Masz na imie Justine

2005
1h 37min

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Anna Cieslak in Masz na imie Justine (2005)

Agrega una trama en tu idiomaWhen Polish teenager Mariola is duped by her new boyfriend and sold to a sex-trafficking ring in Germany, she is faced with a choice: die along with her grandmother, or adopt to her new iden... Leer todoWhen Polish teenager Mariola is duped by her new boyfriend and sold to a sex-trafficking ring in Germany, she is faced with a choice: die along with her grandmother, or adopt to her new identity as an experienced call-girl.When Polish teenager Mariola is duped by her new boyfriend and sold to a sex-trafficking ring in Germany, she is faced with a choice: die along with her grandmother, or adopt to her new identity as an experienced call-girl.

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6.4/10

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Premios
- 7 premios ganados y 1 nominación en total

Opiniones de usuarios6

Opinión destacada

5/10

Dark.

Similar in tone to Lukas Moodysson's Lilja 4-Ever, Masz Na Imie Justine is another study of human trafficking, and the effects this horror has on the soul. Anna Cieslak gives a strong performance as the fated Mariola, a young Polish girl, who's leaves her home looking for a brighter future, but ends up being delivered into the hands of devils.

Cieslak's performance is the strongest part of the movie. As a film it's competently realised, but also feels a little vacuous, although that same feeling works well alongside Cieslak's character, whom understandably is losing her self to the tortures she is forced into.

As with Lilja 4-Ever, Masz Na Imie Justine is an important film, that warns us of the evil that man can inflict, and it is a horror that is sadly all too real.

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Argumento

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Trivia
Selected by the Grand Duchy of Luxembourg in Fall 2006 to represent the country in the Foreign Language Film category at the 2007 Oscars. However, AMPAS determined that since Luxembourg's input had been primarily financial and not artistic, the film was therefore not eligible and was disqualified. The film was a majority Polish production (directed by a Poland-based Venezuelan director, set in Poland and Germany, filmed in Polish and German with a Polish lead actress). It had also appeared on Poland's Oscar shortlist that year, when it was beaten by Retrieval.