Crónica de una fuga

Yes, this time we can be sure. This movie will bring home the first award since "la historia Oficial". But the great thing about this movie is that it does not need any award to prove how great it is. When you have some great performances, specially from the best south-American actor of his generation, Rodrigo de la Serna (Diarios de Motocicleta), and a director who has achieved his most mature work, and all of this to tell a story so sad, deep, breathtaking and energetic, you can't go wrong. I was lucky enough as to see this film on a preview, so this is the first vote it receives at the IMDb. But believe me, this movie has future of top 250. Not that it needs it, anyway. Finally, if you are from Argentina, and you think that we have had enough with this type of stories, think of all the missing tales similar to this one, that we'll never know of. They are at least 30.000. So we need to continue filming and writing about the seventies, until one day we'll be able to say. "This won't happen again"

In 1977, the goalkeeper of the Almagro team Claudio Tamburrini (Rodrigo de la Serna) is illegally kidnapped from his home, arrested by the government forces and sent blindfolded to Sere Mansion, a clandestine detention center. His acquaintance Tano (Martín Urruty), who had been tortured for a long period, had falsely accused Claudio of being a revolutionary. Along the months, Claudio is kept nude and handcuffed together with the prisoners El Gallego (Lautaro Delgado), El Vasco (Matías Marmorato) and Guillermo Fernández (Nazareno Casero) and submitted to all sort of humiliations and tortures, until the night they decide to escape from their imprisonment in the old mansion.

The dramatic "Crónica de una Fuga" is a true recollection of a dark period of dictatorship in South America sponsored by USA to fight the communism, more specifically in Argentina. The story is very well acted but limited to the situation of Claudio and the other three prisoners in the Sere Mansion and their escape. However it omits, for example, that Tano and the other prisoners have been certainly dropped airborne from an Air Force airplane (the Jeep indicates Air Force Argentine, and this was a common practice in the dictatorship period). My vote is seven.

Title (Brazil): "Crônica de uma Fuga" ("Chronicle of an Escape")

Let's see. An American nation is threatened by terrorists. For seven years, the government is headed by people who believe that extraconstitutional measures are required. They detain people based on suspicion (often false accusations by enemies) and torture them because they MUST know something. These are specially created places outside the normal criminal system. It is funded and approved from the White House in the name of combating out a global movement, using soldiers and "contractors."

I've been watching movies based on this period. This is one made by Argentines, which adds something. Though the film-making is not particularly effective, it adds a genuine patina. What's disappointing about this is that though we get that the bad guys are genuinely evil men, we don't get the visceral impact of what happened. Really happened.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

an Argentinian page of history. new piece from Pinochet regime. admirable performances. inspired script. and a story of survive. result - a remarkable film. but, more important, a realistic fresco of the XX century. because it is a film about dictatorship. about the brutal power for intimidate and control and see the other only as tool of own interest. and this is the motif for who "Chronicle of an Escape" is a great movie. for the fascinating way to describe the essence of human resistance. for the manner to suggest the heart of every dictatorship. for the wise science to remind - do not ignore the legacy of the last century. this is all. and the basic point for a real useful lesson of history.

This Argentinian movie set in the 1970s presents the real life story of four prisoners who manage a successful escape from their military junta captors during the Dirty War era in Argentina. The Dirty War era was a dark and infamous period in the history of Argentina when the right wing military government was responsible for the disappearance of several thousands - some estimates put the number at about 30,000 - of Argentinians on the pretext that they were suspected left wing terrorists.

This movie retells the real life story of Claudio Tamburrini and three of his fellow prisoners who manage to escape from a secret detention center. Claudio is a goalkeeper in a minor league soccer team and is abducted by the military secret police who suspect him to be a leftist terrorist. Their suspicion is merely based on the questionable testimony of another captive and they swoop down on an unsuspecting Claudio at his residence. Before Claudio could even grapple with the happenings, he is whisked away to a desolate detention center in a suburb where he is held as a blindfolded captive for several months along with others without any due process. The captives are put through a daily rigour of sadistic violence and humiliation in the name of interrogation by their captors who tend to play dangerous mindgames with the hapless captives. This movie is based on the autobiographical account by Claudio with further inputs from his fellow escapee Guillermo who leads their audacious escape on a stormy night.

The focus in the movie is on the daily ordeals faced by the captives and the unflinching cruelty of the thugs of the junta who inflict unspeakable horrors on them. The movie has a dark and foreboding tone throughout to provide a realistic edge to the happenings with just tiny flecks of rooted situational humour and the final act of escape is set as a thriller, albeit, sans any heightened drama. However, the movie does not bother acquainting the viewers with the social context to the unfolding events. Perhaps, this is one reason why there is a sense of something amiss while watching the movie.

Nevertheless, this competently acted movie is successful in presenting a very real account of the chilling, visceral torture meted out to the captives without being overtly gruesome and has a gripping and taut narrative which keeps the viewer tense throughout.