Agrega una trama en tu idiomaA grandson gives his grandfather a vow to go to the city to sell a cow and bring back a wife.A grandson gives his grandfather a vow to go to the city to sell a cow and bring back a wife.A grandson gives his grandfather a vow to go to the city to sell a cow and bring back a wife.
- Dirección
- Guionista
- Elenco
- Premios
- 1 nominación en total
Predrag 'Miki' Manojlovic
- The Boss Bajo
- (as Predrag Miki Manojlovic)
Mihailo Todorovic
- The Clerk
- (as Mihajlo Todorovic)
Dragan Zurovac
- The Circus Owner
- (as Dragan Kiki Zurovac)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10pentacul
I don't know why some guys from US, Georgia or even from Bulgaria have the courage to express feelings about something they don't understand at all. For those who did not watch this movie - watch it. Don't expect too much or don't put some frameworks just because this is Kosturica. Watch the movie without prejudice, try to understand the whole humor inside - people of Serbia DID actually getting married while Bil Clinton bomb their villages, gypsies in all Balkans are ALWAYS try to f*ck you up in any way they can, LOVE is always unexpected, pure and colorful, and Balkans are extremely creative. For those who claims this is a bad movie I can see only that the American's sh*t (like Meet Dave, Get Smart etc) are much much worse than a pure, frank Balkan humoristic love story movie as Promise me. The comment should be useful and on second place should represent the personal view of the writer. I think the movie is great and people watch it must give their respects to the director and story told inside. It is simple, but true. It is brutal, but gentle and makes you laugh to dead.
Kusturika made it again. Another masterpiece. A coral comedy full of his own landmarks, with a frenetic rhythm and many glorious moments, we laughed and laughed, what a party! The music is everywhere, and also the shooting, the animals, the crazy bastards, sex and amazing gadgets and inventions, everything colorfully visual to entertain only. Pure cinema in essence. A wonderful experience to watch. And one is specially grateful since good comedies are so rare, and so wonderful. Well, this is one, and if you enjoyed Kusturica's previous films, you'll love this, although, as in all comedies, it is about a chemical reaction, and you have to be in the mood for it.
I started to watch this movie with great expectation although I had some fears too. In my opinion Kusturica together with Almodovar is among the most creative directors in Europe. Movies like Time of the Gypsies, Underground, Black Cat, White Cat are so rich, so imaginative that I don't hesitate to call them masterpieces. That's the reason why I was expectant. I was afraid because Life is a Miracle though still being quite a fascinating work already showed some signs of artistic crisis. I had at times impression that the director started to lack ideas which resulted in self-citing.
Zavet was even more disappointing. It is well watchable still, has some really good moments but never comes to the point of truth, never reaches the poetical heights and freshness of Kusturica's above mentioned masterworks. what was surprising for me that even humor in this movie is quite flat. At times you feel that you are supposed to laugh but it is not funny at all. For example that flying guy from the circus canon. In the beginning it was somehow promising, I even had reminiscences of the red balloon from Arizona Dreams but after all there was no development and the end of the episode was unconvincing.
Zavet can still be enjoyable experience, especially for Kusturica's fans and indeed it is well worth watching as it is a hotchpotch of the director's hallmark elements but those seeking high artistic inspiration probably won't be satisfied
Zavet was even more disappointing. It is well watchable still, has some really good moments but never comes to the point of truth, never reaches the poetical heights and freshness of Kusturica's above mentioned masterworks. what was surprising for me that even humor in this movie is quite flat. At times you feel that you are supposed to laugh but it is not funny at all. For example that flying guy from the circus canon. In the beginning it was somehow promising, I even had reminiscences of the red balloon from Arizona Dreams but after all there was no development and the end of the episode was unconvincing.
