaper and his charges sent to capture the soul of the fleeing man. The falls of the title clearly indicates man's decent into hell, because it's not for nothing that the finale is played out on a blistering plain, which as you cast your eyes upon it, it is indeed hellish.

It's also worth noting that we the viewers are never sure who we should be rooting for - if either of them!? Gideon is out on his own, but he is an immensely skilled mountain man, one who is seemingly out skilling his pursuers. Is he the bad guy here? Or is it Neeson's Carver? One is ex Union, the other Confederate, this gives added spice to what then develops into a most intriguing journey. Where the film has irked some critics is with the ending, with some calling it pretentious and a very weak pay off. It's true enough to say that Ancken has slackened the grip slightly, as the tight gritty tone gives way to something more open and even airy. Yet I personally like it a lot, it helps to round out the supernatural feel that appears to loom as we have headed towards the day of reckoning. It lacks dramatic impact for sure, but thematically and for tonal bedfellow process, it pays off on what had gone before it.

Brosnan (stepping in when Richard Gere bailed out) and Neeson revel in the roles, seemingly enjoying the complexities and war torn burdens that their characters carry. Their scenes together are as professional as one could wish, both men comfortably doing world weary characterisations. Wincott is on hand for gravel voiced villain duties, his portrayal of Hayes is cold and in keeping with the movie. The other notable names in the cast drop in and out of the narrative, each important, and in the case of Huston and Studi, suitably weird. But the real star of the show is John Toll (Braveheart/Legends of the Fall), whose photography is pristine and always remaining atmospheric, he captures the natural beauty of Oregon and New Mexico with great keen eyed skill. Switiching seamlessly from the blue, grey and whites of the mountain pursuit to the browns and yellows of the salt flats, we witness a master cinematographer at work.

Likely to infuriate as much as it enthrals, one just hopes that it's the latter that anyone reading this does indeed find to be the case. 8/10

It is easy to dislike a film that slows down during the middle to the point where very little is happening and for that reason, many people may not enjoy this film. Thankfully the performances kept my attention on the screen. The two leads are fantastic with Liam Neeson as the predator and Pierce Brosnan as the hunted. Brosnan particularly stands out giving a performance much different to what he has done before this. Right from the beginning you believe that he is trying to survive in the snowy Ruby Mountains whilst he is being hunted. Were it not for the two leads, this film would have been uninteresting to watch.

This is not an action western like 3:10 to Yuma, which is one of my favourite films I might add but is instead a drama that focuses on how far men will go to get what they want or what they will do to survive. Thats not to say that it is devoid of any excitement as the film starts off with Brosnan being chased through the woods and into the rapids. Without spoiling too much the ending is also gripping and concludes the film nicely.

The soundtrack for the film is great and works well with what is happening on-screen. While it may not be as rememberable as The Assassination of Jesse James, it nice to listen to as you look at the films fantastic cinematography. When they are in the cold mountains, you feel cold and that there is little chance of survival for the characters. When they are in the desert, you will feel their thirst for water.

If you watch the film expecting it to be slow and uninteresting, you will be surprised. Watch this film with an open mind and you will see that this is a very well made film boasting fantastic performances from the two leading actors.

Written by Abby Everett Jaques and David Von Ancken and directed by Von Ancken, "Seraphim Falls" is a rough, tough, old-fashioned western set on the dusty plains and snow-covered mountains of western Nevada. The plot is little more than a straightforward revenge tale involving Liam Neeson (sans Southern accent) as a sadistic Rebel army colonel who hires a posse to track down the marauding Union officer he believes slaughtered his family in the days following the Civil War. The officer, played with steely-eyed determination by Pierce Brosnan, is a savvy, quick-on-the-draw survivalist who, through sheer ingenuity and skill, stymies and outwits the colonel and his men at every turn.

What "Seraphim Falls" lacks in substance, it more than makes up for in grit and style. For even though there isn't a great deal of depth to the characters, there's much pleasure to be derived from merely watching two actors of the caliber of Neeson and Brosnan squaring off in a grueling game of cat-and-mouse played out in a punishing, unforgiving landscape. Brosnan's character achieves an almost Superman-like quality as he stays one step ahead of his pursuers, devising ever-more elaborate means of ensnaring them in his traps. The movie takes a decidedly metaphysical turn in its closing stretches, with the divine Anjelica Huston, no less, appearing out of nowhere as a desert apparition to set the boys straight on a few eternal verities like redemption and forgiveness. But it is as a simple tale of vengeance and obsession that "Seraphim Falls" most captures our imagination and interest.

I rented this film without ever hearing of it before, and was pleasantly surprised...something which is becoming more and more rare in my movie renting experience.

This gritty, untypical western appealed to me on a number of different levels. The unusual casting of Liam Neeson and Pierce Brosnan intrigued me, their film presence was an enhancement without being a distraction to the film. The story was complex and minimalist at the same time, sometimes combining ultra-real and surreal elements. The cinematography is straightforward and beautiful, and a welcome relief from the jiggly camera technique, colorization, and other "contemporary" gimmicks that all too often nowadays cause technique and style to become a major distraction with the story being told. Thank goodness there are still directors that believe in having movies being filmed this way!

While the story grabs your attention from the very beginning and moves quickly, it takes its time in revealing who the characters are, and what are their motivations and the demons they are dealing with.

If you watch this with a preconceived notion of what a western should be, a la John Ford, Howard Hawks, etc. you may be disappointed, as some reviewers here obviously have been. I myself found this intelligent western - that is a little offbeat, with an element of mystery, and not always clearly defined bad guys and good guys - a refreshing change of pace from the racks of slasher film sequels, lame comedies, and Jennifer Aniston vehicles at the video store.