Zavet can still be enjoyable experience, especially for Kusturica's fans and indeed it is well worth watching as it is a hotchpotch of the director's hallmark elements but those seeking high artistic inspiration probably won't be satisfied
Before 'Zavet' there was similarity between Tim Burton and Kusturica artistic vision. They find their own, poetic style, and then they cowardly become prisoners of it. Burton has (and still have) Depp, Kusturica has Miki Manojlovic, and somehow they got critical praise for repeating same formula over and over again. However, there are persons like me who find joke funny only when they heard it first time. That's main reason why Kusturica's worst movies are 'Black cat white cat' and 'Life is miracle'. 'Zavet' is something completely different. You may like it, you may hate it, but this is NOT just another Kusturica poetic – Balkanic dreamlike stuff. Of course, if you want to be praised, you have to play safe. It was very easy for Kusturica to make just another flying gypsies movie and get award. Fortunately, as a brave person he chooses to make movie that will be ironic look to his previous works. 'Zavet' can be described as a strong and very harsh parody on previous Kusturica movies directed by Kusturica himself. It is beautiful to see one big movie director to not take himself too seriously. This is quality that Kusturica have and even the biggest, like Bergman or Kubrick, didn't have. This movie is so meaningless that becomes absurd, so absurd that becomes deep, and so unfunny that becomes hilarious. Same stuff that make 'Plan 9 from outer space' cult would made this masterpiece to people who knows how to watch it. Average western viewer would not get few references. Most notable, tire shop owner is Srbljanovic , and this refers to Biljana Srbljanovic, famous Serbian dramatic writer. Politically, she is very active as left oriented liberal, and she despises Kusturica's political views and anarchism. Kusturica's 'everything but not subtle' take to her work was to castrate Miki Manojlovic in Srbljanovic shop. Second reference is made to Goran Bregovic – previous Kusturica's composer. He formed 'Funeral and wedding orchestra' and start performing around Europe. Although he is praised as big composer, Bregovic is just performer and most of his songs (if not all) are poor covers of traditional Serbian songs. Kusturica's take on Bregovic was to confront one wedding and one funeral, with funeral mocking the wedding. Also, music is covering western classics as 'London Bridge is falling down' or French lullabies. You find this unfunny? Now you see how we feel in Serbia when listening Bregovic's horrible covers. I really liked this movie because it is not pretending to be deep, it is so overfilled with symbols that it becomes parody, and it is beautifully directed, as all of his works are. If you like previous Kusturica's movies, there is a big chance that you will hate this. If you don't like couple of his last movies, you may find this as pleasant surprise, because this is like Fellini directing 'Pink Flamingos'. On purpose. I have massive respect for this guy after 'Zavet'. Next Tim Burton movie would surely have main character with pale faces. Next Kusturica movies can easily be about aliens invading Earth. That's the reason why he is most interesting director on Earth, whether you like it or not.
For those of you who are not aware with the theme that Kusturica continues to explore intermittently in his films--the Western assault on traditional Serbian values--it will be impossible for you to understand his narratives. This continuous theme, expressed through fantasy and outrageous comedy as its vehicle, is one that Kusturica has elected to mandate. Since his fantastic work and Magnum Opus 'Underground', Kusturica's films' 'Black Cat White Cat', 'Life is a Miracle', and recently with 'Promise Me This', his slapstick, carnivalistic style underscores the 'westernization' of Balkan culture, its ambivalent arrival and assault on the traditional idiom. In the case of 'Promise Me This', the paradoxical world of city (urban space) and village (traditional idiom) space are contrasted. The world of the city reflects western attributes that have ensconced the spatial and temporal setting; organized crime, sexual exploitation, a ruptured sense of identity and vehement disregard for traditional values--as expressed toward the young kid--villager. The end of the film further exemplifies this notion as we observe a funeral mass and wedding on a one-way dirt road. They are on a collision coarse; appropriately, the wedding, which represents the lifeline and pulse of the village, i.e. traditional values, are about to collide with the funeral mourners, exemplifying the death of tradition within this context. Yet Kusturica brilliantly examines this theme through his own unique, stylistic singularity. With his outrageous and flamboyant style serving as a vehicle in its portrayal.
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- ConexionesFeatures Taxi Driver (1976)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Promise Me This
- Locaciones de filmación
- Uzice, Serbia(town)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 2,043,351
- Tiempo de ejecución2 horas 3 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
By what name was Zavet (2007) officially released in Canada in English?
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